Whether you tune in each week to see veteran Detective Lennie Briscoe analyze clues with wild-card partner Ed Green in the fist half of the show, or to see Assistant District Attorney Jack McCoy invoke justice in the courtroom in the second half, you cannot help but get involved with the most human characters on television. With these powerful characters and socially relevant stories ripped from today's headlines, it is difficult to tell whether you are watching the evening news or one of the most intense dramas ever seen on television. Law & Order: The Unofficial Companion was written with the cooperation of the show's creator and executive producer, Dick Wolf, and features interviews with the stars, producers, and writers. It is the first-ever guide to this popular, Emmy award-winning police drama. You'll get the inside scoop on: -the past and current stars of the show-including Paul Sorvino, Jerry Orbach, Jesse L. Martin, Christopher Noth, S. Epatha Merkerson, Sam Waterston, Carey Lowell, Angie Harmon, and Michael Moriarty-and find out who was fired, who left willingly, and who remains -the show's continued problems with censorship issues and advertiser fallout -the behind-the-scenes anecdotes about cast regulars, including the fights-both verbal and physical-that have peppered the production -how Wolf was forced to increase the estrogen and decrease the testosterone on the show -the detailed history behind the creation and development of the show, and season-by-season critiques of each episode through the entire 1999 season

The aim of this essay is to analyse TV series from the point of view of philosophical aesthetics. Aiming to show how philosophy may contribute to “seriality studies”, Andrzejewski and Salwa focus on seriality as a factor which defines the structure of TV series, their aesthetic properties, as well as their modes of reception. TV series have been studied within media theory and cultural studies for quite a long time, but they have been approached mainly in terms of their production, distribution, and consumption across various and changing social contexts. Following the agenda of philosophical aesthetics Andrzejewski and Salwa claim instead seriality implies a sort of normativity, i.e. that it is possible to indicate what features a television show has to have in order to be a serial show as well as the manner in which it should be watched if it is to be experienced as a serial work.

Since childhood Margaret Johnson Pierce has always heard voices in her head. Trapped in a world of delusions and fears, she refused to believe either of her psychiatrists' diagnoses-- one being schizophrenia and the other one psychic. Once the most powerful first lady of the renowned Mt. Olive Baptist church of Washington, D.C., she now spends her days sitting in her rocking chair in her bedroom planning her climb back to the top. But one person stands in her way-- Pastor Alan Pierce, her husband, who threatens to have her committed to a mental institution. Nevertheless, Margaret knows his deep dark secret, but who will listen to her. She has no one-- until the unforeseen happens--P. [4] of cover.

Like the popular TV series, this book walks the thin line between reality and fantasy, focusing on crime scenes from the show's most popular episodes. Includes 100+ high-quality photos in a rivet-bound, foil-stamped hardcover flawlessly replicating an authentic police blotter.

Television and streamed series that viewers watch on their TVs, computers, phones, and tablets are a crucial part of popular culture They have an influence on viewers and on law. People acquire values, behaviors, and stereotypes, both positive and negative, from television shows, which are relevant to people’s acquisition of beliefs and to the development of law.. In this book, readers will find the first transnational, empirical look at ethnicity, gender, and diversity on legally-themed TV shows. Scholars determine the three most watched legally-themed shows in Brazil, Britain, Canada, Germany, Greece, Poland, Switzerland and the United States and then examine gender, age, ability, ethnicity, race, class, sexual orientation and nationality in those shows and countries. As such, this book provides an important link between law, TV, and what is going on in real life.

The first novel in the First Law Trilogy and debut fantasy novel from New York Times bestseller, Joe Abercrombie. Logen Ninefingers, infamous barbarian, has finally run out of luck. Caught in one feud too many, he's on the verge of becoming a dead barbarian -- leaving nothing behind him but bad songs, dead friends, and a lot of happy enemies. Nobleman, dashing officer, and paragon of selfishness, Captain Jezal dan Luthar has nothing more dangerous in mind than fleecing his friends at cards and dreaming of glory in the fencing circle. But war is brewing, and on the battlefields of the frozen North they fight by altogether bloodier rules. Inquisitor Glokta, cripple turned torturer, would like nothing better than to see Jezal come home in a box. But then Glokta hates everyone: cutting treason out of the Union one confession at a time leaves little room for friendship. His latest trail of corpses may lead him right to the rotten heart of government, if he can stay alive long enough to follow it. Enter the wizard, Bayaz. A bald old man with a terrible temper and a pathetic assistant, he could be the First of the Magi, he could be a spectacular fraud, but whatever he is, he's about to make the lives of Logen, Jezal, and Glokta a whole lot more difficult. Murderous conspiracies rise to the surface, old scores are ready to be settled, and the line between hero and villain is sharp enough to draw blood. Unpredictable, compelling, wickedly funny, and packed with unforgettable characters, The Blade Itself is noir fantasy with a real cutting edge.

An “engaging and suspenseful” novel of a first-generation Chinese American having second thoughts about her elite Manhattan law firm (The Wall Street Journal). Ingrid Yung’s life is full of firsts. A first-generation Chinese American, the first lawyer in her family, she’s about to collect the holy grail of firsts and become the first minority woman to make partner at the venerable old Wall Street law firm Parsons Valentine & Hunt. Ingrid has perfected the art of “passing” and seamlessly blends into the old-boy corporate culture. She gamely banters in the cafeteria, plays in the firm softball league, and earnestly racks up her billable hours. But when an offensive incident at the summer outing threatens the firm’s reputation, Ingrid’s outsider status is suddenly thrown into sharp relief. Scrambling to do damage control, Parsons Valentine announces a new diversity and inclusion initiative, commanding Ingrid to spearhead the effort—just as she’s about to close an enormous transaction that was to be her final step in securing partnership. For the first time, Ingrid begins to question her place in the firm. Pitted against her colleagues, including her golden-boy boyfriend, Ingrid wonders whether the prestige of partnership is worth breaching her ethics. But can she risk throwing away the American dream that’s finally within her reach? “Thought-provoking . . . [a] compelling tale.” —Booklist “Funny, fragile, sometimes bold, often unsure, Ingrid Yung is one of those unforgettable heroines that you actually miss, like a dear friend, when the story’s over.’“—Ann Leary, New York Times–bestselling author of The Foundling “Intriguing and entertaining.” —Library Journal