Through seven journeys in Tibet, this book chronicles a changing world - where monks talk on mobiles and Lhasa's sex industry thrives. It captures the paradoxes of contemporary Tibet, a land steeped in religion, struggling against oppression, and galloping towards modernity.

Weaving together the uneasy meeting of two cultures, The Pagoda Tree is a captivating story of love, loss and fate. Tanjore, 1765. Maya plays among the towering granite temples of this ancient city in the heart of southern India. Like her mother before her, she is destined to become a devadasi, a dancer for the temple. She is instructed in dance, the mystical arts and lovemaking. It is expected she will be chosen as a courtesan for the prince himself. But as Maya comes of age, India is on the cusp of change and British dominance has risen to new heights. The prince is losing his power and the city is sliding into war. Maya is forced to flee her ancestral home, and heads to the bustling port city of Madras, where East and West collide. Maya captivates all who watch her dance. Thomas Pearce, an ambitious young Englishman who has travelled to India to make his fortune, is entranced from the moment he first sees her. But their love is forbidden, and comes at enormous cost. 'Claire Scobie's seductive prose and immaculate layering of period detail capture India at her most exotic.' Susan Kurosawa 'Women's stories are rarely told in history, nor particularly honoured. The Pagoda Tree offers a powerful, sensual perspective on a time of great transformation in India.' Sarah Macdonald, author of Holy Cow 'A rich and enthralling story handled with great skill by someone with a profound understanding of her material.' David Roach, screenwriter and film director 'A richly textured tale full of the sights, sounds and smells of India, with all its complex beauty and troubled history … ' Sydney Morning Herald 'A novel to be savoured … Its layering, the unravelling of the story, the subtext of the fortunes made and lost on cotton and silk, the evocative descriptions of saris themselves are all part of [its] tapestry.' The Age '[The Pagoda Tree] offers new ways of seeing the past.' Canberra Times 'Scobie's prose is eloquent … a fascinating, unique plot representing an interesting era in [India's] history.' The Mercury 'A story told with great panache.' Country Style 'Claire Scobie travels a vast and exotic terrain in her first novel.' Weekly Review 'This first novel by Claire Scobie would make a spectacular film.' Goodreading Magazine 'A nuanced and sophisticated exploration of the socio-historical realities that are inevitable when cultures collide.' The Hoopla

An artist in every sense of the word, Lhasa de Sela wowed audiences around the globe with her multilingual songs and spellbinding performances, mixing together everything from Gypsy music to Mexican rancheras, Americana and jazz, chanson française, and South American folk melodies. In Canada, her album La Llorona won the Juno Award and went gold, and its follow-up, The Living Road, won a BBC World Music Award. Tragically, de Sela succumbed to breast cancer in 2010 at the age of thirty-seven after recording her final album, Lhasa. Tracing de Sela’s unconventional life and introducing her to a new generation, Why Lhasa de Sela Matters is the first biography of this sophisticated creative icon. Raised in a hippie family traveling between the United States and Mexico in a converted school bus, de Sela developed an unquenchable curiosity, with equal affinities for the romantic, mystic, and cerebral. Becoming a sensation in Montreal and Europe, the trilingual singer rejected a conventional path to fame, joining her sisters’ circus troupe in France. Revealing the details of these and other experiences that inspired de Sela to write such vibrant, otherworldly music, Why Lhasa de Sela Matters sings with the spirit of this gifted firebrand.

In December 1903 a British army marched over the Himalayas to counter a non-existent Russian threat and was confronted by a medieval Tibetan army ordered to stop it by non-violent means. It was a clash between the mightiest political power in the world and the weakest. Leading the mission was the charismatic Francis Younghusband. Commanding the army escort was an officer determined to do things by the book: General James Macdonald. The result was conflict at every level. Drawing on diaries, letters and unpublished first-hand accounts, Charles Allen reveals not only the true character of one of Britain's great imperial heroes but also the calamitous outcome for the Tibetan people of Britain's last attempt at empire-building.

A runaway teenager from Bengal treks across Tibet with a group of lamas Bitten by wanderlust at a young age, Bimal Dey has travelled the world, including the Arctic and Antarctica. But it’s his journey across Tibet, from Gangtok to Lhasa and Mansarovar when he was a teenager, that holds a special place in his heart. The Last Time I Saw Tibet recounts his adventures during this trip in 1956: a time when Sikkim was not yet part of India, the Fourteenth Dalai Lama still ruled in Tibet although Chinese presence was marked, and Indians were not banned from travelling there. Ordained as a Buddhist monk by his Guruji just before the start of the journey (only lamas can stay in monasteries), posing as one who had taken a vow of silence (he did not know enough Tibetan to convince the Chinese authorities), Dey trekked across the Nathu La pass, Chumbi valley and the Sangpo river along with an intrepid band of lamas, before reaching Lhasa, or Hla-Sa (‘abode of the gods’), many months later. He visited the Jokhang Temple and Norbulingka, the summer palace, was witness to the grandeur of the Potala royal palace where the Dalai Lama resided, and even had an audience with His Holiness. From Lhasa, the author trekked on his own to Kailashnath and Mansarovar, the holiest of pilgrimages for any Hindu. During his journey, he encountered the deep generosity of the local people, made friends among ascetics and mendicants, and the awe-inspiring majesty of the Himalayas brought with it a true understanding of spirituality and faith. Many years later, in the eighties, the author would have the privilege of visiting Mansarovar twice, but he always hankered to travel alone across Tibet, a wish that was eventually granted by the Chinese authorities only at the cusp of the new millennium. This time he saw the ravages of the Chinese occupation in Lhasa, a slow decimation of the Tibetan culture across the countryside, which convinced him that ever more visitors is one way of keeping alive Tibet and its rich and unique traditions.

The violent protests in Lhasa in 2008 against Chinese rule were met by disbelief and anger on the part of Chinese citizens and state authorities, perplexed by Tibetans' apparent ingratitude for the generous provision of development. In Taming Tibet, Emily T. Yeh examines how Chinese development projects in Tibet served to consolidate state space and power. Drawing on sixteen months of ethnographic fieldwork between 2000 and 2009, Yeh traces how the transformation of the material landscape of Tibet between the 1950s and the first decade of the twenty-first century has often been enacted through the labor of Tibetans themselves. Focusing on Lhasa, Yeh shows how attempts to foster and improve Tibetan livelihoods through the expansion of markets and the subsidized building of new houses, the control over movement and space, and the education of Tibetan desires for development have worked together at different times and how they are experienced in everyday life.The master narrative of the PRC stresses generosity: the state and Han migrants selflessly provide development to the supposedly backward Tibetans, raising the living standards of the Han's "little brothers." Arguing that development is in this context a form of "indebtedness engineering," Yeh depicts development as a hegemonic project that simultaneously recruits Tibetans to participate in their own marginalization while entrapping them in gratitude to the Chinese state. The resulting transformations of the material landscape advance the project of state territorialization. Exploring the complexity of the Tibetan response to—and negotiations with—development, Taming Tibet focuses on three key aspects of China's modernization: agrarian change, Chinese migration, and urbanization. Yeh presents a wealth of ethnographic data and suggests fresh approaches that illuminate the Tibet Question.