On a school field trip to the famous Lascaux Cave in southern France, a young girl encounters a primitive man who had created the remarkable paintings on the cave's walls. Includes a section with information on early homo sapiens.

Discovered by chance by two boys in France in 1940, the cave of Lascaux, with its radiant wall paintings of bison, aurochs, horses, and deer, offers us the most astonishing view we have of the shadowy, powerful animal world of the Old Stone Age some 18,000 years ago. In the early 1960s, when it became clear that the paintings were beginning to fade as countless tourists flocked to see them, the cave was sealed, ancient atmospheric conditions were restored, and even scientists were allowed to enter the cave only a few hours each week. Today this prehistoric monument remains closed to the public. Following 10 years of research on the Lascaux cave, the prehistorian and geologist Norbert Aujoulat offers us his stunning interpretation of the paintings. In this lavishly illustrated volume, packed with new photographs, maps, and explanatory diagrams of the paintings, he takes us on a journey from the entrance of the cave back to its deepest and most hidden parts. In the process, he provides us with new insight into these remarkable works, tracing the birth of ancient mythologies, and of art.

Illustrating his ideas with examples of his own stunning graphic work, as well as an eclectic collection of masterpieces, Rand discusses such topics as: the relation between art and business: the presentation of design ideas and sketches to prospective clients: the debate over typographic style; and the aesthetics of combinatorial geometry as applied to the grid. His book will engage and enlighten anyone interested in the practice or theory of graphic design.

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Recounts the discovery of the caves in France that have artwork on the walls made by the Magdalenian people more than 17,000 years ago.

Discusses the paintings on the walls of Lascaux Cave in France including the cave's discovery, its significance, and the efforts to preserve the paintings themselves.

The cave of Lascaux may be closed to the public, but five scholars a day are allowed inside, and Nora Barnes has finagled an appointment. True, she may have fudged a bit in her letter to the authorities, but she does teach art history, and she isn’t about to miss her chance to see the world’s most famous prehistoric paintings. Nora and her high-spirited husband, Toby, are visiting the Dordogne, in the southern French region of the Aquitaine. Aware that the Dordogne’s renown for cave art is matched only by its reputation for delicious cuisine, the couple has also signed up for a cooking class at a nearby château, but they soon find that more than food is on their minds. During their tour of the cave, another visitor is murdered. When the local inspector pegs Nora and Toby as suspects, they embark on a mission to solve the crime, tracing strange links between a Cro-Magnon symbol and a thirteenth-century religious cult. As they match wits with the crusty inspector, Nora finds herself immersed in the notebooks of a forgotten artist who once lived in the château. In sifting through the artist’s papers and uncovering old secrets, she begins to piece together the motives for the murder. But has she cooked up more trouble than she can handle? Best Books for General Audiences, selected by the American Association of School Librarians Best Books for General Audiences, selected by the Public Library Reviewers