"What do you want to know?" He asked then he continued walking. "Why do you have an army?" Brylee was the first one to ask. "One, to protect the mountain. Two, to find the descendants. Three, to protect them." He gave them a direct answer. "If the descendants have gifts, why the need to protect them?" This time it was Briony who asked. "Even though they have gifts, not everyone could protect themselves like you. Not all have physical strengths and speed. You'll find out what I mean when you started to meet them. For now, you cannot meet everyone since they are in the city." He replied with his thick accent. "You said you protect them, from who?" Brina asked in a way that one could tell that the gears in her head are working. "Humans," He casually said as he continued to walk on a never-ending land of snow. The sun is shining but it did nothing to warm them. "Humans?" Bianca looks astounded. "Supernatural may seemed to be powerful and greedy at the beginning but as years gone by and humans had taken over the world they become more powerful and greedy. They wouldn't be on top of the food chain if they were not." He speaks as if he has a deep hatred towards humans. "Aren't you human?" Brylee asked making Gavril laugh. "You do not understand it, do you?" He said with a mocking tone. **** Lorcan Villan trained his five nieces to become bounty hunters just like him without the knowledge of their overprotective, distrustful father, his brother. They were strong, smart, assertive, ruthless, bloodthirsty, and curious. Those were the traits of his nieces and he believed that they just wanted to become bounty hunters to quench their thirst for adventure. But little did he know that his nieces possess special gifts that they wanted to put into use by bounty hunting. And as they hunt for fugitives, they unexpectedly encountered people that could tell them where and to whom they got their gifts. They will soon realize that there is a better way to utilize their gifts and that is to protect themselves from those who are hunting them.

A missing scientist and deep pockets pull Colonel Carl Butler out of retirement, investigating another mystery that puts him and his team--and the future of relations with alien species--in danger in COLONYSIDE, the exciting follow-up to Planetside and Spaceside. A military hero is coming out of disgrace—straight into the line of fire… Carl Butler was once a decorated colonel. Now he’s a disgraced recluse, hoping to live out the rest of his life on a backwater planet where no one cares about his “crimes” and everyone leaves him alone. It’s never that easy. A CEO’s daughter has gone missing and he thinks Butler is the only one who can find her. The government is only too happy to appease him. Butler isn’t so sure, but he knows the pain of losing a daughter, so he reluctantly signs on. Soon he’s on a military ship heading for a newly-formed colony where the dangerous jungle lurks just outside the domes where settlers live. Paired with Mac, Ganos, and a government-assigned aide named Fader, Butler dives head-first into what should be an open and shut case. Then someone tries to blow him up. Faced with an incompetent local governor, a hamstrung military, and corporations playing fast and loose with the laws, Butler finds himself in familiar territory. He’s got nobody to trust but himself, but that’s where he works best. He’ll fight to get to the bottom of the mystery, but this time, he might not live to solve it.

A collection of essays by the art historian Aby Warburg, these essays look beyond iconography to more psychological aspects of artistic creation: the conditions under which art was practised; its social and cultural contexts; and its conceivable historical meaning.

From the author of Planetside, a Best Book of 2018 (Library Journal) A military legend is caught in the web between alien intrigue and human subterfuge… Following his mission on Cappa, Colonel Carl Butler returns to a mixed reception. To some he is a do-or-die war hero. To the other half of the galaxy he’s a pariah. Forced into retirement, he has resettled on Talca Four where he’s now Deputy VP of Corporate Security, protecting a high-tech military company on the corporate battlefield—at least, that’s what the job description says. Really, he’s just there to impress clients and investors. It’s all relatively low risk—until he’s entrusted with new orders. A breach of a competitor’s computer network has Butler’s superiors feeling every bit as vulnerable. They need Butler to find who did it, how, and why no one’s taken credit for the ingenious attack. As accustomed as Butler is to the reality of wargames—virtual and otherwise—this one screams something louder than a simple hack. Because no sooner does he start digging when his first contact is murdered, the death somehow kept secret from the media. As a prime suspect, he can’t shake the sensation he’s being watched…or finally succumbing to the stress of his past. Paranoid delusion or dangerous reality, Butler might be onto something much deeper than anyone imagined. But that’s where Butler thrives. If he hasn’t signed his own death warrant.

Includes a statistical issue (title varies slightly) 1947-

The calculated use of media by those in power is a phenomenon dating back at least to the seventeenth century, as Harold Weber demonstrates in this illuminating study of the relation of print culture to kingship under England's Charles II. Seventeenth-century London witnessed an enormous expansion of the print trade, and with this expansion came a revolutionary change in the relation between political authority -- especially the monarchy -- and the printed word. Weber argues that Charles' reign was characterized by a particularly fluid relationship between print and power. The press helped bring about both the deconsecration of divine monarchy and the formation of a new public sphere, but these processes did not result in the progressive decay of royal authority. Charles fashioned his own semiotics of power out of the political transformations that had turned his world upside down. By linking diverse and unusual topics -- the escape of Charles from Worcester, the royal ability to heal scrofula, the sexual escapades of the "merry monarch," and the trial and execution of Stephen College -- Weber reveals the means by which Charles took advantage of a print industry instrumental to the creation of a new dispensation of power, one in which the state dominates the individual through the supplementary relationship between signs and violence. Weber's study brings into sharp relief the conflicts involving public authority and printed discourse, social hierarchy and print culture, and authorial identity and responsibility -- conflicts that helped shape the modern state.