Compelling, multifarious and essential.' - Don Watson 'Drink in its wisdom.' - Andrew Leigh, MP On this ancient continent, waves of people have made their mark on the landscape; in turn, it too has shaped them. If we look afresh at our history through the land we live on, might Indigenous and non-Indigenous Australians find a path to a shared future? An epic exploration of our relationship with this country, Landscapes of Our Hearts takes us from the Great Barrier Reef to the Central Desert, the High Country to Canberra's Limestone Plains. It is a book of hope and offers the possibility that a renewed connection to the landscape and to each other could pave the way towards reconciliation. It will change the way you see this land.

"Margaret Silf explores nine landscapes of prayer, both classic and modern ... All are fruitful areas for self-discovery, inviting us to connect with the mystery of God in our lives. Prayer can have its own sense of place -- landscapes that we can inhabit and explore, and meet God as tangibly as we might meet a fellow traveller"--Publisher.

In this book, teacher and psychotherapist Juliet Grayson gives us privileged access to her unique client sessions. Following several couples' journeys through psychosexual therapy to more loving relationships, we witness her rich blend of life-changing approaches, including Pesso Boyden System Psychomotor (PBSP), the potent new methodology she has helped to pioneer in the UK. Exploring both the practical and theoretical aspects of her work, Juliet shakes our assumptions and shows ways to improve and ultimately heal our most intimate relationships. This is a ground-breaking book, valuable for lay readers and therapists alike.

landscape/heartbreak (Two Sylvias Press, 2015) is poet Michelle Penaloza's first book. Praise For landscape/heartbreak: Peñaloza's poignantly beautiful landscape/heartbreak is more than a suite of breakup poems, its own veritable tradition in American poetry. Hers is a sequence that plumbs the meaning of what it means to love, sacrificing to secret away bits and pieces of one's self whose other parts remain scattered on corners, in parks, and bridges. This collection is about the business of reconciling memories and ghosts, the toughness in learning how to breathe again. -Major Jackson I've been in love with landscape/heartbreak since before it was written, from the moment I first learned of Michelle Peñaloza's wild idea: to map heartbreak. What if strangers told their stories while wandering the avenues and backstreets of a city? What if trauma could be healed one footfall at a time? Peñaloza enacts an urban alchemy, transforming the walkers' personal struggles into art and thereby coming closer to her own persistent ghosts. A collection for anyone who has ever had her (or his) heart stomped on. This means most of us. A powerful and exciting debut. -Susan Rich The question-"What hurt you into poetry?"-lies at the center of Michelle Peñaloza's landscape/heartbreak. And her poems urge us to seek the answer, following Peñaloza's speaker on her sojourn where walking and breathing create the meditative cadence to lull the body into the ecstatic state necessary for conjuration. From the beauty of these poems emerge the ghosts of those loves that have splintered us into jagged pieces. As we traverse Peñaloza's lyrical landscape, the "sueded/beads of unopened wild poppies" and "renegade ferns/growing upon the stumps of old docks" smooth over the serrated edges of what cuts us deep. This is a marvelous and haunting collection. -Oliver de la Paz As you read this remarkable collection, you might think that each poem begins with two people walking through a city. But then, dear reader, you realize that it's no longer two people in the distance, for you've been invited on the journey as well. These poems will transport you like that, and then they'll walk beside you through a landscape of heartache and longing. While there, "You can look back," Peñaloza writes, "remember the stories beneath all this shine." And these stories do shine. And you will remember them. -Matthew Olzmann

Otto Dov Kulka's memoir of a childhood spent in Auschwitz is a literary feat of astounding emotional power, exploring the permanent and indelible marks left by the Holocaust Winner of the JEWISH QUARTERLY-WINGATE PRIZE 2014 As a child, the distinguished historian Otto Dov Kulka was sent first to the ghetto of Theresienstadt and then to Auschwitz. As one of the few survivors he has spent much of his life studying Nazism and the Holocaust, but always as a discipline requiring the greatest coldness and objectivity, with his personal story set to one side. But he has remained haunted by specific memories and images, thoughts he has been unable to shake off. Translated by Ralph Mandel. 'The greatest book on Auschwitz since Primo Levi ... Kulka has achieved the impossible' - the panel of Judges, Jewish Quarterly-Wingate Prize

Essays discuss wildflower gardening, the ecology of native grasses, wildland seed collecting, principles of natural design, and plant/animal interactions for California gardens.

In the wake of a 1952 revolution, leaders of Bolivia's National Revolutionary Movement (MNR) embarked on a program of internal colonization known as the "March to the East." In an impoverished country dependent on highland mining, the MNR sought to convert the nation's vast "undeveloped" Amazonian frontier into farmland, hoping to achieve food security, territorial integrity, and demographic balance. To do so, they encouraged hundreds of thousands of Indigenous Bolivians to relocate from the "overcrowded" Andes to the tropical lowlands, but also welcomed surprising transnational migrant streams, including horse-and-buggy Mennonites from Mexico and displaced Okinawans from across the Pacific. Ben Nobbs-Thiessen details the multifaceted results of these migrations on the environment of the South American interior. As he reveals, one of the "migrants" with the greatest impact was the soybean, which Bolivia embraced as a profitable cash crop while eschewing earlier goals of food security, creating a new model for extractive export agriculture. Half a century of colonization would transform the small regional capital of Santa Cruz de la Sierra into Bolivia's largest city, and the diverging stories of Andean, Mennonite, and Okinawan migrants complicate our understandings of tradition, modernity, foreignness, and belonging in the heart of a rising agro-industrial empire.