A contemporary American classic—a poignant and hilarious tale of baseball, hero worship, eccentric behavior, and unlikely friendship Last Days of Summer is the story of Joey Margolis, neighborhood punching bag, growing up goofy and mostly fatherless in Brooklyn in the early 1940s. A boy looking for a hero, Joey decides to latch on to Charlie Banks, the all-star third basemen for the New York Giants. But Joey's chosen champion doesn't exactly welcome the extreme attention of a persistent young fan with an overactive imagination. Then again, this strange, needy kid might be exactly what Banks needs.

"The Last Last-Day-of-Summer reminds me that all children deserve to exist in magical spaces where their imaginations and familial bonds will them into heroism. Every single child should have the freedom to be one of The Legendary Alstons. And I, for one, am grateful to Giles, and this brilliant story, for that reminder." --Jason Reynolds, author of Newbery Honoree Long Way Down "The legendary heroes of this legendary book are already legendary when the story begins From there things can only get legendary-er " --Tom Angleberger, author of the Origami Yoda series "Lamar Giles has written an instant classic--readers won't want their time with the Legendary Alston Boys of Logan County to end." --Gwenda Bond, author of the Lois Lane series The Hardy Boys meets The Phantom Tollbooth, in the new century When two adventurous cousins accidentally extend the last day of summer by freezing time, they find the secrets hidden between the unmoving seconds, minutes, and hours are not the endless fun they expected. Otto and Sheed are the local sleuths in their zany Virginia town, masters of unraveling mischief using their unmatched powers of deduction. And as the summer winds down and the first day of school looms, the boys are craving just a little bit more time for fun, even as they bicker over what kind of fun they want to have. That is, until a mysterious man appears with a camera that literally freezes time. Now, with the help of some very strange people and even stranger creatures, Otto and Sheed will have to put aside their differences to save their town--and each other--before time stops for good.

In this book, photographer Akila Berjaoui shows how her love for the beach is inextricably linked with her artistic vision. Akila Berjaoui’s incredibly sensual photographs often feature sand, sun, water—or a combination of all three. In her first book, this highly sought-after fashion photographer, armed with her favorite old analogue cameras, takes us to breathtaking seaside locations, from her hometown of Sydney, Australia, to the bathing hotspots of Italy, France, and Brazil, to name just a few. Much in the tradition of Slim Arons, Bruce Weber, Peter Beard, Claude Nori, and Juergen Teller—all of whom she regards as influences on her work—Berjaoui’s photos harken back to the 1950s, ’60s, ’70s, and ’80s with their soft colors and sultry joie de vivre. As a woman, Berjaoui is able to draw out her female subjects with a sense of kinship, rather than voyeurism. One of the world’s most in-demand photographers, Akila Berjaoui is destined to make a name for herself in the field of travel, beauty, and lifestyle photography.

In an unnamed New York-based company, the employees are getting restless as everything around them unravels. There’s Pru, the former grad student turned spreadsheet drone; Laars, the hysteric whose work anxiety stalks him in his tooth-grinding dreams; and Jack II, who distributes unwanted backrubs–aka “jackrubs”–to his co-workers. On a Sunday, one of them is called at home. And the Firings begin. Rich with Orwellian doublespeak, filled with sabotage and romance, this astonishing literary debut is at once a comic delight and a narrative tour de force. It’s a novel for anyone who has ever worked in an office and wondered: “Where does the time go? Where does the life go? And whose banana is in the fridge?” Praise for PERSONAL DAYS "Witty and appealing...Anyone who has ever groaned to hear 'impact' used as a verb will cheer as Park skewers the avatars of corporate speak, hellbent on debasing the language....Park has written what one of his characters calls 'a layoff narrative' for our times. As the economy continues its free fall, Park's book may serve as a handy guide for navigating unemployment and uncertainty. Does anyone who isn't a journalist think there can't be two books on the same subject at the same time? We need as many as we can get right now." —The New York Times Book Review "Never have the minutiae of office life been so lovingly cataloged and collated." —"Three First Novels that Just Might Last," —Time A "comic and creepy début...Park transforms the banal into the eerie, rendering ominous the familiar request "Does anyone want anything from the outside world?" —The New Yorker "The modern corporate office is to Ed Park's debut novel Personal Days what World War II was to Joseph Heller's Catch-22—a theater of absurdity and injustice so profound as to defy all reason....Park may be in line to fill the shoes left by Kurt Vonnegut and other satirists par excellence."—Samantha Dunn, Los Angeles Times "In Personal Days Ed Park has crafted a sometimes funny, sometimes heartbreaking, but always adroit novel about office life...Sharp and lovely language." —Newsweek "A warm and winning fiction debut." — Publishers Weekly "I laughed until they put me in a mental hospital. But Personal Days is so much more than satire. Underneath Park's masterly portrait of wasted workaday lives is a pulsating heart, and an odd, buoyant hope." — Gary Shteyngart, author of Absurdistan "The funniest book I've read about the way we work now." –William Poundstone, author of Fortune's Formula "Ed Park joins Andy Warhol and Don DeLillo as a master of the deadpan vernacular." —Helen DeWitt, author of The Last Samurai

'Opens Vanessa Ronan's literary career the way dynamite opens a safe ... beautiful and invigoratingly shocking' Joseph O'Connor, Irish Times Mid-July in Texas. Cicadas shed their dry summer skins, the scent of roses hangs heavy in the still air, and a woman sits alone on her porch at dusk, watching the empty, merciless prairie, its light falling to darkness. He's coming home. Upstairs, Lizzie knows, her daughters are safe in their beds. Joanne, still young enough to smile at strangers, one last summer of childhood left in her. Katie, already a beauty, the first flush of womanhood blooming on her skin. Both sleeping soundly. But out beyond the boundary of their land, the townspeople sleep fitfully. Too many have heard that Jasper is coming back - folk who know him of old, who remember what he did - men who will make it their business to see he doesn't stay too long round these parts ... 'Vivid storytelling. ... makes your fingers tremble when you turn the pages. The terror and the pity of it will stay with you for a long time'Sunday Times 'A powerful, formidable debut. Vanessa Ronan is a natural storyteller and what a gripping, dark, compelling story this is' Donal Ryan 'Written with poetry and vision. With a blistering ending that leaves you racing to its conclusion ...' Stylist 'Shades of In Cold Blood and Truman Capote, shades of Harper Lee ... there's constant mystery hovering over every turn of the page' Ryan Tubridy, RTE 'Each word is weighted with dread and laden with drama ... impressive' Sunday Independent

The Pulitzer Prize-winning history of the Scopes Trial and the battle over evolution and creation in America's schools In the summer of 1925, the sleepy hamlet of Dayton, Tennessee, became the setting for one of the twentieth century's most contentious courtroom dramas, pitting William Jennings Bryan and the anti-Darwinists against a teacher named John Scopes, represented by Clarence Darrow and the ACLU, in a famous debate over science, religion, and their place in public education. That trial marked the start of a battle that continues to this day-in cities and states throughout the country. Edward Larson's classic Summer for the Gods -- winner of the Pulitzer Prize in History -- is the single most authoritative account of this pivotal event. An afterword assesses the state of the battle between creationism and evolution, and points the way to how it might potentially be resolved.

It's summertime, and thirteen-year-old Nina Ross is feeling kind of lost. Her beloved grandma died last year; her parents work all the time; her brother's busy; and her best friend is into clothes, makeup, and boys. While Nina doesn't know what "her thing" is yet, it's definitely not shopping and makeup. And it's not boys, either. Though . . . has Eli, the boy next door, always been so cute? This summer, Nina decides to change things. She hatches a plan. There are sixty-five days of summer. Every day, she'll anonymously do one small but remarkable good thing for someone in her neighborhood, and find out: does doing good actually make a difference? Along the way, she discovers that her neighborhood, and her family, are full of surprises and secrets. In this bighearted, sweetly romantic novel, things may not turn out exactly as Nina expects. They might be better. Praise: Finalist for the Golden Sower Award (Nebraska) Nominated for the Pennsylvania Young Reader’s Choice Awards Nominated for the Sunshine State Young Readers Award (Florida)