The Pulitzer Prize–winning author shares an “exceptionally nuanced, tender, funny, tragic, and utterly transfixing portrait” of one man’s troubled century (Booklist, starred review). At 115 years old, former newspaperman Sam Cunningham is also the last surviving veteran of World War I. As he prepares to die in a Chicago nursing home, the results of the 2016 presidential election come in—and he finds himself in a wide-ranging conversation with a surprising God. As the two review Sam’s life, the grand epic of the twentieth century comes sharply into focus. Sam grows up in Louisiana under the flawed morality of an abusive father. Eager to escape, Sam enlists in the army while still underage. Though the hardness his father instilled in him helps him make it out of World War I alive, it also prevents him from contending with the emotional wounds of war. Back in the United States, Sam moves to Chicago to begin a career as a newspaperman that will bring him close to the major historical turns of the twentieth century. There he meets his wife and has a son, whose fate counters Sam’s at almost every turn. As he contemplates his relationships—with his parents, his brothers in arms, his wife, his editor, and most importantly, his son—Sam is amazed at what he still has left to learn about himself after all these years.

It’s the summer of 1946 and Emily Stanton is returning to New York City for her wedding. After graduating from college and having her life planned out for her, she’s ready to walk down the aisle to the perfect man. That is until she’s face-to-face again with the woman who defined her love for the city and so much more over one long summer four years earlier. Kate Alessi has made a life photographing the times and people around her, while trying to forget the woman who came to town for a few short months and turned her world upside down. When she ends up as the photographer for Emily’s coming wedding, she and Emily will have to navigate how to follow their dreams while realizing the ones that were lost along the way—the biggest of those dreams being their love for one another.

From tabloid exposes of child prostitution to the grisly tales of Jack the Ripper, narratives of sexual danger pulsated through Victorian London. Expertly blending social history and cultural criticism, Judith Walkowitz shows how these narratives reveal the complex dramas of power, politics, and sexuality that were being played out in late nineteenth-century Britain, and how they influenced the language of politics, journalism, and fiction. Victorian London was a world where long-standing traditions of class and gender were challenged by a range of public spectacles, mass media scandals, new commercial spaces, and a proliferation of new sexual categories and identities. In the midst of this changing culture, women of many classes challenged the traditional privileges of elite males and asserted their presence in the public domain. An important catalyst in this conflict, argues Walkowitz, was W. T. Stead's widely read 1885 article about child prostitution. Capitalizing on the uproar caused by the piece and the volatile political climate of the time, women spoke of sexual danger, articulating their own grievances against men, inserting themselves into the public discussion of sex to an unprecedented extent, and gaining new entree to public spaces and journalistic practices. The ultimate manifestation of class anxiety and gender antagonism came in 1888 with the tabloid tales of Jack the Ripper. In between, there were quotidien stories of sexual possibility and urban adventure, and Walkowitz examines them all, showing how women were not simply figures in the imaginary landscape of male spectators, but also central actors in the stories of metropolotin life that reverberated in courtrooms, learned journals, drawing rooms, street corners, and in the letters columns of the daily press. A model of cultural history, this ambitious book will stimulate and enlighten readers across a broad range of interests.

The city was the nexus of the Roman Empire in its early centuries. The City in Late Antiquity charts the change undergone by cities as the Empire was weakened by the third-century crisis, and later disintegrated under external pressures. The old picture of the classical city as everywhere in decline by the fourth century is shown to be far too simple, and John Rich seeks to explain why urban life disappeared in some regions, while elsewhere cities survived through to the Middle Ages and beyond.

A unique and provocative history of the development of the idea of the city in recent years. Key public spaces and buildings in England, Europe and the USA are discussed in relation to their socio-political context.

Although it would appear in studies of late antique ecclesiastical authority and power that scholars have covered everything, an important aspect of the urban bishop has long been neglected: his role as demonologist and exorcist. When the emperor Constantine made Christianity the official religion of the realm, bishops and priests everywhere struggledÊ to ÒChristianizeÓ the urban spaces still dominated by Greco-Roman monuments and festivals. During this period of upheaval, when congregants seemingly attended everything but their own ÒorthodoxÓ church, many ecclesiastical leaders began simultaneously to promote aggressive and insidious depictions of the demonic. In City of Demons, Dayna S. Kalleres investigates this developing discourse and the church-sponsored rituals that went along with it, showing how shifting ecclesiastical demonologies and evolving practices of exorcism profoundly shaped Christian life in the fourth century.

A new volume of the singular, ongoing, great American jazz novel Nathaniel Mackey’s Late Arcade opens in Los Angeles. A musician known only as N. writes the first of a series of letters to the enigmatic Angel of Dust. N.’s jazz sextet, Molimo m’Atet, has just rehearsed a new tune: the horn players read from The Egyptian Book of the Dead with lips clothespinned shut, while the rest of the band struts and saunters in a cosmic hymn to the sun god Ra. N. ends this breathless session by sending the Angel of Dust a cassette tape of their rehearsal. Over the next nine months, N.’s epistolary narration follows the musical goings-on of the ensemble. N. suffers from what he calls “cowrie shell at- tacks”—oil spills, N.’s memory of his mother’s melancholy musical Sundays— which all becomes the source of fresh artistic invention. Here is the newest installment of the National Book Award-winner Nathaniel Mackey’s From a Broken Bottle Traces of Perfume Still Emanate, the great American jazz novel of “exquisite rhythmic lyricism” (Bookforum).