The essays in this volume portray the public life of late medieval France as that country established its position as a leader of western European society in the early modern world. A central theme is the contribution made by contemporary writers, chroniclers and commentators, such as Jean Froissart, William Worcester and Philippe de Commynes, to our understanding of the past. Who were they? What picture of their times did they present? Were their works intended to influence their contemporaries and what success did they enjoy? Other contributions deal with the exercise of political power, the relationship between the court and those in authority in far-flung reaches of the kingdom, and the role and status of the death penalty as deterrent, punishment and means of achieving justice.

An in-depth study of coexisting social norms of princely power cutting across categories of hierarchy, gender, and collaborative rulership.

A fresh introduction to the political history of late medieval France duing the turbulent period of the Hundred Years' War, taking into account the social, economic and religious contexts. Graeme Small considers not just the monarchy but also prelates, noble networks and the emerging municipalities in this new analysis.

From the contents:00Part I: Allegorical Dream-Visions and Debate Poems Jonathan Morton, 'Friars in love: Manuscript illumination as literary commentary in three fourteenth-century manuscripts of the Roman de la rose' (Paris, BnF, MS .25526; Baltimore, Walters, MS W. 143;London, BL, MS Royal 19 B XIII) - Emma Cayley, ‘Entre deux sommes’: Imagining desire in the songe de la Pucelle' - HelenJ. Swi , 'Limits of representation in late fifteenth-century Burgundy: What the eye doesn’t hear and the ear doesn’t see'. 00Part II: 'Burgundian prose narratives' Dominique Lagorgette, 'Staging transgression rough text and image: Violence and nudity in the cent nouvelles nouvelles'(Glasgow, University Library, MS Hunter252, and Vérard 1486 and 1498) – Rebecca Dixon, 'The Roman de Buscalus; or, the artof not being French' – Rosalind Brown-Grant, 'Personal drama or chivalric spectacle? The reception of the Roman d’Olivier de Castille in the illuminations of the Wavrin aster and Loyset Liédet'00Part III: Reworkings of classical and Medieval auctores' J. Chimène Bateman, 'The hybrid art of the compiler: Text/Image relations in the Ovidemoralisé of Colard Mansion' – KathleenWilson-Chevalier, 'Proliferating narratives: Texts, images, and (Mostly Female) dedicatees in a few héroïdes productions' – Elizabeth L’Estrange, 'Re-Presenting Emilia in the context of the Querelle des femmes: Text and image in Anne de Graville’s Beau Roman list of manuscripts and early printed editions'

In the Middle Ages, rolls were ubiquitous as a writing support. While scholars have long examined the texts and images on rolls, they have rarely taken the manuscripts themselves into account. This volume readdresses this imbalance by focusing on the materiality and various usages of rolls in late medieval England and France. Researchers from England, France, Germany and Singapore demonstrate in 11 contributions how this approach can increase our understanding of the rolls and their contents, as well as the contexts in which they were produced and used.

An analysis of the cultural and social functions of law, legal processes and legal rituals in late medieval northern France. It interprets the various influences upon the shaping of law as a cultural manifestation and its application as an actual system of justice.

A re-evaluation of late medieval church courts' role in the enforcement of minor credit through the widespread, frequent excommunication of debtors.