A man ruled by his gun meets a woman led by her heart in a dazzling western historical romance from the bestselling author of Shameless. When Moss Tucker smells danger, he shoots it. When he needs shelter, he grabs it. And when he wants a woman’s touch, he buys it. But then he sees Amanda Boone’s sparkling azure eyes—an innocent beauty like her would never get involved with a law-breaking man like him. Chestnut-haired Amanda tries to keep her gaze on the vast frontier that flashes past her train window—but it keeps straying to the buckskin-clad stranger. Every inch of him is virile and strong. She knows it’s wrong to even think of his muscular arms crushing her soft curves in a fierce embrace. Yet she vows that before the trip is over he will be the one to tame her savage desire with his wild and lawless love. “Bittner’s characters spring to life . . . Extraordinary for the depth of emotion with which they are portrayed.” —Publishers Weekly

A historical romance set in America’s Old West, Lawless is “a novel by Jackie MacNamara,” the book written by the character in #1 New York Times bestselling author Nora Roberts’ Loving Jack. In the late 1800s, the Arizona Territory was an unsettled, wild frontier traversed by the likes of Jake Redman. Prejudiced against for his partial Apache parentage, the gunslinger had little patience for the civility practiced by Sarah Conway. Yet she brought more than polite manners from her east coast city society, possessing a strength of character needed to make the western town of Lone Bluff her home—and an enticing, fiery passion as dangerous to Jake as anything he ever faced with a six-gun.

Lawless Half Apache and all man, Jake Redman was more than a match for the wild Arizona Territory. Sarah Conway, on the other hand, was an Eastern lady who belonged anywhere else but on the rugged land Jake loved. But beneath Sarah's ladylike demeanor beat the heart of a true pioneer, a woman he yearned to make his own. The Law is a Lady Once Phillip Kincaid fixed his mind on something, he set about getting it. And as soon as he'd stopped in Friendly, New Mexico, he knew the town was the perfect locale for his film. And no-nonsense Sheriff Victoria Ashton looked pretty good to him, too! But Tory was giving Phillip a run for his money—making him all the more determined to show her that even a lady of the law can surrender willingly…to love.

Winner of the 2013 Richard J. Finneran Award, Society for Textual ScholarshipOutstanding Academic Title, Choice "His name is Percy Bysshe Shelley, and he is the author of a poetical work entitled Alastor, or the Spirit of Solitude.” With these words, the radical journalist and poet Leigh Hunt announced his discovery in 1816 of an extraordinary talent within “a new school of poetry rising of late.” The third volume of the acclaimed edition of The Complete Poetry of Percy Bysshe Shelley includes Alastor, one of Shelley’s first major works, and all the poems that Shelley completed, for either private circulation or publication, during the turbulent years from 1814 to March 1818: Hymn to Intellectual Beauty, Mont Blanc, Laon and Cythna, as well as shorter pieces, such as his most famous sonnet, Ozymandias. It was during these years that Shelley, already an accomplished and practiced poet with three volumes of published verse, authored two major volumes, earned international recognition, and became part of the circle that was later called the Younger Romantics. As with previous volumes, extensive discussions of the poems’ composition, influences, publication, circulation, reception, and critical history accompany detailed records of textual variants for each work. Among the appendixes are Mary W. Shelley’s 1839 notes on the poems for these years, a table of the forty-two revisions made to Laon and Cythna for its reissue as The Revolt of Islam, and Shelley’s errata list for the same. It is in the works included in this volume that the recognizable and characteristic voice of Shelley emerges—unmistakable, consistent, and vital.

A study of identity, intertextuality and meaning in the Old French Tristan Poems. The book is divided into three sections: Tristan's social identities, Tristan's disguises, Tristan victim and savior.

A. T. Moore's thorough commentary on "Love's Sacrifice" is designed to be of use to all kinds of readers, from students of Early Modern drama to specialists in the field. The notes provide full explanations of obscure words and phrases, and offer analyzes of many aspects of staging and interpretation. The text for this edition is based on a fresh study of the quarto of 1633, the only authoritative early text. In his introduction to the play, Moore reappraises the evidence for the play's date of composition. He also looks at the circumstances of the play's genesis, presenting detailed discussions of both the theater where "Love's Sacrifice" was first performed and the acting company for which it was written. Arguing that Ford's adaptation of his source materials is the key to interpreting this remarkably allusive play, Moore provides a wealth of new information about Ford's sources.The introduction also includes a survey of critical responses, an overview of the play, stage history, and a bibliography of relevant secondary material. This new volume in the "Revels Plays" series is the most detailed and comprehensive edition of "Love's Sacrifice" ever published - and the first modern-spelling edition of Ford's tragedy in more than a century. The play's textual history is discussed in an appendix. A second appendix examines possible links between "Love's Sacrifice" and the real-life story of the murdered Italian prince and musician Carlo Gesualdo.