Nura era una niña alegre y amiga de sus amigos, pero un día todo cambió... Un libro basado en una historia real que aborda de manera muy clara y directa el abuso sexual infantil. Para que los pequeños, ante situaciones así, sepan actuar como grandes valientes. Nura was a happy and friendly girl but one day everything changed. Based on a true story, this book talks clearly and directly about a case of child sexual abuse. It was written to help young children to behave bravely in situations like this.

Nura era una niña alegre y amiga de sus amigos, pero un día todo cambió... Un libro basado en una historia real que aborda de manera muy clara y directa el abuso sexual infantil. Para que los pequeños, ante situaciones así, sepan actuar como grandes valientes. La Nura era una nena alegre i amiga dels seus amics però un dia tot va canviar...Un llibre basat en una història real que tracta de manera clara i directa labús sexual infantil. Perquè els petits, davant de situacions així, sàpiguen actuar com a grans valents.

This study examines the discourses of nationalism as they intersected or clashed with Spanish film production from its inception to the present. While the book addresses the discourses around filmmakers such as Almodóvar and Medem, whose work has achieved international recognition, Spanish National Cinema is particularly novel in its treatment of a whole range of popular cinema rarely touched on in studies of Spanish cinema. Using accounts of films, popular film magazines and documents not readily available to an English-speaking audience, as well as case studies focusing on the key issues of each epoch, this volume illuminates the complex and changing relationship between cinema and Spanish national identity.

'Other' Spanish Theatres challenges established opinions on modern Iberian theatre through a consideration of the roles of contrasting figures and companies who have impacted upon both the practice and the perception of Spanish and European stages. In this broad and detailed study, Delgado selects six subjects which map out alternative readings of a nation's theatrical innovation through the last century. These six subjects include Margarita Xirgu, Enrique Rambal, María Casarest and Nuria Espert.