In 1954, ex-convict Joe Shelby Ferguson sets out for Mexico to find the relatives hinted at in letters written by his great-great-great-grandmother.

The Stewart family has been the subject of history, chronicles, dramas, operas, and novels for hundreds of years. Lands Where My Fathers Died meticulously recreates that history from 1230 A.D., when the first family member used STEWART as his surname, to the present. Here are the High Stewards, founders and benefactors of Paisley Abbey, the Cradle of the Stewarts, the royal Stewart kings and queens, accounts of the Stewarts of medieval Glasgow, through the Protestant Revolution until exiled into Ireland. When Hugh Stewart gets on a ship in Belfast and arrives in Pennsylvania in 1735 there are new stories of pioneers, frontiersmen, Indians, farmers and merchants, wars and crimes, births and deaths. Each generation gives equal accounts of both the male progenitors and their wives who became Stewarts by marriage. Throughout this book celebrates family life, the fathers and mothers who are the forebears of today's generation of Stewarts.

Interprets the patriotic song, America (My country, 'tis of thee), with photographs.

“A debut poetry collection showcasing both a fierce and tender new voice.”—Booklist “Elegant and playful . . . The poet invents new forms and updates classic ones.”—Elle “[Fatimah] Asghar interrogates divisions along lines of nationality, age, and gender, illuminating the forces by which identity is fixed or flexible.”—The New Yorker NAMED ONE OF THE TOP TEN BOOKS OF THE YEAR BY THE NEW YORK PUBLIC LIBRARY • FINALIST FOR THE LAMBDA LITERARY AWARD an aunt teaches me how to tell an edible flower from a poisonous one. just in case, I hear her say, just in case. From a co-creator of the Emmy-nominated web series Brown Girls comes an imaginative, soulful debut poetry that collection captures the experiences of being a young Pakistani Muslim woman in contemporary America. Orphaned as a child, Fatimah Asghar grapples with coming of age and navigating questions of sexuality and race without the guidance of a mother or father. These poems at once bear anguish, joy, vulnerability, and compassion, while also exploring the many facets of violence: how it persists within us, how it is inherited across generations, and how it manifests itself in our relationships. In experimental forms and language both lyrical and raw, Asghar seamlessly braids together marginalized people’s histories with her own understanding of identity, place, and belonging. Praise for If They Come for Us “In forms both traditional . . . and unorthodox . . . Asghar interrogates divisions along lines of nationality, age, and gender, illuminating the forces by which identity is fixed or flexible. Most vivid and revelatory are pieces such as ‘Boy,’ whose perspicacious turns and irreverent idiom conjure the rich, jagged textures of a childhood shadowed by loss.”—The New Yorker “[Asghar’s] debut poetry collection cemented her status as one of the city’s greatest present-day poets. . . . A stunning work of art that tackles place, race, sexuality and violence. These poems—both personal and historical, both celebratory and aggrieved—are unquestionably powerful in a way that would doubtless make both Gwendolyn Brooks and Harriet Monroe proud.”—Chicago Review of Books “Taut lines, vivid language, and searing images range cover to cover. . . . Inventive, sad, gripping, and beautiful.”—Library Journal (starred review)

The proud Republic of Liberia was founded in the 19th century with the triumphant return of the freed slaves from America to Africa. Once back ‘home’, however, these AmericoLiberians had to integrate with the resident tribes – who did not want or welcome them. Against a background of French and British colonialists busily carving up Mother Africa, while local tribes were still unashamedly trading in slaves . . . the vulnerable newcomers felt trapped and out of place. Where men should have stood shoulder to shoulder, they turned on each other instead. THE LAND OF MY FATHERS plunges us into this world. But in the midst of turmoil, there is friendship. Edward Richard, a man born into slavery and a preacher by profession, is convinced that the future of Liberia lies in bringing peace amongst the tribes. His mission takes him to the far north, where he meets an extraordinary man, Halay. Edward’s new and dearest friend is ready to sacrifice his own life to protect his country; for the Liberians believe that with Halay’s death, no war will ever threaten their land. A century later, this belief is crushed when war engulfs the land, bearing away with it the descendants of both Edward and Halay.