Latawnya and her sisters take a walk into the woods where they meet four horses from town who take drugs and drink alcohol. Unlike her sisters, Latawnya must learn the hard way that drugs are bad.

Latawnya The Naughty Horse Two points out the low life drug pusher. The pusher tries to entice everyone to use drugs and drink alcohol. Latawnya Two is an anti-drug children's picture book. It teaches children there are better activities to do with their lives than drinking alcohol and using drugs. Latawnya finds many different good and positive activities to do to make her life better. She has already learned her lesson the hard way to stay away from drinking alcohol and using drugs. Latawnya and two of her friends will see the back of a low life who is trying to hook everyone on drugs. He tries to entice them to use cocaine and meth, but they laugh at him. They let him know he can take his drugs and go. They also let him knows they have better activities to do than using drugs. Latawnya and her friends are on the basketball team. There will be a big talent show. Everyone will audition. Someone will create a beautiful original song and dance. Look out for Latawnya The Naughty Horse - Three. Spooky finally meets his match.

'Blown to Bits' is about how the digital explosion is changing everything. The text explains the technology, why it creates so many surprises and why things often don't work the way we expect them to. It is also about things the information explosion is destroying: old assumptions about who is really in control of our lives.

Setting out to tell the story of a mysterious cowboy--a stranger in town with a terrible secret--Christine Montalbetti is continually sidetracked by the details that occur to her along the way, her CinemaScope camera focusing not on the gunslinger's grim and determined eyes, but on the insects crawling in the dust by his boots. A collection of the moments usually discarded in order to tell even the simplest and most familiar story, "Western" presents us with the world behind the clich's, where the much-anticipated violence of the plot is continually, maddeningly delayed, and no moment is too insignificant not to be valued. Montalbetti's daring theft of movie technique and subversion of a genre where women are usually relegated to secondary roles--victims, prostitutes, widows, schoolmarms--makes Western a remarkable wake for the most basic of American mythologies.

The Whangdoodle was once the wisest, the kindest, and the most extraordinary creature in the world. Then he disappeared and created a wonderful land for himself and all the other remarkable animals -- the ten-legged Sidewinders, the little furry Flukes, the friendly Whiffle Bird, and the treacherous, "oily" Prock. It was an almost perfect place where the last of the really great Whangdoodles could rule his kingdom with "peace, love and a sense of fun"-- apart from and forgotten by people. But not completely forgotten. Professor Savant believed in the Whangdoodle. And when he told the three Potter children of his search for the spectacular creature, Lindy, Tom, and Ben were eager to reach Whangdoodleland. With the Professor's help, they discovered the secret way. But waiting for them was the scheming Prock, who would use almost any means to keep them away from his beloved king. Only by skill and determination were the four travelers able to discover the last of the really great Whangdoodles and grant him his heart's desire. Julie Andrews Edwards, star of stage and screen, has written a unique and beloved story that has become a modern classic. The Last of the Really Great Whangdoodles is sure to continue to delight readers everywhere. This edition includes a new foreword by the author.

Mexico is in a state of siege. Since President Felipe Calderon declared a war on drugs in December 2006, more than 38,000 Mexican have been murdered. During the same period, drug money has infused over $130 billion into Mexico's economy, now the country's single largest source of income. Corruption and graft infiltrate all levels of government. Entire towns have become ungovernable, and of every 100 people killed, Mexican police now only investigate approximately five. But the market is booming: In 2009, more people in the United States bought recreational drugs than ever before. In 2009, the United Nations reported that some $350 billion in drug money had been successfully laundered into the global banking system the prior year, saving it from collapse. How does an "extra" $350 billion in the global economy affect the murder rate in Mexico? To get the story and connect the dogs, acclaimed journalist John Gibler travels across Mexico and slips behind the frontlines to talk with people who live in towns under assault: newspaper reporters and crime-beat photographers, funeral parlor workers, convicted drug traffickers, government officials, cab drivers and others who find themselves living on the lawless frontiers of the drug war. Gibler tells hair-raising stories of wild street battles, kidnappings, narrow escapes, politicians on the take, and the ordinary people who fight for justice as they seek solutions to the crisis that is tearing Mexico apart. Fast-paced and urgent, To Die in Mexico is an extraordinary look inside the raging drug war, and its global implications. John Gibler is a writer based in Mexico and California, the author of Mexico Unconquered: Chronicles of Power and Revolt (City Lights Books, 2009) and a contributor to País de muertos: Crónicas contra la impunidad (Random House Mondadori, 2011). He is a correspondent for KPFA in San Francisco and has published in magazines in the United States and Mexico, including Left Turn, Z Magazine, Earth Island Journal, ColorLines, Race, Poverty, the Environment Fifth Estate, New Politics, In These Times, Yes! Magazine, Contralínea and Milenio Semanal. "Gibler's front-line reportage coupled with first-rate analysis gives an uncommonly vivid and nuanced picture of a society riddled and enervated by corruption, shootouts, and raids, where murder is the 'most popular method of conflict resolution.' . . . At great personal risk, the author unearths stories the mainstream media doesn't—or is it too afraid—to cover, and gives voice to those who have been silenced or whose stories have been forgotten."—Publishers Weekly, starred review "Gibler argues passionately to undercut this 'case study in failure.' The drug barons are only getting richer, the murders mount and the police and military repression expand as 'illegality increases the value of the commodity.' With legality, both U.S. and Mexican society could address real issues of substance abuse through education and public-health initiatives. A visceral, immediate and reasonable argument."—Kirkus Reviews "Gibler provides a fascinating and detailed insight into the history of both drug use in the US and the 'war on drugs' unleashed by Ronald Reagan through the very plausible—but radical—lens of social control. . . . Throughout this short but powerful book, Gibler accompanies journalists riding the grim carousel of death on Mexico's streets, exploring the realities of a profession under siege in states such as Sinaloa and just how they cover the drugs war."—Gavin O’Toole, The Latin American Review of Books