A new translation of some of the most outstanding works by Ingeborg Bachmann

Imagine knowing you only have several more hours to live. Picture the faces of your loved ones gathered around you. Allow the emotions to rise up in your heart. What would you say? John 13–17 records Jesus’ last words to the disciples before His death, revealing what was most important to Him. When we study those words and prayers today, we enter deep into the heart of Jesus and come away changed: overwhelmed by the love of God, inspired to follow Him, and empowered to spread the gospel. His Last Words is an 7-week Bible study that plumbs the depths of Jesus’ final teachings to the disciples. It features: A verse-by-verse study of John 13–17 and portions of John 18–21 Five lessons each week, one set aside for reflection and prayer Discussion questions for small groups Two weeks for review, reflection, and application and more Jesus’ last words are words of eternal life—powerful and full of love. If you’ve been longing for more intimacy in your relationship with God, more meaning in your life, and more boldness in your witness, His Last Words will draw you into just what you need: the Word of God.

Whether Goethe actually cried "More light!" on his deathbed, or whether Conrad Hilton checked out of this world after uttering "Leave the shower curtain on the inside of the tub," last words, regardless of authenticity, have long captured the imagination of Western society. In this playfully serious investigation based on factual accounts, anecdotes, literary works, and films, Karl Guthke explores the cultural importance of those words spoken at the border between this world and the next. The exit lines of both famous and ordinary people embody for us a sense of drama and truthfulness and reveal much about our thoughts on living and dying. Why this interest in last words? Presenting statements from such figures as Socrates, Nathan Hale, Marie Antoinette, and Oscar Wilde ("I am dying as I have lived, beyond my means"), Guthke examines our fascination in terms of our need for closure, our desire for immortality, and our attraction to the mystique of death scenes. The author considers both authentic and invented final statements as he looks at the formation of symbols and legends and their function in our culture. Last words, handed down from generation to generation like cultural heirlooms, have a good chance of surviving in our collective memory. They are shown to epitomize a life, convey a sense of irony, or play to an audience, as in the case of the assassinated Mexican revolutionary Pancho Villa, who is said to have died imploring journalists: "Don't let it end like this. Tell them I said something." Originally published in 1992. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

A short book about different practices for acknowledging death in the different cultures and religions currently in New Zealand. While it is designed for use by nurses and doctors, chaplains, funeral directors, police, hospice workers and community workers, the book is also intended for general readers.

Laid out as diary entries of the last nine months of Burroughs's life, "Last Words" spans the realms of cultural criticism, personal memoir, and fiction. Classic Burroughs concerns--literature, U.S. drug policy, the state of humanity, his love for his cats--permeate this poignant portrait of the man, his life, and the creative process.

An NYRB Classics Original When the pioneering Taiwanese novelist Qiu Miaojin committed suicide in 1995 at age twenty-six, she left behind her unpublished masterpiece, Last Words from Montmartre. Unfolding through a series of letters written by an unnamed narrator, Last Words tells the story of a passionate relationship between two young women—their sexual awakening, their gradual breakup, and the devastating aftermath of their broken love. In a style that veers between extremes, from self-deprecation to pathos, compulsive repetition to rhapsodic musings, reticence to vulnerability, Qiu’s genre-bending novel is at once a psychological thriller, a sublime romance, and the author’s own suicide note. The letters (which, Qiu tells us, can be read in any order) leap between Paris, Taipei, and Tokyo. They display wrenching insights into what it means to live between cultures, languages, and genders—until the genderless character Zoë appears, and the narrator’s spiritual and physical identity is transformed. As powerfully raw and transcendent as Mishima’s Confessions of a Mask, Goethe’s The Sorrows of Young Werther, and Theresa Cha’s Dictée, to name but a few, Last Words from Montmartre proves Qiu Miaojin to be one of the finest experimentalists and modernist Chinese-language writers of our generation.