“Civilizing Africa” – bringing European institutions and society to Africa – was a common rationale for nineteenth-century European expansions into that continent. However, in March 1891 a news correspondent accused officials in Italy’s Red Sea colony of having ordered, without trial, the secret and brutal killing of certain indigenous notables. A scandal erupted because the news contradicted civilizing expectations, portraying Italians rather than Africans as the barbarians. The press drove a public debate over the accusations, but the debate ultimately led to an unanticipated reversal: public acceptance of the killings, because most Italians no longer considered European standards applicable to Africans. Reportage on three topics turned out to be most influential in shifting the public outlook: an Italo-Abyssinian diplomatic impasse, an on-going Africa famine, and the public persona of a colonial commander. Historians have read the 1891 affair as an inconsequential, essentially minor event in the run-up to the 1896 battle of Adua (Adwa), Italy’s defeat by African forces that some have called an event of world-historical consequence. Yet the Livraghi affair re-shaped the Italian outlook on colonialism, opening the door to the later Italo-Abyssinian conflict and an event like Adua. The affair was so important to contemporary Italians that it occupied public attention for ten months, and influenced attitudes and colonial policy for decades. It prompted an enduring change without which there might have been no Adua.

The twentieth century saw a proliferation of media discourses on colonialism and, later, decolonisation. Newspapers, periodicals, films, radio and TV broadcasts contributed to the construction of the image of the African “Other” across the colonial world. In recent years, a growing body of literature has explored the role of these media in many colonial societies. As regards the Italian context, however, although several works have been published about the links between colonial culture and national identity, none have addressed the specific role of the media and their impact on collective memory (or lack thereof). This book fills that gap, providing a review of images and themes that have surfaced and resurfaced over time. The volume is divided into two sections, each organised around an underlying theme: while the first deals with visual memory and images from the cinema, radio, television and new media, the second addresses the role of the printed press, graphic novels and comics, photography and trading cards.

In the late 19th century, the new nation-state of Italy was eager to join her European neighbours in creating an international empire, and her eyes turned toward Africa as a source of potential colonies. Securing a foothold in Eritrea on the Red Sea coast, the Italians quickly became embroiled in a shooting war with the Ethiopians. The war proved a disaster for the Italians, who suffered three major defeats against the forces of Emperor Menelik's army, including a horrendous massacre at Adowa, the largest defeat of a colonial army prior to World War I. This book looks at the campaign with an emphasis on the colourful uniforms worn by both sides.

The comparison of early Italy’s and Japan’s colonialism is without precedence. The majority of studies on Italian and Japanese expansion refer to the 1930–1940s period (fascist/totalitarian era) when Japan annexed Manchuria (1931) and Italy Ethiopia (1936). The first formative and crucial steps that paved the way for this expansion have been neglected. This analysis covers a range of social, political and economic parameters illuminating the diversity but also the common ground of the nature and aspirations of Japan's and Italy's early colonial systems. The two states alongside the Great Powers of the era expanded in the name of humanism and civilization but in reality in a way typically imperialistic, they sought territorial compensations, financial privileges and prestige. A parallel and deeper understanding of the nineteenth century socio-cultural-psychological parameters, such as tradition, mentality, and religion that shaped and explain the later ideological framework of Rome's and Tōkyō's expansionist disposition, has never been attempted before. This monograph offers a detailed examination of the phenomenon of colonialism by examining the issue from two different angles. The study contributes to the understanding of Italy's and Japan's early imperial expansion. In addition, it traces the origins of these states' similar and common historical evolution in late nineteenth and the first half of the twentieth century.

Hilary Fraser provides a comprehensive and thorough survey of English prose in the nineteenth century which draws from a wide variety of fields including art, literary theory and criticisim, biography, letters, journals, sermons, and travel reportage. Through these works the cultural, social, literary and political life of the twentieth century - a period of great intellectual activity - can be charted, discussed and assessed. For the first time, an inclusive critical survey of nineteenth-century non-fiction is presented, that traces the century's ideological and cultural upheavals as they are registered in the literary textures of some of its most widely read and influential writings.The book explores the relations between writers who are generally perceived as occupying different discursive spheres, for example between John Stuart Mill, Florence Nightingale and Mrs Beeton; between Cardinal Newman, Elizabeth Gaskell and Hannah Cullwick; and between Charles Darwin, David Livingstone and Henry Mayhew. The establishment and development of different genres and their interactions over the century are clearly mapped. The genre of the periodical essay, a distinctively modern and flexible form catering to the mass readership, is the subject of the introduction, and then more specialist fields are discussed, covering scientific writing, travel and exploration literature, social reportage, biography, autobiography, journals, letters, religious and philosophical prose, political writing and history.

For much of the twentieth century the Mediterranean was a colonized sea. Italy's Sea: Empire and Nation in the Mediterranean (1895-1945) reintegrates Italy, one of the least studied imperial states, into the history of European colonialism. It takes a critical approach to the concept of the Mediterranean in the period of Italian expansion and examines how within and through the Mediterranean Italians navigated issues of race, nation and migration troubling them at home as well as transnational questions about sovereignty, identity, and national belonging created by the decline and collapse of the Ottoman empire in North Africa, the Balkans, and the eastern Mediterranean, or Levant. While most studies of Italian colonialism center on the encounter in Africa, Italy's Sea describes another set of colonial identities that accrued in and around the Aegean region of the Mediterranean, ones linked not to resettlement projects or to the rhetoric of reclaiming Roman empire, but to cosmopolitan imaginaries of Magna Graecia, the medieval Christian crusades, the Venetian and Genoese maritime empires, and finally, of religious diversity and transnational Levantine Jewish communities that could help render cultural and political connections between the Italian nation at home and the overseas empire in the Mediterranean. Using postcolonial critique to interpret local archival and oral sources as well as Italian colonial literature, film, architecture, and urban planning, the book brings to life a history of mediterraneita or Mediterraneanness in Italian culture, one with both liberal and fascist associations, and enriches our understanding of how contemporary Italy-as well as Greece-may imagine their relationships to Europe and the Mediterranean today. --