The Lani People is a futuristic sci-fi fantasy about a space veterinarian who travels from planet to planet helping alien life. One day, Kennon falls in love with a female alien on a planet where all aliens only have daughters. Excerpt: "The boxed ad in the opportunities section of the Kardon Journal of Allied Medical Sciences stood out like a cut diamond in a handful of gravel. "Wanted," it read, "Veterinarian—for residency in an active livestock operation. Single recent graduate preferred. Quarters and service furnished. Well-equipped hospital. Five-year contract, renewal option, starting salary 15,000 cr./annum with periodic increases. State age, school, marital status, and enclose recent tri-di with the application. Address Box V-9, this journal."

The Lani People were just another species of domestic animals who just happened to look human like, so they claimed... Dr. Kennon was not so sure.

“I am part of the generation that came of age when Bi Any Other Name was already in print. This groundbreaking anthology gave me the language, courage and sense of community I needed as a young queer woman.” —Daisy Hernández, A Cup of Water Under My Bed The 25th Anniversary Edition Bi Any Other Name: Bisexual People Speak Out first debuted in 1991. This groundbreaking book helped catalyze a national movement for bisexual identity, justice and equality. Often dubbed “the bisexual bible,” Bi Any Other Name was on Lambda Book Review’s Top 100 GLBT Books of the 20th century and became a beloved reference text in many classrooms, doctors’ offices, libraries, and pulpits. A 2007 Mandarin translation was published in Taiwan. The new 2015 introduction of this book updates readers to the enormous changes the past quarter century has brought – for bi people, the larger society and the sexual rights and liberation movement of which we are a part. When did you know? How did you come out? What was your experience? The coming out stories in this book speak to the many ways bisexuals embrace realities outside rigid either/or categories throughout the passage of our lives. Everyday stories of women, men, transgender bisexuals, teenagers to octogenarians, from many different cultures and family arrangements. The fierce truth of these lives made visible puts a check on bisexual erasure, exposing the binary constructions of gay/straight and male/female as oversimplifications that reduce spectrums to mere opposites. Caught between the mainstream culture’s persistent discounting of bisexuality, the sensationalizing characterizations presented in media, and the sexual liberation movement’s continual disregard of bisexuality as a serious identity, bisexual people are often not seen or heard when they speak out. There is a vital need for these earnest voices to be heard in the new century. Enormous cultural changes have occurred in the past 25 years, yes, but understanding bisexualities has just begun.

The Lani People is a futuristic sci-fi fantasy about a space veterinarian who travels from planet to planet helping alien life. One day, Kennon falls in love with a female alien on a planet where all aliens only have daughters. Excerpt: "The boxed ad in the opportunities section of the Kardon Journal of Allied Medical Sciences stood out like a cut diamond in a handful of gravel. "Wanted," it read, "Veterinarian—for residency in an active livestock operation. Single recent graduate preferred. Quarters and service furnished. Well-equipped hospital. Five-year contract, renewal option, starting salary 15,000 cr./annum with periodic increases. State age, school, marital status, and enclose recent tri-di with the application. Address Box V-9, this journal."

"Aloha" is at once the most significant and the most misunderstood word in the Indigenous Hawaiian lexicon. For K&257;naka Maoli people, the concept of "aloha" is a representation and articulation of their identity, despite its misappropriation and commandeering by non-Native audiences in the form of things like the "hula girl" of popular culture. Considering the way aloha is embodied, performed, and interpreted in Native Hawaiian literature, music, plays, dance, drag performance, and even ghost tours from the twentieth century to the present, Stephanie Nohelani Teves shows that misunderstanding of the concept by non-Native audiences has not prevented the K&257;naka Maoli from using it to create and empower community and articulate its distinct Indigenous meaning. While Native Hawaiian artists, activists, scholars, and other performers have labored to educate diverse publics about the complexity of Indigenous Hawaiian identity, ongoing acts of violence against Indigenous communities have undermined these efforts. In this multidisciplinary work, Teves argues that Indigenous peoples must continue to embrace the performance of their identities in the face of this violence in order to challenge settler-colonialism and its efforts to contain and commodify Hawaiian Indigeneity.

They exported the Lani to every planet in the galaxy. Who wants to be bothered by a woman when you can get a whole harem of Lani so cheap? Lani are exactly like women -- with one "minor addition." And all are happy only in the natural, naked state.