Issued in conjunction with the exhibition held at the Richard H. Driehaus Museum, February 11, 2017-January 7, 2018.

Owl is gone, Werewolf Jones has moved in, and everything as Megg and Mogg know it begins to fall apart. Hanselmann’s comic premise of his previous graphic novels ― eternally stoned, slacker roommates ― stretches at the seams as his characters reflect the psychological toll that their years of unsustainable, determined insouciance and self-medication has inflicted.

Robert Williams: The Father of Exponential Imagination is a comprehensive career spanning, comprehensive collection of the iconic painter’s fine art, including every one of his remarkable oil paintings along with a presentation of his drawings, sculptures, and works in other media. Simply put, this is the art book of the decade, and the book that Williams has been working toward his entire career. In the late 20th and early 21st century, diverse forms of commonplace and popular art appeared to be coalescing into a formidable faction of new painted realism. The new school of imagery was a product of art that didn’t fit comfortably into the accepted definition of fine art. It embraced some of the figurative graphics that formal art academia tended to reject: comic books, movie posters, trading cards, surfer art, hot rod illustration, to mention a few. This alternative art movement found its most apt participant in one of America’s most controversial underground artists, the painter, Robert Williams. It was this artist who brought the term “lowbrow” into the fine arts lexicon, with his groundbreaking 1979 book, The Lowbrow Art of Robt. Williams. Williams pursued a career as a fine arts painter years before joining the art studio of Ed “Big Daddy” Roth in the mid-1960s. From this position he moved into the rebellious, anti-war circles of early underground comix, as one of the celebrated ZAP cartoonists. Featuring an introductory essay by Coagula Art Journal founder Mat Gleason along with a new art manifesto and foreword by Williams himself, as well as tons of rare photos and ephemera.

Teaching in the Art Museum investigates the mission, history, theory, practice, and future prospects of museum education. In this book Rika Burnham and Elliott Kai-Kee define and articulate a new approach to gallery teaching, one that offers groups of visitors deep and meaningful experiences of interpreting art works through a process of intense, sustained looking and thoughtfully facilitated dialogue.--[book cover].

"This book is published on the occasion of the exhibition Crafting modernism: midcentury American art and design, Museum of Arts and Design, New York, New York, October 11, 2011-January 15, 2012; Memorial Art Gallery, Rochester, New York, February 27-May 21, 2012"--T.p. verso.

From Ryder to Rothko, the quest for the best of American art : Duncan Phillips, visionary champion of American art / Susan Behrends Frank -- The Rothko room at the Phillips Collection / Eliza E. Rathbone -- Featured works from the collection / thematic texts by Susan Behrends Frank -- Realism and romanticism -- Impressionism -- Forces in nature -- Nature and abstraction -- Exotic places -- Modern life -- The city -- Memory and identity -- Still life variations -- Legacy of cubism -- Degrees of abstraction -- Abstract expressionism -- Biographies of the artists / compiled by Susan Behrends Frank -- Checklist of featured works from the collection.

"This book, through a series of original essays, including, uniquely, one on jewelry worn by men, pays tribute to the firm's enduring ingenuity and is essential reading for the Tiffany collector and scholar."--BOOK JACKET.