SHORTLISTED FOR THE SAMUEL JOHNSON PRIZE SHORTLISTED FOR THE WAINWRIGHT PRIZE From the bestselling author of UNDERLAND, THE OLD WAYS and THE LOST WORDS 'Few books give such a sense of enchantment; it is a book to give to many, and to return to repeatedly' Independent 'Enormously pleasurable, deeply moving. A bid to save our rich hoard of landscape language, and a blow struck for the power of a deep creative relationship to place' Financial Times 'A book that ought to be read by policymakers, educators, armchair environmentalists and active conservationists the world over' Guardian 'Gorgeous, thoughtful and lyrical' Independent on Sunday 'Feels as if [it] somehow grew out of the land itself. A delight' Sunday Times Discover Robert Macfarlane's joyous meditation on words, landscape and the relationship between the two. Words are grained into our landscapes, and landscapes are grained into our words. Landmarks is about the power of language to shape our sense of place. It is a field guide to the literature of nature, and a glossary containing thousands of remarkable words used in England, Scotland, Ireland and Wales to describe land, nature and weather. Travelling from Cumbria to the Cairngorms, and exploring the landscapes of Roger Deakin, J. A. Baker, Nan Shepherd and others, Robert Macfarlane shows that language, well used, is a keen way of knowing landscape, and a vital means of coming to love it.

An eloquent global survey of contemporary landscape photography as seen through the eyes of the leading photographers of today Landscape photography has traveled far from its origins in the picturesque or pastoral. It is at the cutting edge of contemporary image-making with leading photographers creating work that transcends definitions of “art” or “documentary.” This is the first truly international survey of a vibrant, burgeoning field of photography, its masterful image-makers, and their work. William A. Ewing has selected more than 230 photographs by over 100 photographers, ranging from renowned figures such as Susan Derges, Edward Burtynsky, and Simon Norfolk, to younger rising stars including Pieter Hugo, Olaf Otto Becker, and Penelope Umbrico. Each of them represents an individual viewpoint of a shared concern for our changing landscape and environment. Organized into ten themes—Sublime; Pastoral; Artefacts; Rupture; Playground; Scar; Control; Enigma; Hallucination; and Reverie—Landmark is an intelligent and poetic survey which captures a genre of photography to perfection.

This book offers the professional a rich source of ideas about the designed landscape, what these mean to us and how they acquired that significance. Key essays from landscape architects are presented with the authors’ current reflections.

"J. B. (John Brinckerhoff) Jackson founded, edited, and published Landscape from 1951–1969, v. 1-32, no. 2; spring 1951-1994] a magazine that changed the way everyone—including writers and scholars, planners and designers, artists and the general public—came to understand and interpret the everyday places that surround us and influence us in fundamental ways. Then, through his distinguished teaching career at Harvard University and the University of California, Berkeley, and through his expansive array of seminal essays and influential books, Jackson further pioneered the advancement of "landscape studies," whose connections today extend to more than a dozen academic, artistic, and professional fields. Drawn to Landscape is the first book to present fully the many aspects of Jackson's career. Including original essays by those who not only knew Jackson well, but also have carried his torch to new heights in their own work, the book sheds valuable light on Jackson's life, oeuvre, influences, and many legacies. Also included are 126 color illustrations and twenty-eight black-and-white illustrations, among them 117 of Jackson's original drawings, watercolors, and teaching slides. J. B. Jackson redefined landscape not as scenery but as the historical record of human interactions with the environment, whether urban, rural, suburban, social, or wild. He taught us to pay attention to the often overlooked but defining features of our everyday world, whose varied landscapes are created by ordinary people going about their day-to-day lives. And he guided us, from the first issue of Landscape to his last lecture and publication, to look at the landscape like one reads a book. As he proclaimed, "We have but to learn how to read it." This book helps show us the way."--

Reveals the vital components of landscape design, offering advice on choosing a site, selecting plants, creating garden accessories, and maintaining a landscape.

This volume examines the image-based methods of interpretation that pictorial and literary landscapists employed between 1500 and 1700.