An Englishman, Roger Richardson is intent on establishing his company as a viable competitor for concessions from the Chilean government to extract lithium, a major element needed for modern batteries to advance the use of electric automobiles in the manner his father developed platinum mines for the reduction of emissions from internal combustion engines. In doing that, he and his wife, Margo, created a lodge from where professionals he engaged discovered positive elements for the retreating ice sheets, fossils, and created important wildlife reserves.

One of the military leaders of South America's long fight for independence from Spain, Argentinean general Jos de San Martn (1778-1850) is not well known outside Spanish-speaking lands. But his revolutionary spirit and legend as a great hero of Argentina-and of all of South America-makes him a brother in courage and character to the likes of George Washington. First published in 1943, this is one of the very few biographies of the general and political leader in the English language. A lost classic and hard to find in print in an elegant edition, it covers San Martn's childhood in Spain, his early adventures in Peru, the bloody battles of the war to throw off Spanish control of South America, and much more.

This is a unique history of Masonry written from the perspective of an educated outsider. The author is sympathetic to Masonic goals, a historian of secret societies and political conspiracies, and an exhaustive researcher. He looks back to the earliest roots of the Craft, and then traces its influence into modern times. From the Bible's Temple of Solomon through the Knights Templars, to the Rosicrucians and Illuminati, we learn of Masonry's roots and early history. Enlightenment philosophy and the revolutionary currents of eighteenth-century Europe opened an opportunity for the American experiment. Sacred geometry and architecture combined to create Washington, DC, and the rest, as they say, is history. This second revised and enlarged edition includes a new chapter on Freemasonry in South America--from the revolution of Simón Bolívar to the capture and execution of Che Guevara.

Latin America's quest for independence is revealed through the national struggles of Mexico, Spanish Central and South America, and Brazil. Excerpted from the Cambridge History of Latin America.

Feeling the Gaze explores the visual elements in eight contemporary Argentine and Chilean theater performances. Gail A. Bulman shows how staged images can awaken spectators' emotions to activate their intellect, provoking nuanced and deep contemplation of social, historical, and political themes. Ranging from simple props, costumes, body movements and spatial constructions to integrated media and digital images, the aesthetic components in these pieces engage to forge multifaceted storytelling, stimulate the public's relation to memory, and create affective bonds that help build individual and collective social consciousness. Recent innovations in Southern Cone theatre aesthetics have been shifting traditional performance/spectator relationships and animating ideological discussions. The various works presented here give readers a holistic understanding of the emerging prominence of visuality and affect as a vehicle for political advocacy in Latin American theatre and performance. The book asks us to consider the formation of new spectator-performance bonds as authors, directors, and theatre groups increasingly turn toward alternative settings for their work. Lingering visual memories of the performances, together with the feelings that the performative experience stirs up, provide spectators with an enduring focal point through which to reflect on and judge what is "beyond" the performed scenes. Staged live in the Southern Cone and internationally since 2014, these plays demonstrate the transgressive power of the visual to make spectators see, feel, and potentially act against injustices and violence. This study offers comprehensive critical discussions of Teatro Banda's O'Higgins: un hombre en pedazos; Teatro Nino Proletario's Fulgor; Mario, Luiggi y sus fantasmas's Manual de carrona; Agustin Leon Pruzzo's En la sombra de la cupula; Teatro la Maria's Los millonarios; Claudio Tolcachir's Proximo; Sergio Blanco's Tebas Land; and Lola Arias's Doble de Riesgo.