As the editor of Harper's Magazine, Lewis Lapham has enjoyed entrée to America's "cultural elite," a class distinguished by its talent for currying favor, licking boots, and kissing ass. Now, in this scathingly funny and politically incorrect self-help book, Mr. Lapham offers his best advice to aspiring careerists seeking to ride in helicopters and see themselves on television. Drawing upon a lifetime of experience among the cogno-scenti, Mr. Lapham breaks rank and reveals the unspoken secrets of getting ahead: what to say, how to dress, when to lie, whom to befriend, where to be seen, and why it is absolutely essential to wear clean shoes. ("The first impression is also the last impression. You don't wish to be remembered as the stain on the rug.") Anyone interested in self-advancement will be transformed by Lapham's Rules of Influence, which offers proven nuggets of wisdom. For example, when trying to impress the boss, remember: "Flattery cannot be too often or too recklessly applied. Think of it as suntan lotion or moisturizing cream." Written with stinging wit and tongue planted firmly in cheek, Lapham's Rules of Influence is a brilliant critique of class and manners in America, packed with the kind of irreverent observation that only Lewis Lapham can provide. Seek out the acquaintance of people richer and more important than yourself, and never take an interest in people who cannot do you any favors. Rumor tinged with malice is the most precious form of gossip. When you are invited to spend a weekend with important journalists or movie stars, it is considered polite to bring four items of unpublished slander in lieu of a house present or a bottle of wine. Make unsparing use of clichés. The empty word is the correct word. Contrary to the opinion of snobbish New York intellectuals, the placid murmur of cliché is always preferable to the expression of strong feeling, which is an embarrassment. A truly fashionable dinner party ends at the moment when all the guests have arrived and everybody has been seen or not seen. Once attendance has been taken, the rest of the evening is superfluous. A good meeting is one at which nothing happens. Sit erect, second all the motions, remember everybody's name.

From one of America’s most important voices of protest, an urgent polemic about the strangling of meaningful dissent—the lifeblood of our democracy—at the hands of a government and media increasingly beholden to the wealthy few. Dissent is democracy. Democracy is in trouble. Never before, Lewis Lapham argues, had voices of protest been so locked out of the mainstream conversation, so marginalized and muted by a government that recklessly disregards civil liberties, and by an ever more concentrated and profit-driven media in which the safe and the selling sweep all uncomfortable truths from view. In the midst of the “war on terror”—which made the hunt for communists in the 1950s look, in its clarity of aim and purpose, like the Normandy landings on D-Day—we faced a crisis of democracy as serious as any in our history. The Bush administration made no secret of its contempt for a cowed and largely silenced electorate, and without bothering to conceal its purpose the government coordinates, “not the defense of the American citizenry against a foreign enemy, but the protection of the American oligarchy from the American democracy.” Gag Rule is a rousing and necessary call to action in defense of one of our most important liberties, the right to raise our voices in dissent and have those voices heard.

"Money and Class in America: Notes and Observations on Our Civil Religion was first published by Weidenfeld & Nicolson, New York, in 1988"--Title pages verso.

After injuring his hand, a silvermith's apprentice in Boston becomes a messenger for the Sons of Liberty in the days before the American Revolution.

Halfway between the summer of love and the Tet offensive, the Beatles went to India to study with the Maharishi—and Lewis Lapham, esteemed Harper's editor and award-winning writer, was there. WITH THE BEATLES is a remarkable book of cultural commentary on that seminal '60s moment. The ashram in Rishikesh, India was the ultimate '60s scene: the Beatles, Donovan, Mia Farrow, a stray Beach Boy and other '60s icons gathered along the shores of the Ganges—amidst paisley and incense and flowers and guitars—to meditate at the feet of the Maharishi Mahesh Yogi. The February 1968 gathering received such frenzied, world-wide attention that it is still considered a significant, early encounter between Western pop culture and the mystical East. And Lewis Lapham was the only journalist allowed inside. And what went on inside the compound has long been the subject of wild speculation and rampant rumor. The Beatles said they wrote some of their greatest songs there . . . and yet they also came away bitterly disillusioned. In WITH THE BEATLES, Lewis Lapham finally tells the whole story.

For fifteen years, Lewis Lapham has written a monthly column in Harper's Magazine, for which he won a 1995 National Magazine Award for his "exhilarating point of view in an age of conformity." This major collection of Lapham's essays defines his distinct view of the way the world really works, through vivid analysis of media, language, culture, and education. Lapham brings an acute eye to the ways of Washington, the manners of the money class, and the stirrings of the global economy. With originality and breadth, he illuminates the quirks and essential truths of the American character.

A Financial Times Best Book of the Year Shortlisted for the Lionel Gelber Prize There has always been some gap between rich and poor in this country, but recently what it means to be rich has changed dramatically. Forget the 1 percent—Plutocrats proves that it is the wealthiest 0.1 percent who are outpacing the rest of us at breakneck speed. Most of these new fortunes are not inherited, amassed instead by perceptive businesspeople who see themselves as deserving victors in a cutthroat international competition. With empathy and intelligence, Plutocrats reveals the consequences of concentrating the world’s wealth into fewer and fewer hands. Propelled by fascinating original interviews with the plutocrats themselves, Plutocrats is a tour de force of social and economic history, the definitive examination of inequality in our time.