Drawing on the author's experience in Brazil, this text provides a portrait of everyday life among the women of the favelas - a portrait that challenges much of what we think we know about the 'culture of poverty'. It helps us understand the nature of joking and laughter in the shantytown.

"An absolutely dazzling entertainment. . . . Arousing on every level—political, erotic, intellectual, and above all, humorous." —Newsweek "The Book of Laughter and Forgetting calls itself a novel, although it is part fairy tale, part literary criticism, part political tract, part musicology, and part autobiography. It can call itself whatever it wants to, because the whole is genius." —New York Times Rich in its stories, characters, and imaginative range, The Book of Laughter and Forgetting is the novel that brought Milan Kundera his first big international success in the late 1970s. Like all his work, it is valuable for far more than its historical implications. In seven wonderfully integrated parts, different aspects of human existence are magnified and reduced, reordered and emphasized, newly examined, analyzed, and experienced.

Peter Kay's unerring gift for observing the absurdities and eccentricities of family life has earned himself a widespread, everyman appeal. These vivid observations coupled with a kind of nostalgia that never fails to grab his audience's shared understanding, have earned him comparisons with Alan Bennett and Ronnie Barker. In his award winning TV series' he creates worlds populated by degenerate, bitter, useless, endearing and always recognisable characters which have attracted a huge and loyal following. In many ways he's an old fashioned kind of comedian and the scope and enormity of his fanbase reflects this. He doesn't tell jokes about politics or sex, but rather rejoices in the far funnier areas of life: elderly relatives and answering machines, dads dancing badly at weddings, garlic bread and cheesecake, your mum's HRT... His autobiography is full of this kind of humour and nostalgia, beginning with Kay's first ever driving lesson, taking him back through his Bolton childhood, the numerous jobs he held after school and leading up until the time he passed his driving test and found fame.

Poet Langston Hughes' only novel, a coming-of-age tale that unfolds amid an African American family in rural Kansas, explores the dilemmas of life in a racially divided society.

Where Youth and Laughter Go completes LtCol Seth Folsom’s recounting of his personal experiences in command over a decade of war. It is the culminating chapter of a trilogy that began with The Highway War: A Marine Company Commander in Iraq in 2006 and continued with In the Gray Area: A Marine Advisor Team at War in 2010. The chronicle of Folsom’s command of 3rd Battalion, 7th Marine Regiment, “The Cutting Edge,” and his harrowing deployment to Afghanistan’s volatile Sangin District presents a deeper look into the complexities and perils of modern counterinsurgency operations in America’s longest war. Charged with the daunting task of pacifying a region with a long history of violence and instability, Folsom and his Marines struggled daily to wage a dynamic campaign against the shadowy enemy force that held Sangin’s population firmly in its grip. With peace and stability always teetering on the brink of collapse, the Marines of “The Cutting Edge” confronted their own mortality as they conducted endless patrols through Sangin’s minefields while fighting to win the hearts and minds of the Afghan villagers. No other books have been published from the perspective of a Marine infantry battalion commander in Afghanistan. It was Folsom’s job, as the unit commander, to lead his Marines under impossible circumstances. LtCol Folsom made the unusual decision to patrol with his rifle squads every day through Sangin, where his Marines dodged improvised explosive devices and sniper fire from an invisible enemy. As his tour progressed and casualties mounted, he found his objectivity evaporating and the love for his men growing. Where Youth and Laughter Go is more than a blood-and-guts war story, it is a jarring, “boots on the ground”–level examination of the myriad challenges and personal dilemmas that today’s young service members face as the United States approaches its final endgame in Afghanistan.

This classic of anthropological literature is a dramatic, revealing account of an anthropologist’s first year in the field with a remote African tribe. Simply as a work of ethnographic interest, Return to Laughter provides deep insights into the culture of West Africa—me subtle web of its tribal life and the power of the institution of witchcraft. However, the author’s fictional approach gives the book its lasting appeal. She focuses on the human dimension of anthropology, recounting her personal triumphs and failures and documenting the profound changes she undergoes. As a result, her story becomes at once highly personal and universally recognizable. She has vividly brought to life the classic narrative of an outsider caught up and deeply involved in an utterly alien culture. “The first introspective account ever published of what it’s like to be a field worker among a primitive people.”—Margaret Mead

Preface Part One: Laughter 1. Can There Be a Theory of Laughter? 2. The Superiority Theory 3. The Incongruity Theory 4. The Relief Theory 5. A New Theory Part Two: Humor 6. The Variety of Humor 7. Humor as Aesthetic Experience 8. Humor and Freedom 9. The Social Value of Humor 10. Humor and Life Notes Works Cited Index