To the girls who came to make it big in the town's 'What the Butler Saw' movie industry, Aberystwyth was the town of broken dreams. To Dean Morgan who taught at the Faculty of Undertaking, it was just a place to get course materials. But both worlds collide when the Dean checks into the notorious bed and breakfast ghetto and mistakenly receives a suitcase intended for a ruthless druid assassin. Soon he is running for his life, lost in a dark labyrinth of druid speakeasies and toffee apple dens, where every spinning wheel tells the story of a broken heart, and where the Dean's own heart is hopelessly in thrall to a porn star known as Judy Juice.

Schoolboys are disappearing all over Aberystwyth and nobody knows why. Louie Knight, the town's private investigator, soon realises that it is going to take more than a double ripple from Sospan, the philosopher cum ice-cream seller, to help find out what is happening to these boys and whether or not Lovespoon, the Welsh teacher, Grand Wizard of the Druids and controller of the town, is more than just a sinister bully. And just who was Gwenno Guevara?

There is nothing unusual about the barrel-organ man who walks into private detective Louie Knight's office. Apart from the fact that he has lost his memory. And his monkey is a former astronaut. And he is carrying a suitcase that he is too terrified to open. And he wants a murder investigated. The only thing unusual about the murder is that it took place a hundred years ago. And needs solving by the following week. Louie is too smart to take on such a case but also too broke to turn it down. Soon he is lost in a labyrinth of intrigue and terror, tormented at every turn by a gallery of mad nuns, gangsters and waifs, and haunted by the loss of his girlfriend, Myfanwy, who has disappeared after being fed drugged raspberry ripple ...

It is a sweltering August in Aberystwyth. A man wearing a Soviet museum curator's uniform walks into Louie Knight's office and spins a wild and impossible tale of love, death, madness and betrayal. Sure, Louie had heard about Hughesovka, the legendary replica of Aberystwyth built in the Ukraine by some crazy nineteenth-century czar. But he hadn't believed that it really existed until he met Uncle Vanya. Now the old man's story catapults him into the neon-drenched wilderness of Aberystwyth Prom in search of a girl who mysteriously disappeared thirty years ago. Soon Louie finds his fate depending on two most unlikely talismans - a ticket to Hughesovka and a Russia cosmonaut's sock.

It's Christmas in Aberystwyth and a man wearing a red-and-white robe is found brutally murdered in a Chinatown alley. A single word is scrawled in his blood on the pavement: 'Hoffmann'. But who is Hoffmann? This time, Aberystwyth's celebrated crime-fighter, Louie Knight, finds himself caught up in a brilliant pastiche of a cold-war spy thriller. From Patagonia to Aberystwyth, Louie trails a legendary stolen document said to contain an astonishing revelation about the ultimate fate of Butch Cassidy and the Sundance Kid, but he's not the only one who wants it. A bewildering array of silver-haired spies has descended on Aberystwyth, all lured out of retirement by one tantalising rumour: Hoffmann has come in from the Cold. Louie Knight, who still hasn't wrapped up his presents, just wishes he could have waited until after the holiday.

By the New York Times bestselling author of The Bone Clocks and Cloud Atlas | Longlisted for the Man Booker Prize Selected by Time as One of the Ten Best Books of the Year | A New York Times Notable Book | Named One of the Best Books of the Year by The Washington Post Book World, The Christian Science Monitor, Rocky Mountain News, and Kirkus Reviews | A Los Angeles Times Book Prize Finalist | Winner of the ALA Alex Award | Finalist for the Costa Novel Award From award-winning writer David Mitchell comes a sinewy, meditative novel of boyhood on the cusp of adulthood and the old on the cusp of the new. Black Swan Green tracks a single year in what is, for thirteen-year-old Jason Taylor, the sleepiest village in muddiest Worcestershire in a dying Cold War England, 1982. But the thirteen chapters, each a short story in its own right, create an exquisitely observed world that is anything but sleepy. A world of Kissingeresque realpolitik enacted in boys’ games on a frozen lake; of “nightcreeping” through the summer backyards of strangers; of the tabloid-fueled thrills of the Falklands War and its human toll; of the cruel, luscious Dawn Madden and her power-hungry boyfriend, Ross Wilcox; of a certain Madame Eva van Outryve de Crommelynck, an elderly bohemian emigré who is both more and less than she appears; of Jason’s search to replace his dead grandfather’s irreplaceable smashed watch before the crime is discovered; of first cigarettes, first kisses, first Duran Duran LPs, and first deaths; of Margaret Thatcher’s recession; of Gypsies camping in the woods and the hysteria they inspire; and, even closer to home, of a slow-motion divorce in four seasons. Pointed, funny, profound, left-field, elegiac, and painted with the stuff of life, Black Swan Green is David Mitchell’s subtlest and most effective achievement to date. Praise for Black Swan Green “[David Mitchell has created] one of the most endearing, smart, and funny young narrators ever to rise up from the pages of a novel. . . . The always fresh and brilliant writing will carry readers back to their own childhoods. . . . This enchanting novel makes us remember exactly what it was like.”—The Boston Globe “[David Mitchell is a] prodigiously daring and imaginative young writer. . . . As in the works of Thomas Pynchon and Herman Melville, one feels the roof of the narrative lifted off and oneself in thrall.”—Time

100 British Crime Writers explores a history of British crime writing between 1855 and 2015 through 100 writers, detailing their lives and significant writing and exploring their contributions to the genre. Divided into four sections: 'The Victorians, Edwardians, and World War One, 1855-1918; 'The Golden Age and World War Two, 1919-1945; 'Post-War and Cold War, 1946-1989; and 'To the Millennium and Beyond, 1990-2015, each section offers an introduction to the significant features of these eras in crime fiction and discusses trends in publication, readership, and critical response. With entries spanning the earliest authors of crime fiction to a selection of innovative contemporary novelists, this book considers the development and progression of the genre in the light of historical and social events.