Despite the Imperium’s best attempts to forestall the ork plague that is wrecking havoc in human space, an ork attack moon now hangs over Terra. Despite the Imperium’s best attempts to forestall the ork plague that is wrecking havoc in human space, an ork attack moon now hangs over Terra. As its malevolent presence gazes down at the Imperial Palace, terrified citizens run riot in the streets. In a last-ditch attempt to destroy the attack moon, a proletarian crusade is launched. Thousands of ships large and small head to the moon carrying billions of citizens, all eager to take the fight to the enemy. It seems the attack has a chance of success as the invasion force lands safely, but the orks have yet to spring their trap...

Within the intricate fabric of our perceptions, we sometimes cling to the illusory belief that we have the power to shape the course of events. But is this belief anything more than a fleeting echo in the wind? Does voting for political party colors represent significant participation, or rather a sophisticated dance in the puppetry of the established system? Who truly are the architects behind the curtain directing the symphony of global power? Could it be the cunning elite whose dominion transcends political facades that is behind it all? In this gripping tale, it hints at the possibility that genuine governance rests in the hands of invisible puppeteers who craft a script that many choose to overlook. In a world where injustice reigns like an empire, Cyper, a young man burdened by the weight of inequality, emerges as the linchpin of a plot that will unravel the mysteries of a divided planet. A colossal wall, erected by the northern inhabitants with barbed wires tearing flesh, fractures the land almost entirely. Cyper, our protagonist, unveils in first person the challenges of his life, marked by his attraction to other boys and the adversities of his youth. His odyssey to return to his native continent, escaping the desolation of the north, becomes a journey filled with dangers and discoveries.

Last One over the Wall is an analytical and autobiographical account of Jerome G. Miller's tenure as head of the Massachusetts juvenile justice system, during which he undertook one of the most daring and drastic steps in recent juvenile justice history -- he closed reformatories and returned offenders to community supervision and treatment by private schools and youth agencies. Filled with insights into juvenile and adult behavior in prison and outside, Miller's account provides a rare opportunity to view our juvenile justice system as a whole, including all the politics, economics, and social biases that come with it. In a new preface for this edition, the author reflects on his decision of seven years ago and the lessons learned from it.

'Last Of the Giants is the mad, funny, dark and often painful story of a lost band from a now-distant time' CLASSIC ROCK MAGAZINE INCLUDES BRAND NEW CHAPTER COVERING GUNS N' ROSES EPIC WORLD TOUR 'Any story about Guns is worth reading. But when the author is Mick Wall it's absolutely essential' KERRANG Many millions of words have already been written about Guns N' Roses, the old line-up, the new line-up. But none of them have ever really gotten to the truth. Which is this: Guns N' Roses has always been a band out of time, the Last of the Giants. They are what every rock band since the Rolling Stones has tried and nearly always failed to be: dangerous. At a time when smiling, MTV-friendly, safe-sex, just-say-no Bon Jovi was the biggest band in the world, here was a band that seemed to have leapt straight out of the coke-smothered pages of the original, golden-age, late-sixties rock scene. 'Live like a suicide', the band used to say when they all lived together in the Hell House, their notorious LA home. And this is where Mick Wall first met them, and became part of their inner circle, before famously being denounced by name by Axl Rose in the song 'Get in the Ring'. But this book isn't about settling old scores. Written with the clear head that 25 years later brings you, this is a celebration of Guns N' Roses the band, and of Axl Rose the frontman who really is that thing we so desperately want him to be: the last of the truly extraordinary, all-time great, no apologies, no explanations, no giving-a-shit rock stars. The last of his kind.

An original graphic novel inspired by the major motion picture The Great Wall from Legendary, Universal Pictures, China Film Co., Ltd and Le Vision Pictures, directed by Zhang Yimou (Hero, House of Flying Daggers) and starring Matt Damon, Pedro Pascal and Willem Dafoe. The Great Wall: Last Survivor is written by Arvid Nelson (Rex Mundi) with art by Gian Fernando (13 Legends). What if an army was created to defend our world from an enemy so dangerous, its very existence must be kept a secret? Built to keep out the ferocious Tao Tei, The Great Wall is the most powerful defensive structure ever built; but it is the heroes within that make the wall great: The Nameless Order. Set sixty years prior to the film, in the mysterious lands of ancient China, tragedy forces young Bao into joining The Nameless Order and upholding the corps’ four principles: Discipline, Loyalty, Secrecy, and Sacrifice. Challenged by rivals, haunted by his past, and tested by desires, Bao spends his life preparing for one singular moment: when he will have to defend the world from ferocious monsters that have come to devour us all.

The author, a computer science professor diagnosed with terminal cancer, explores his life, the lessons that he has learned, how he has worked to achieve his childhood dreams, and the effect of his diagnosis on him and his family.

"In the summer of 2012, Raoul De Keyser was preparing for an exhibition with David Swirner, planned for March 2013. The artist passed away in October 2012. This publication intimately captures his last paintings as well as portraits of the artist and his studio taken by Jef Van Eynde"--Back cover.