Why has land reform been such a failure in South Africa? Will expropriation without compensation solve the problem? What can be done to get the land programme back on track? In Land Matters, Tembeka Ngcukaitobi tackles the past, present and future of the land question in South Africa. Going back in history, he shows how Africans’ communal systems of landownership were used by colonial rulers to deny that Africans owned the land at all. He explores the effects of the Land Acts, Bantustans and forced removals. And he evaluates the ANC’s policies on land throughout the struggle years, during the negotiations of the 1990s, and in government. Land Matters unpacks the government’s achievements and failures in land redistribution, restitution and tenure reform, and makes suggestions for what needs to be done in future. The book also explores the power of chiefs, the tension between communal landownership and the desire for private title, the failure of the willing-seller, willing-buyer approach, women and land reform, the role of banks, and the debates around amending the Constitution. Steering clear of the simplistic and polarising terms of the land debate, Ngcukaitobi argues for a return to the nuanced constitutional requirements of justice and equity in South Africa’s land policy. Thoughtful and provocative, Land Matters sheds light on one of the most topical, complex and urgent issues in South Africa today.

In this major work on landscape photography, extensively illustrated in colour and black & white, Liz Wells is concerned with the ways in which photographers engage with issues about land, its representation and idealisation. She demonstrates how the visual interpretation of land as landscape reflects and reinforces contemporary political, social and environmental attitudes. She also asks what is at stake in landscape photography now through placing critical appraisal of key examples of work by photographers working in, for example, the USA, in Europe, Scandinavia and Baltic areas, within broader art historical and political concerns. This illuminating book will interest readers in photography and media, geography, art history and travel, as well as those concerned with environmental issues.

Across the Middle East and North Africa (MENA), land is scarce and valuable. Demand for land is projected to dramatically increase to meet the needs of a fast-growing urban population. At the same time, the supply of land is restricted by weak governance and climate factors, causing the quasi-exhaustion of cultivable land reserves. As a result, a crisis is looming. Yet, land continues to be used inefficiently, inequitably, and unsustainably. Land Matters identifies and analyzes the economic, environmental, and social challenges associated with land in the MENA region, shedding light on policy options and proposing paths to reform. It concludes that MENA countries need to act promptly, think more holistically about land, reassess the strategic trade-offs, and minimize land distortions. This report promotes a culture of open data, transparency, and inclusive dialogue on land, while filling major data gaps. These important steps will contribute to renewing the social contract, transforming the region economically and digitally, improving women’s land rights, and facilitating recovery and reconstruction in a context of dramatic social, political, and climatic transformation.

Featuring more than 100 extraordinary works of art from 1800 to the present, Earth Matters reveals how African individuals and communities have visually mediated their most poignant relationships with the land—whether it be to earth as a sacred or medicinal material, as something uncovered by mining or claimed by burial, as a surface to be interpreted and turned to for inspiration, or as an environment to be protected. Both internationally recognized and emerging contemporary artists are represented, from the continent and diaspora, including El Anatsui, Ghada Amer, Sammy Baloji, Ingrid Mwangi and William Kentridge. Highlights include a pair of rare Yoruba onile figures, a one-of-a-kind Punu reliquary from Gabon, and 3 bocio figures from the personal collection of legendary French dealer Jacques Kerchache. The text includes statements by contemporary African artists including Wangechi Mutu, Clive van den Berg, Allan de Souza, and George Osodi. National Museum of African Art curator Karen E. Milbourne explores how diverse African concepts of healing, the sacred, identity, memory, history, and environmental sustainability have all been formed in relation to the land in this pioneering scholarly study.

Widely respected theologian Gerald McDermott has spent two decades investigating the meaning of Israel and Judaism. What he has learned has required him to rethink many of his previous assumptions. Israel Matters addresses the perennially important issue of the relationship between Christianity and the people and land of Israel, offering a unique and compelling "third way" between typical approaches and correcting common misunderstandings along the way. This book challenges the widespread Christian assumption that since Jesus came to earth, Jews are no longer special to God as a people, and the land of Israel is no longer theologically significant. It traces the author's journey from thinking those things to discovering that the New Testament authors believed the opposite of both. It also shows that contrary to what many Christians believe, the church is not the new Israel, and both the people and the land of Israel are important to God and the future of redemption. McDermott offers an accessible but robust defense of a "New Christian Zionism" for pastors and laypeople interested in Israel and Christian-Jewish relations. His approach will also spark a conversation among theologians and biblical scholars.