Explores how one group of Latin American artists express their relationship to American art, history and culture.

Art is a wonderful way to communicate. For thousands and thousands of years, people have been creating things—from poems to pottery, music to buildings. Images, songs, pieces of writing, and other art forms tell us about people's ideas, memories, and feelings. And Latino art is some of the most exciting in the world. Discover the history and growth of Latino art. Find out how Latino art has made the United States a brighter, more beautiful place!

Explores the history and development of Latino art, illustrates how Latino artists have used their work to communicate concepts important to their community and culture, and explains how Latino art has affected the United States and become an influence in American popular culture.

From portraits of family friends and famous individuals to the aesthetics of religious traditions from Puerto Rico to the American Southwest, "Arte Latino" is a lavishly illustrated Smithsonian American Art Museum guide that celebrates Latin art, innovation and tradition. 52 color illustrations.

This volume presents an overview of the social history of modern and contemporary Latin American and Latino art. This collection of thirty-three essays focuses on Latin American artists throughout Mexico, Central and South America, the Caribbean, and the United States. The author provides a chronology of modern Latin American art; a history of "social art history" in the United States; and synopses of recent theoretical and historical writings by major scholars from Mexico, Cuba, Brazil, Peru, Uruguay, Chile, and the United States. In her essays, she discusses a vast array of topics including: the influence of the Mexican muralists on the American continent; the political and artistic significance of poster art and printmaking in Cuba, Puerto Rico, and among Chicanos; the role of women artists such as Guatemalan painter Isabel Ruiz; and the increasingly important role of politics and multinational businesses in the art world of the 1970s and 1980s. She explores the reception of Latin American and Latino art in the United States, focusing on major historical exhibits as well as on exhibits by artists such as Chilean Alfredo Jaar and Argentinean Leandro Katz. Finally, she examines the significance of nationalist and ethnic themes in Latin American and Latino art.