Bienvenido querido lector, bienvenido a la saga "Las batallas por la supervivencia del cosmos" y, en concreto, al primer episodio titulado "El comienzo del inicio" que se subdividira en cuatro libros. Para comenzar, veremos el primer tomo titulado "El planeta de Dronag y su primer poder." Este primer libro contiene las aventuras de Dronag, quien nacio con el unico proposito de cancelar el ciclo cosmico o, mejor dicho, destruir a todo el cosmos. Asi que comenzaremos con el nacimiento de este ser destructivo. La historia se desarrollara principalmente en su planeta; aunque hay cuatro seres que narran los sucesos que ocurren en otro universo pero que son importantes en el transcurso de la accion. Otros personajes importantes son las cadetes, quienes lucharan para convertirse en la siguiente princesa guerrera; los integrantes del clan ollac, el gigante Sot-ord, la sombra del dia y la de la oscuridad, asi como el rey azul. Todos ellos tienen distintas historias que influiran en la existencia de Dronag de una u otra forma. Bienvenido querido lector a este primer libro en donde encontrara fabulosas aventuras con inesperados sucesos, los cuales seran narrados en parte por los propios personajes que las vivieron y por otra parte seran narrados por mi mismo.

A Deleuzian reading of Whitehead and a Whiteheadian reading of Deleuze open the possibility of a critical aesthetics of contemporary culture. In Without Criteria, Steven Shaviro proposes and explores a philosophical fantasy: imagine a world in which Alfred North Whitehead takes the place of Martin Heidegger. What if Whitehead, instead of Heidegger, had set the agenda for postmodern thought? Heidegger asks, “Why is there something, rather than nothing?” Whitehead asks, “How is it that there is always something new?” In a world where everything from popular music to DNA is being sampled and recombined, argues Shaviro, Whitehead's question is the truly urgent one. Without Criteria is Shaviro's experiment in rethinking postmodern theory, especially the theory of aesthetics, from a point of view that hearkens back to Whitehead rather than Heidegger. In working through the ideas of Whitehead and Deleuze, Shaviro also appeals to Kant, arguing that certain aspects of Kant's thought pave the way for the philosophical “constructivism” embraced by both Whitehead and Deleuze. Kant, Whitehead, and Deleuze are not commonly grouped together, but the juxtaposition of them in Without Criteria helps to shed light on a variety of issues that are of concern to contemporary art and media practices.

This artist's book accompanies the exhibition of a collaborative project by Swiss artist Ursula Biemann and Brazilian architect Paulo Tavares, presented at the Eli and Edythe Broad Art Museum, MSU in August 2014. Forest Law is a dynamic visual-textual engagement with the legal, ecological, cosmological and scientific dimensions of the tropical forest in the Ecuadorian Amazon. A trajectory through a transforming landscape, the book illuminates a series of legal cases and indigenous struggles for the rights of nature, incorporating text fragments, video stills and newly designed maps as well as a selection from legal documents, historical archives and other research material. This publication is coupled with the exhibition catalogue The Land Grant: Forest Law.

"Just ahead lies all the fun and games which Darwin missed" ... So sayeth Jack "The King" Kirby in describing the creative spark behind his enchanting Devil Dinosaur, an alternate-reality fable that recounts what might have happened had humans and dinsoaurs roamed the Earth at the same time - and in typical "King" Kirby fashion, finds the author wondering, "Who says they didn't?" One of his latter-day titles from his final stint at Marvel, Devil Dinosaur's nine-issue run came and went in 1978, going mostly unrecognized for its gritty charm and episodic mythologizing. Seemingly crafted for an audience far younger than the other fare he was generating for Marvel at the time, Jack's grand tale is a prehistoric fable that seems to sell the notion that cooperation, friendship and loyalty were the lights that guided man out of the swamps and into civilization. Putting into play these notions were Devil Dinosaur and Moon Boy, brothers bonded not by blood, but rather an uncommon spark of curiosity about their sourrounding world. It was this curiosity - this compulsion to investigate and not take for granted the conventional wisdom of others - that separated them from their peers and put them at the vanguard of evolution. Naturally, the dinosaurs in Devil's world came in many shapes and sizes, from triceratops, pterodactyls, and ankylosaurs to tyrannosaurs rex - Jack draws 'em all! And aside from Devil, Moon Boy finds himself rejected by his Small Folk kin for making friends with a fearsome T. Rex, and bullied by the Killer Folk that try to gain dominance in the forest by force! Devil and Moon Boy's curiosity often leads them into heaps of trouble, but that's where the fun is for readers! Besides the vicious Killer Folk, led by the warlord Seven Scars, the boy and his dinosaur are beset by a host of dinosaurs, giant spiders and armies of enormous ants, and are visited by aliens from outer space! But in the end, it is their friendship and fierce loyalty to each other that manifests itself in courageous heroism that eventually wins the day - and as Jack seems keen to note through subtext, evolves the species! Nearly thirty years after they were first created, this Omnibus edition dusts off the rare and woefully ignored pages of Jack Kirby's wild adventures in a prehistoric land and restores them for a new generation of readers - perfect for any child, or the child within you!

Magicians, necromancers and astrologers are assiduous characters in the European golden age theatre. This book deals with dramatic characters who act as physiognomists or palm readers in the fictional world and analyses the fictionalisation of physiognomic lore as a practice of divination in early modern Romance theatre from Pietro Aretino and Giordano Bruno to Lope de Vega, Calderón de la Barca and Thomas Corneille.