Explores how one group of Latin American artists express their relationship to American art, history and culture.

This book examines the participation and representation of Latinos in American museums. It contains nine case studies which critically examine a range of themes and issues concerning Latinos in museum programmes. Some areas covered are Latino public history programmes; a discussion of Latino diversity and museums in South Florida; exhibition of artifacts and reinterpretation of Mexican identity in Chicago; the Smithsonian Graduate training seminar; the status of Latino cultural institutions in the Southwest; the movement to establish a California Museum of Latino History; public history and dramatic performance; an assessment of East Los Angeles Self-Help Graphics Ateliers; and a summary of the national survey of Latino and Native American professional personnel.

Examines the intersection of Native-American and African-American history, discussing how the two groups have influenced one another, what conflicts they have faced, and how they came together despite slavery, dispossession, racism, and other obstacles.

Histories of Pasadena are rich in details about important citizens, time-honored traditions, and storied enclaves such as Millionaires Row and Lamanda Park. But the legacies of Mexican Americans and other Latino men and women who often worked for Pasadena's rich and famous have been sparsely preserved through the generations--even though these citizens often made remarkable community contributions and lived in close proximity to their employers. A fuller story of the Pasadena area can be provided from these vintage images and the accompanying information culled from anecdotes, master's theses, newspaper articles, formal and informal oral histories, and the Ethnic History Research Project compiled for the City of Pasadena in 1995. Among the stories told is that of Antonio F. Coronel, a one-time Mexican Army officer who served as California state treasurer from 1866 to 1870 and whose image graced the 1904 Tournament of Roses program.

Written by three experienced LIS professionals, Latinos in Libraries, Museums, and Archives demonstrates the meaning of cultural competence in the everyday work in libraries, archives, museums, and special collections with Latino populations. The authors focus on their areas of expertise including academic, school, public libraries, health sciences, archives, and special collections to show the importance of understanding how cultural competence effects the day-to-day communication, relationship building, and information provision with Latinos. They acknowledge the role of both tacit and explicit knowledge in their work, and discuss ways in which cultural competence is integral to successful delivery of services to, communication with, and relationship building with Latino communities.

The interdisciplinary essays in Decolonial Voices discuss racialized, subaltern, feminist, and diasporic identities and the aesthetic politics of hybrid and mestiza/o cultural productions. This collection represents several key directions in the field: First, it charts how subaltern cultural productions of the US/ Mexico borderlands speak to the intersections of "local," "hemispheric," and "globalized" power relations of the border imaginary. Second, it recovers the Mexican women's and Chicana literary and cultural heritages that have been ignored by Euro-American canons and patriarchal exclusionary practices. It also expands the field in postnationalist directions by creating an interethnic, comparative, and transnational dialogue between Chicana and Chicano, African American, Mexican feminist, and U.S. Native American cultural vocabularies. Contributors include Norma AlarcÃ3n, Arturo J. Aldama, Frederick Luis Aldama, Cordelia Chávez Candelaria, Alejandra Elenes, RamÃ3n Garcia, MarÃa Herrera-Sobek, Patricia Penn Hilden, Gaye T. M. Johnson, Alberto Ledesma, Pancho McFarland, Amelia MarÃa de la Luz Montes, Laura Elisa Pérez, Naomi Quiñonez, Sarah Ramirez, Rolando J. Romero, Delberto Dario Ruiz, Vicki Ruiz, José David SaldÃvar, Anna Sandoval, and Jonathan Xavier Inda.