Bestselling author Bennett imagines how Simon, an ordinary spice merchant and a Jew without deeply felt religious beliefs, begins his lifelong journey as one of the first new Christians as his life intersects with Jesus at the major milestones of his life and ministry.

#1 New York Times bestselling author Nora Roberts presents the story of a shared past, a fresh start, and a lifetime of love in the second novel in the Inn BoonsBoro Trilogy. Owen is the organizer of the Montgomery clan, running the family’s construction business with an iron fist—and an even less flexible spreadsheet. And though his brothers bust on his compulsive list-making, the Inn BoonsBoro is about to open right on schedule. The only thing Owen didn’t plan for was Avery McTavish... Avery’s popular pizza place is right across the street from the inn, giving her a first-hand look at its amazing renovation—and a newfound appreciation for Owen. Since he was her first boyfriend when they were kids, Owen has never been far from Avery’s thoughts. But the attraction she’s feeling for him now is far from innocent. As Avery and Owen cautiously take their relationship to another level, the opening of the inn gives the whole town of Boonsboro a reason to celebrate. But Owen’s hard work has only begun. Getting Avery to let down her guard is going to take longer than he expected—and so will getting her to realize that her first boyfriend is going to be her last… Don't miss the other books in the Inn BoonsBoro Trilogy The Next Always The Perfect Hope

“Patricia writes with heart, integrity and hope. Her stories both entertain and edify—the perfect combination.” —Kim Vogel Sawyer, award-winning and bestselling author In this close-knit Amish community, she’ll hide in plain sight… Pregnant and desperate, Victoria Worthington runs to the only place that’s ever felt safe. For years she’s been controlled, first by her crime-boss father, then by her ex-boyfriend. Donning a hand-sewn dress, a kapp and a new name, she escapes as Abby Martin to the Amish community of Harts Haven, where she spent happy summers with her grandparents. Taking a job as a maid at the local inn, Abby plans to repair her grandparents’ abandoned house and build a new life for her baby. Since a tragedy took his family, contractor Joseph Troyer has traveled from one Amish town to another, refusing to let anyone get close. Not that it stops the inn’s elderly, eccentric owner, Rose, from doing some matchmaking while Joe renovates her kitchen. Though Abby is more outspoken than any Amish woman he knows, something draws him to her—and to the secrets she’s hiding. Taken under Rose’s wing, Abby begins to find her place at last. But even here there’s no hiding from the past. Only by facing it with courage, faith and the unexpected gift of love can this haven become the home she’s longed for. The Matchmakers of Harts Haven Book 1: The Inn at Harts Haven

This apocalyptic tale by the author of Frankenstein envisions a future world devastated by plague. Misunderstood by contemporary readers, Mary Shelley's 1826 precursor to the science fiction novel has reemerged to critical acclaim.

Beach culture and UFOs collide in this lighthearted adventure story about an alien encounter at an aging Cocoa Beach motel.Twelve-year-old Aidan lives and works at his parents' motel on the Space Coast in Florida, so he's seen a lot of weird stuff. Even his best friend, Louis, is a little bit crazy—he's obsessed with UFOs and swears he saw one two years ago. But things at the Mercury Inn are about to get a whole lot weirder. When an actual unidentified flying object suddenly appears in the sky over the motel, Aidan begins to realize that some of the residents of the Mercury Inn may be much more unusual than he thought. And Louis might not be so crazy after all. Filled with quirky characters and atmosphere, this beachy alien caper, like the aging motel where it takes place, is anything but ordinary.

The Last Man is Mary Shelley's apocalyptic fantasy of the end of human civilisation. Set in the late twenty-first century, the novel unfolds a sombre and pessimistic vision of mankind confronting inevitable destruction. Interwoven with her futuristic theme, Mary Shelley incorporates idealised portraits of Shelley and Byron, yet rejects Romanticism and its faith in art and nature.