The journey through the creation of the groundbreaking video games continues with this breathtaking volume, featuring hundreds of pieces of concept art, design notes, and creator retrospectives from the original team behind the making of Final Fantasy X, Final Fantasy XI, Final Fantasy XII, Final Fantasy XIII, and Final Fantasy XIV. Art, commentary, and lore from a transformative era in the indispensable role-playing franchise, collected in a beautifully printed 300-plus-page hardcover. Foray into one of gaming's most iconic properties, exploring beautiful art and incisive commentary behind five of the most memorable entries in the Final Fantasy saga. Final Fantasy Ultimania Archive Volume 3 authentically translates original Japanese source material to present unparalleled access for a Western audience. This incredible tome is a must-have addition to any Final Fantasy enthusiast's collection.

"Collects all twelve chapters of The last god: book one of the Fellspyre chronicles along with The last god: songs of lost children, and an exclusive expanded edition of the roleplaying game sourcebook The last god: tales from the book of ages."

Square Enix employee Shogo Sasaki has a big dream-to produce his very own Final Fantasy game with his sister, Yuko. But after the siblings are involved in a truck accident, they awaken to realize they've left their world behind...and fallen into the world of Final Fantasy! After coming to grips with the situation, they meet some new friends, join a party, and accept their fate as adventurers. But when danger approaches, Shogo will discover that his encyclopedic knowledge of the games can only take him so far...

There is only one Final Fantasy. Through more than a dozen wildly diverse adventures, from the release of the first game in 1987 to the most recent expansion on the story, the international influence of the game is legendary both inside the video-game industry and throughout popular culture. It is a tale of bold heroes and heroines, breathtaking landscapes and terrifying creatures. Through Final Fantasy, names like Luneth, Refia, Rosa Farrell, Cecil Harvey, and many others have become household names to millions of players across the globe.

In the kingdom of Allay, Sages are born. Powerful warriors with supernatural abilities that would rival the strength of whole armies. And there is an academy that trains such warriors, forging them out of young, ordinary students. Few survive, but if there is any hope for this now desolate kingdom, the tests must be given to all that enter its walls. One such student is James, a self-proclaimed slacker that has just been forced into the academy by his father. And if he plans to see another day, he will have to weather through four lessons in life: determination, maturity, trust, and love... Praise for The Sage Saga: "A warning, it is a trap. Once you start you can't put it down. I had to read it start to finish an immediately get the rest of the series." - Amazon Reviewer "It was a great read from start to finish. It was so captivating that I had trouble putting the book down." - Book Reviewer "I couldn't put it down. Lots of adventure and heartbreak. I loved the depth that the author takes you too in falling in love with the main characters." - Amazon Reviewer on The Dark Kingdom (Book 2 of the Sage Saga) "A fantastic read hard to pick which way it was going some times so sorry the trilogy had to end." - Book Reviewer on Hail to the Queen (Book 3 of the Sage Saga)

Weird Fantasy Volume One touches down at Dark Horse Comics! Fully remastered in magnificent digital color, this otherwordly volume includes twenty-four extraterrestrial tales from a stellar collection of writers and artists—Bill Gaines, Al Feldstein, Harry Harrison, Gardner Fox, Jack Kamen, Harvey Kurtzman, and Wally Wood! Foreword by Walt Simonson! Collects Weird Fantasy issues #13–#17 and #6.

Critique of Fantasy, Vol. 1: Between a Crypt and a Date Mark addresses both the style or genre of fantasy and the mental faculty, long the hot property of philosophical ethics. Freud passed it along in his 1907 essay on the poetics of daydreaming when he addressed omnipotent wish fantasy as the source and resource of the aspirations and resolutions of art, which, however, the artwork can never look back at or acknowledge. By grounding his genre in the one fantasy that is true, the Gospel, J.R.R. Tolkien obviated and made obvious the ethical mandate of fantasy's restraining order.With George Lucas's Star Wars we entered the borderlands of the fantasy and science fiction genres, a zone resulting from and staggering a contest, which Tolkien inaugurated in the 1930s. The history of this contested borderland marks changes that arose in expectation of what the new media held in store, changes realized (but outside the box of what had been projected) upon the arrival of the unanticipated digital relation, which at last seemed to award the fantasy genre the contest prize.Freud's notion of the Zeitmarke (datemark), the indelible impress of the present moment that triggered the daydream that denies it, already introduced the import of fantasy's historicization. Science fiction won a second prize that keeps it in the running. No longer bound to projecting the future, the former calling which in light of digitization it flunked, science fiction becomes allegorical and reading in the ruins of its failed predictions illuminates all the date marks and crypts hiding out in the borderlands it traverses with fantasy. To motivate the import of an evolving science fiction genre, Critique of Fantasy makes Gotthard Günther's reflections in the 1950s on American science fiction - as heralding a new metaphysics and a new planetary going on interstellar civilization - a mainstay of its cultural anthropology with B-genres.===After thirty years teaching at the University of California, Santa Barbara, in 2011 Laurence A. Rickels accepted a professorship in art and theory at the Staatliche Akademie der Bildenden Künste, Karlsruhe and taught there as successor to Klaus Theweleit until 2017. During 2018 Rickels was Eberhard Berent Visiting Professor and Distinguished Writer at New York University, and he continues to offer seminars in media and philosophy at the European Graduate School (Saas Fee, Switzerland and Malta) where he holds the Sigmund Freud Chair. Rickels is the author of Aberrations of Mourning (Minnesota, 1988), The Case of California (Minnesota, 1991), The Vampire Lectures (Minnesota, 1999), Nazi Psychoanalysis (Minnesota, 2002), The Devil Notebooks (Minnesota, 2008), Ulrike Ottinger: The Autobiography of Art Cinema (Minnesota, 2008), I Think I Am: Philip K. Dick (Minnesota, 2010), SPECTRE (Anti-Oedipus, 2013), Germany: A Science Fiction (Anti-Oedipus, 2014), and The Psycho Records (Columbia, 2016).