Discusses famous lawmen, the law enforcement agencies for which they work, and the legal system at work.

Drawing on extensive interviews with ninety-four women prisoners, Megan Sweeney examines how incarcerated women use available reading materials to come to terms with their pasts, negotiate their present experiences, and reach toward different futures.

The movie Slacker unfolds during a 24-hour period in Austin, Texas, in which hundreds of characters wander about in a timeless entropy, working hard at doing nothing. Now, to coincide with the national video release of this cult classic, a book that is a ricochet of the movie and the phenomenon. Includes a foreword by bestselling author Douglas Coupland. Illustrated.

A highly entertaining, illustrated look at the villains who robbed banks, trains, and stagecoaches - and who sometimes became American folk heroes - from the days of roving gangs on horseback wielding Colts and Winchesters to the era of the clutch-popping Tommy-gunners. In The Bandit Kings, acclaimed historian Roger A. Bruns provides a lively but considered assessment of the Western bandits and the legends they inspired. The story of how these notorious outlaws took on almost mythical stature in dime novels, popular magazines, theatrical entertainments, and eventually movies is fascinating in itself, but the real facts of their lives and misdeeds are no less intriguing. Throughout the book's 120 photographs, we see the actual faces and places where America's most renowned outlaws ran wild. The Bandit Kings weaves both history and legend into a narrative supported by a trove of rare and unforgettable photographs.

This new book by the well-known anthropologists Jean and John L. Comaroff explores the global preoccupation with criminality in the early twenty-first century, a preoccupation strikingly disproportionate, in most places and for most people, to the risks posed by lawlessness to the conduct of everyday life. Ours in an epoch in which law-making, law-breaking, and law-enforcement are ever more critical registers in which societies construct, contest, and confront truths about themselves, an epoch in which criminology, broadly defined, has displaced sociology as the privileged means by which the social world knows itself. They also argue that as the result of a tectonic shift in the triangulation of capital, the state, and governance, the meanings attached to crime and, with it, the nature of policing, have undergone significant change; also, that there has been a palpable muddying of the lines between legality and illegality, between corruption and conventional business; even between crime-and-policing, which exist, nowadays, in ever greater, hyphenated complicity. Thinking through Crime and Policing is, therefore, an excursion into the contemporary Order of Things; or, rather, into the metaphysic of disorder that saturates the late modern world, indeed, has become its leitmotif. It is also a meditation on sovereignty and citizenship, on civility, class, and race, on the law and its transgression, on the political economy of representation.

Constantinople is the setting for the crime of the century. The 11th Century, that is! On the eve of the First Crusade, the fate of the world rests in the hands of a disgraced soldier, an assassin, an orphan, a scribe, and a thief who have no idea they're pawns in a clash of civilizations. Heretical texts, ancient star