From Sister Wives and Big Love to The Book of Mormon on Broadway, Mormons and Mormonism are pervasive throughout American popular media. In Latter-day Screens, Brenda R. Weber argues that mediated Mormonism contests and reconfigures collective notions of gender, sexuality, race, spirituality, capitalism, justice, and individualism. Focusing on Mormonism as both a meme and an analytic, Weber analyzes a wide range of contemporary media produced by those within and those outside of the mainstream and fundamentalist Mormon churches, from reality television to feature films, from blogs to YouTube videos, and from novels to memoirs by people who struggle to find agency and personhood in the shadow of the church's teachings. The broad archive of mediated Mormonism contains socially conservative values, often expressed through neoliberal strategies tied to egalitarianism, meritocracy, and self-actualization, but it also offers a passionate voice of contrast on behalf of plurality and inclusion. In this, mediated Mormonism and the conversations on social justice that it fosters create the pathway toward an inclusive, feminist-friendly, and queer-positive future for a broader culture that uses Mormonism as a gauge to calibrate its own values.

NATIONAL BESTSELLER • From the author of Into the Wild and Into Thin Air, this extraordinary work of investigative journalism takes readers inside America’s isolated Mormon Fundamentalist communities. • Now an acclaimed FX limited series streaming on HULU. “Fantastic.... Right up there with In Cold Blood and The Executioner’s Song.” —San Francisco Chronicle Defying both civil authorities and the Mormon establishment in Salt Lake City, the renegade leaders of these Taliban-like theocracies are zealots who answer only to God; some 40,000 people still practice polygamy in these communities. At the core of Krakauer’s book are brothers Ron and Dan Lafferty, who insist they received a commandment from God to kill a blameless woman and her baby girl. Beginning with a meticulously researched account of this appalling double murder, Krakauer constructs a multi-layered, bone-chilling narrative of messianic delusion, polygamy, savage violence, and unyielding faith. Along the way he uncovers a shadowy offshoot of America’s fastest growing religion, and raises provocative questions about the nature of religious belief.

This classic volume of essays takes an in-depth look at the Apocrypha and how Latter-day Saints should approach this in their gospel study. With notable LDS authors such as Stephen E. Robinson, Joseph F. McConkie, and Robert L. Millet this volume is an essential addition to any well rounded Mormon studies library. Essays include: Whose Apocrypha? Viewing Ancient Apocrypha from the Vantage of Events in the Present Dispensation, Lying for God: The Uses of Apocrypha, and The Nag Hammadi Library: A Mormon Perspective.

While many books have been written about the life of Christopher Columbus and his New World discoveries, this one has a different thrust--that Columbus was not just a skilled, courageous sailor but was also a chosen instrument in the hands of God. For Latter-day Saints, this conclusion is implicit in a vision Nephi saw and recorded two thousand years or so before the time of Columbus. In relating that scripture to the fifteenth-century explorer, the author observes, modern prophets and Apostles have noted the significance of America in the Lord's plan for humankind, the historical necessity for its discovery, colonization, and development, and the raising up thereon of a free nation wherein the kingdom of God--the gospel and Church of Jesus Christ--could be restored and prospered, from which place it could go forth to all peoples in the latter days. Clearly the circumstances would call for a discoverer--the right man in the right place at the right time. This book profiles the man from Genoa who apparently yearned from childhood for the seafaring life and who early began to acquire the nautical knowledge and experience that would make him the most widely traveled seaman of his day and would help him rise to the top ranks in that career. Seized by the spirit of adventure, he began to formulate his plan for the "Enterprise of the Indies, " his dream of reaching East by sailing west. And finally, after eight frustrating years of seeking sponsorship in European courts, he persuaded Ferdinand and Isabella of Spain to finance the project. But adventure was not his only incentive. Stronger than that, it seems, was his spiritual motivation. A devout Christian, he gratefully and frequently credited God with all his blessings; he saw himself as a fulfillment of prophecy in this matter, as a literal instrument in God's hands; he was certain that he was God-inspired in his passionate quest for the westward route; and moreover, a major concern of his was to bring Christianity to the natives of the "Indies." Given this kind of spirit and his seafaring skills, and acknowledging his human weaknesses, Christopher Columbus seems to have been the kind of man the Lord could use for His purposes; and, indeed, modern Apostles and prophets quoted in this book affirm that he was that instrument. This interpretation is borne out also by the story told here of his four voyages to the New World. Published in 1992, the five-hundredth anniversary year of the first and most famous of those voyages, this book brings potent reminders of the important role played by a bold and courageous man who was chosen and guided as an essential forerunner of the restoration of the gospel.

In Undoing Monogamy Angela Willey offers a radically interdisciplinary exploration of the concept of monogamy in U.S. science and culture, propelled by queer feminist desires for new modes of conceptualization and new forms of belonging. She approaches the politics and materiality of monogamy as intertwined with one another such that disciplinary ways of knowing themselves become an object of critical inquiry. Refusing to answer the naturalization of monogamy with a naturalization of nonmonogamy, Willey demands a critical reorientation toward the monogamy question in the natural sciences, social sciences, and humanities. The book examines colonial sexual science, monogamous voles, polyamory, and the work of Alison Bechdel and Audre Lorde to show how challenging the lens through which human nature is seen as monogamous or nonmonogamous forces us to reconsider our investments in coupling and in disciplinary notions of biological bodies.

Exploring the intersections of gender, sexuality, and kinship within the context of Latter-day Saint theology and history, this book contains elements that can be reinterpreted through a queer lens. Taylor Petrey reexamines and resignifies Mormon cosmology in the context of queer theory, offering a fresh perspective on divine relationships, gender fluidity, and the concept of kinship itself. Petrey's work draws together queer studies and the academic study of religion in new ways, providing a nuanced understanding of how religious narratives and doctrines can be reimagined to include more diverse interpretations of identity and community.

Dialogue between film and theatre studies is frequently hampered by the lack of a shared vocabulary. Stage-Play and Screen-Play sets out to remedy this, mapping out an intermedial space in which both film and theatre might be examined. Each chapter’s evaluation of the processes and products of stage-to-screen and screen-to-stage transfer is grounded in relevant, applied contexts. Michael Ingham draws upon the growing field of adaptation studies to present case studies ranging from Martin McDonagh’s The Cripple of Inishmaan and RSC Live’s simulcast of Richard II to F.W. Murnau’s silent Tartüff, Peter Bogdanovich’s film adaptation of Michael Frayn’s Noises Off, and Akiro Kurosawa’s Ran, highlighting the multiple interfaces between media. Offering a fresh insight into the ways in which film and theatre communicate dramatic performances, this volume is a must-read for students and scholars of stage and screen.