Contributors Include: W.H. Auden, Robert Burns, Lewis Carroll, John Ciardi, Daniel Defoe, Emily Dickinson, John Donne, Rita Dove, Ralph Waldo Emerson, Martín Espada, Thomas Hardy, Seamus Heaney, A.E. Housman, Langston Hughes, Ben Jonson, X.J. Kennedy, Yusef Komunyakaa, Ted Kooser, D.H. Lawrence, Edgar Lee Masters, W.S. Merwin, Edna St. Vincent Millay, Sir Walter Raleigh, Muriel Rukeyser, Carl Sandburg, William Shakespeare, Jonathan Swift, Mona Van Duyn, Oscar Wilde, William Carlos Williams.

The place of Friedrich Hölderlin (1770-1843) in European literature is assured, and his significance for the development of German philosophy widely acknowledged. Here the focus is more specifically upon his poetics: a body of reflections on the nature of poetry and the meaning of the poet's vocation. These are found in poems and letters, in difficult (and often fragmentary) theoretical writings, and -- in the case of the 'Pindar Fragments' -- texts in which the distinction between poetry and theoretical reflection seems to be overcome. Although Hölderlin's poetics is considered from various points of view, the themes that emerge most frequently are Hölderlin's notion of a 'poetic law' or 'poetic logic', and his conception of tragedy and of what might be called the 'anti-tragic'. Also included is a new translation of Hölderlin's 'Notes' on Sophocles, which are here provided with a commentary. Charles Lewis received his Ph.D. in Philosophy from Cambridge University. He has taught at Princeton University, and held an Alexander von Humboldt Fellowship at the Free University, Berlin.

Presents poems which explore the metaphysical and the ordinary, including "New Heaven, New Earth" in which a person attempts to find a path through dense woods during a blinding blizzard

In Law's Interior, Kevin M. Crotty draws on several important literary works to offer a new model of the relationship between citizens and their laws, one that emphasizes the power of law to shape citizens and to foster—or discourage—their autonomy. Crotty maintains that citizens are "inside" the law—they are the law's interior. Literature, he finds, can be relevant to law by emphasizing the connections between law and the world around it—a stance that corrects the tendency of legal theory to treat law as a separate, autonomous entity.The texts Crotty examines—Aeschylus' Oresteia, St. Augustine's Confessions, and the poetry of Wallace Stevens—question the rationalist optimism that Crotty regards as distorting much recent theorizing about law. Further, he asserts that the inability of courts to state clearly the principles animating their decisions demonstrates the stranglehold the positivist model has on us and our legal imaginations.Crotty sketches a model of the relation between citizens and laws that supplements the more familiar idea of law as something deliberated and enacted by rational, inherently autonomous citizens. The most important legal decisions of the past fifty years, Crotty says, rest on the perception that the state, far from merely respecting the "innate" autonomy of its citizens, actively shapes that autonomy. Law's Interior should contribute to a better understanding of the real principles underlying some landmark decisions by the Supreme Court.

Addressing the influential analysis of law and literature, this book offers a new perspective on their relationship. The law and literature movement that has gained global prominence in the course of last decades of the twentieth and the first decades of the twenty-first centuries has provided the research and teaching of law with a considerable body of new and valuable knowledge and understanding. Most of the knowledge and insights generated by the movement concern either a thematic overlap between legal and literary discourses – suggesting they deal with the same moral concerns – or a rhetorical, semiotic or general linguistic comparability or ‘sameness’ between them – imputing to both the same or very similar narrative structures. The Literary Exception and the Rule of Law recognises the wealth of knowledge generated by this approach to the relationship between law and literature, and acknowledges its debt to this genre of scholarship. It nevertheless also proposes, on the basis of a number of revealing phenomenological inquiries, a different approach to law and literary studies: one that emphasises the irreducible difference between law and literature. It does so with the firm believe that a regard for the very different and indeed opposite discursive trajectories of legal and literary language allows for a more profound understanding of the unique and indeed separate roles that the discourses of law and literature generally play in the sustenance of relatively stable legal cultures. This important rethinking of the relationship between law and literature will appeal to scholars and students of legal theory, jurisprudence, philosophy, politics and literary theory.

Nonprofit Law Poetry: The Second Book By: Bruce Richard Hopkins Welcome back to the realm of nonprofit tax law expressed as poetry! Nonprofit Law Poetry: The Second Book follows Beware the Commerciality Doctrine and Other Nonprofit Law Poetry. Eclectic and spirited, these poems celebrate tax-exempt organizations, charitable classes, donor-advised funds, endowment funds, fundraising, private foundations, the Form 1023, and more, and provide a zippy summary of nonprofit law tax reform in 2017. Nonprofit law commentary has never been so entertaining – and poetry has never been so informative.