Throughout history, women have often worked in informal ways and in modest conditions, frequently without monuments or grand examples of architecture preserved to commemorate their accomplishments. Landmarks of American Women's History describes the sites that represent a wide variety of women's experiences and accomplishments. As early as the fourteenth century, the women of New Mexico's Taos Pueblo lived equal lives of responsibility with men, even building most of the pueblo. Mary Chase Perry Stratton's Pewabic Pottery in Detroit, Michigan exemplifies women's contributions to the arts. Bryn Mawr College's M. Cary Thomas Library is tangible evidence of Thomas's drive to secure equal educational opportunities for women. The boardinghouse at Boot Cotton Mill in Lowell, Massachusetts provides a glimpse into the daily life of women in the industrial workforce. New York City's United Charities Building was- and still is- the headquarters of numerous reform organizations, many headed by women. In vivid sketches of eleven historic sites from across the country- in addition to numerous related location that act as supporting characters- Page Putnam Miller tells an engaging story of the accomplishments and the lasting influence of women on American history.

This essay collection draws upon work presented at three national conferences on women and historic preservation held at Bryn Mawr College in 1994, Arizona State University in 1997, and at Mount Vernon College in 2000.

Covers issues and events in women's history that were previously unpublished, misplaced, or forgotten, and provides new perspectives on each event.

This exceptional reference presents short articles on key people, events, and ideas that have shaped the history of women in the United States. Thoroughly revised and updated, the second edition features more than 100 new entries as well as, for the first time, photographs and artwork illustrating key concepts. Aimed at librarians, students, and teachers, the Handbook of American Women's History provides a comprehensive, interdisciplinary view of a fascinating field of study. Arranged alphabetically, each entry is accompanied by a bibliography of primary and secondary sources to which interested readers can turn for more information. Editors Angela M. Howard and Frances M. Kavenik also provide an extensive subject/name index and end-of-entry cross-referencing to make the book an invaluable resource.

From a former reporter for The Associated Press (Kazickas) and a 20/20 news correspondent (Sherr) comes this witty and informative illustrated guide to over 1,000 historic landmarks commemorating the words and deeds of American heroines from Anne Hutchinson to Christa McAuliffe.

Rich in detail, filled with fascinating characters, and panoramic in its sweep, this magnificent, comprehensive work tells for the first time the complete story of the American woman from the Pilgrims to the 21st-century In this sweeping cultural history, Gail Collins explores the transformations, victories, and tragedies of women in America over the past 300 years. As she traces the role of females from their arrival on the Mayflower through the 19th century to the feminist movement of the 1970s and today, she demonstrates a boomerang pattern of participation and retreat. In some periods, women were expected to work in the fields and behind the barricades—to colonize the nation, pioneer the West, and run the defense industries of World War II. In the decades between, economic forces and cultural attitudes shunted them back into the home, confining them to the role of moral beacon and domestic goddess. Told chronologically through the compelling true stories of individuals whose lives, linked together, provide a complete picture of the American woman’s experience, Untitled is a landmark work and major contribution for us all.

This handsomely illustrated book is a welcome addition to the history of women during America’s Gilded Age. Wanda M. Corn takes as her topic the grand neo-classical Woman’s Building at the 1893 Columbian Exposition in Chicago, a structure celebrating modern woman’s progress in education, arts, and sciences. Looking closely at the paintings and sculptures women artists made to decorate the structure, including the murals by Mary Cassatt and Mary MacMonnies, Corn uncovers an unspoken but consensual program to visualize a history of the female sex and promote an expansion of modern woman’s opportunities. Beautifully written, with informative sidebars by Annelise K. Madsen and artist biographies by Charlene G. Garfinkle, this volume illuminates the originality of the public images female artists created in 1893 and inserts them into the complex discourse of fin de siècle woman’s politics. The Woman’s Building offered female artists an unprecedented opportunity to create public art and imagine an historical narrative that put women rather than men at its center.