Language, Memory, and Identity in the Middle East differs from traditional modern Middle East scholarship in that it reevaluates the images and perceptions that specialists-and Middle Easterners themselves-have normalized and intellectualized about the region, often with a patronizing rejection of the legitimacy and authenticity of non-Arab Middle Eastern peoples, and a refusal to attribute the Middle East's pathologies to causes outside the traditional Arab-Israeli and post-colonial paradigms.

This unique literary collection offers a window on the contemporary Levant, a region comprising most of Lebanon, Syria, Jordan, Palestine, Israel, Cyprus, parts of southern Turkey and northwestern Iraq, and the Sinai Peninsula. Originally written in Arabic, French, Aramaic, Lebanese, Egyptian, and Hebrew, and reflecting an extraordinary diversity of cultures, faiths, traditions, and languages, the selections in this book also convey a wide range of ideas and perspectives, to offer readers a nuanced understanding of the mosaic that is the contemporary Middle East. Franck Salameh, who compiled this anthology over the course of more than two decades, introduces and annotates each selection for the benefit of the uninitiated reader, offering background on the various peoples and politics of the Levant. In these pages, we discover a Middle East in which, as one writer puts it, “an Armenian and a Turk can still hold hands in the midst of massacres.”

Middle Easterners today struggle to find solutions to crises of economic stagnation, political gridlock, and cultural identity. In recent decades Islam has become central to this struggle, and almost every issue involves fierce, sometimes violent debates over the role of religion in public life. In this post-9/11 updated edition R. Stephen Humphreys presents a thoughtful analysis of Islam's place in today's Middle East and integrates the medieval and modern history of the region to show how the sacred and secular are tightly interwoven in its political and intellectual life.

Explores the relation between histories of violence and their contemporary commemoration.

The #1 New York Times bestselling author of What Went Wrong? tells the story of his extraordinary life After September 11, Americans who had never given much thought to the Middle East turned to Bernard Lewis for an explanation, catapulting What Went Wrong? and later Crisis of Islam to become number one bestsellers. He was the first to warn of a coming "clash of civilizations," a term he coined in 1957, and has led an amazing life, as much a political actor as a scholar of the Middle East. In this witty memoir he reflects on the events that have transformed the region since World War II, up through the Arab Spring. A pathbreaking scholar with command of a dozen languages, Lewis has advised American presidents and dined with politicians from the shah of Iran to the pope. Over the years, he had tea at Buckingham Palace, befriended Golda Meir, and briefed politicians from Ted Kennedy to Dick Cheney. No stranger to controversy, he pulls no punches in his blunt criticism of those who see him as the intellectual progenitor of the Iraq war. Like America’s other great historian-statesmen Arthur Schlesinger and Henry Kissinger, he is a figure of towering intellect and a world-class raconteur, which makes Notes on a Century essential reading for anyone who cares about the fate of the Middle East.

Turkish society is frequently accused of having amnesia. It has been said that there is no social memory in Turkey before Mustafa Kemal Atatürk founded modern Turkey after World War I. Indeed, in 1923, the newly founded Turkish Republic committed to a modernist future by erasing the memory of its Ottoman past. Now, almost eighty years after the establishment of the republic, the grandchildren of the founders have a different relationship with history. New generations make every effort to remember, record, and reconcile earlier periods. The multiple, personalized representations of the past that they have recovered allow contemporary Turkish citizens to create alternative identities for themselves and their communities. Unlike its futuristic and homogenizing character at the turn of the twentieth century, Turkish nationalism today uses memory to generate varied narratives for the nation and its minority groups. Contributors to this volume come from such diverse disciplines as anthropology, comparative literature, and sociology, but they share a common understanding of contemporary Turkey and how its different representations of the past have become metaphors through which individuals and groups define their cultural identity and political position. They explore the ways people challenge, reaffirm, or transform the concepts of history, nation, homeland, and “Republic” through acts of memory, effectively demonstrating that memory can be both the basis of cultural reproduction and a form of resistance.

An extensive collection of contemporary Asian and Middle Eastern poetry includes the work of four hundred contributors from a variety of backgrounds, in a thematically organized anthology that is complemented by personal essays.