Over the last two decades, research in cultural geography and landscape studies has influenced many humanities fields, including Classics, and has increasingly drawn our attention to the importance of spaces and their contexts, both geographical and social: how spaces are described by language, what spaces are used for by individuals and communities, and how language, use, and the passage of time invest spaces with meaning. In addition to this ‘spatial’ turn in scholarship, recent years have also seen an ‘emotive’ turn – an increased interest in the study of emotion in literature. Many works on landscape in classical antiquity focus on themes such as the sacred and the pastoral and the emotions such spaces evoke, such as (respectively) feelings of awe or tranquillity in settings both urban and rural. Far less scholarship has been generated by the locus terribilis, the space associated with negative emotions because of the bad things that happen there. In short, the recent ‘emotive’ turn in humanities studies has so far largely neglected several of the more negative emotions, including anxiety, fear, terror, and dread. The papers in this volume focus on those neglected negative emotions, especially dread – and they do so while treating many types of space, including domestic, suburban, rural and virtual, and while covering many genres and authors, including the epic poems of Homer, Greek tragedy, Roman poetry and historiography, medical writing, paradoxography and the short story.

Monsters are culturally meaningful across the world. Starting from this key premise, this book tackles monsters in the context of social change. Writing in a time of violent upheaval, when technological innovation brings forth new monsters while others perish as part of the widespread extinctions that signify the Anthropocene, contributors argue that putting monsters at the center of social analysis opens up new perspectives on change and social transformation. Through a series of ethnographically grounded analyses they capture monsters that herald, drive, experience, enjoy, and suffer the transformations of the worlds they beleaguer. Topics examined include the evil skulking new roads in Ancient Greece, terror in post-socialist Laos’s territorial cults, a horrific flying head that augurs catastrophe in the rain forest of Borneo, benign spirits that accompany people through the mist in Iceland, flesh-eating giants marching through neo-colonial central Australia, and ghosts lingering in Pacific villages in the aftermath of environmental disasters. By taking the proposition that monsters and the humans they haunt are intricately and intimately entangled seriously, this book offers unique, cross-cultural perspectives on how people perceive the world and their place within it. It also shows how these experiences of belonging are mediated by our relationships with the other-than-human.

The contributions of this volume discuss the interfaces between memory and emotions in ancient literature, social life, and philosophy. They explore the ways in which memories intersect with emotions in the epics of Homer and Virgil, the importance of memory for the emotions scripts employed by public speakers to enhance the persuasiveness of their arguments, and ‘cultural memory’ in Philostratus’ Heroicus. Contributions that focus on aspects of ancient societies and politics investigate memory and emotions in the Bacchic-Orphic gold leaves, the importance of memories on inscriptions commemorating private and public emotions, and the ways in which emotive memories enhanced the monumentalizing project of Herodes Atticus in Greece. The essays emphasizing philosophical approaches to memory and emotions discuss Aristotle’s biological treatises and Augustine’s deployment of nostalgia and autobiographical narrative in the wider frame of his didactic programme. Modern approaches to embodied cognition are also employed to shed light on how memories attached to our bodily experiences can enhance the interpretation of Roman literature.

This volume presents the results of the fourteenth workshop of the international network 'Impact of Empire'. It focuses on the ways in which Rome's dominance influenced, changed, and created landscapes, and examines in which ways (Roman) landscapes were narrated and semantically represented. To assess the impact of Rome on landscapes, some of the twenty contributions in this volume analyse functions and implications of newly created infrastructure. Others focus on the consequences of colonisation processes, settlement structures, regional divisions, and legal qualifications of land. Lastly, some contributions consider written and pictorial representations and their effects. In doing so, the volume offers new insights into the notion of ‘Roman landscapes’ and examines their significance for the functioning of the Roman empire.

The present volume offers a systematic discussion of the complex relationship between medicine and paradoxography in the ancient world. For a long time, the relationship between the two has been assumed to be virtually non-existent. Paradoxography is concerned with disclosing a world full of marvels and wondrous occurrences without providing an answer as to how these phenomena can be explained. Its main aim is to astonish and leave its readers bewildered and confused. By contrast, medicine is committed to the rational explanation of human phusis, which makes it, in a number of significant ways, incompatible with thauma. This volume moves beyond the binary opposition between ‘rational’ and ‘non-rational’ modes of thinking, by focusing on instances in which the paradox is construed with direct reference to established medical sources and beliefs or, inversely, on cases in which medical discourse allows space for wonder and admiration. Its aim is to show that thauma, rather than present a barrier, functions as a concept which effectively allows for the dialogue between medicine and paradoxography in the ancient world.

Throughout the longue dureé of Western culture, how have people represented mountains as landscapes of the imagination and as places of real experience? In what ways has human understanding of mountains changed – or stayed the same? Mountain Dialogues from Antiquity to Modernity opens up a new conversation between ancient and modern engagements with mountains. It highlights the ongoing relevance of ancient understandings of mountain environments to the postclassical and present-day world, while also suggesting ways in which modern approaches to landscape can generate new questions about premodern responses. It brings together experts from across many different disciplines and periods, offering case studies on topics ranging from classical Greek drama to Renaissance art, and from early modern natural philosophy to nineteenth-century travel writing. Throughout, essays engage with key themes of temporality, knowledge, identity, and experience in the mountain landscape. As a whole, the volume suggests that modern responses to mountains participate in rhetorical and experiential patterns that stretch right back to the ancient Mediterranean. It also makes the case for collaborative, cross-period research as a route both for understanding human relations with the natural world in the past, and informing them in the present.