Set in 1920s Europe, this poignant dark academia novel sheds new light on Shakespeare’s masterpiece, finally allowing Laertes to tell his side of the story. Laertes Belleforest lives two lives: a wild, passionate one with his best friends studying Classics in Paris, and a stifling existence in the Danish court where the mercurial prince Hamlet constantly overshadows him. Now in his last year at university, Laertes must decide the kind of man he will become. But who is he, apart from the huge personalities that surround him and the secret guilt that haunts him? When tragedy rocks Denmark, Laertes’ questions are forced into focus. Like a Greek play, his story hurtles through love and wine, ghosts and revenge, toward inevitable catastrophe. Perfect for fans of If We Were Villains

Every reader is an actor according to Rosenberg. To prepare the actor-reader for insights, Rosenberg draws on major intepretations of the play worldwide, in theatre and in criticism, wherever possible from the first known performances to the present day. The book is rich and provocative on every question about the play.

"Clearing the Ground" illuminates a crucial decade of Cavafy's artistic development, marked at one end by a period of personal crisis and near creative stasis, at the other by the poetic force of the celebrated "Ithaca." The years in between are held together by the "Unpublished Notes on Poetics and Ethics." Part private confession, part public pronouncement, part journal entry, and philosophical pensée, these notes were recorded between 1902 and 1911. In some of them, according to the eminent critic G. P. Savidis, Cavafy attempted to formulate "thoughts and feelings never before uttered" in his own language - in certain cases, in any language. The full body of the notes is correlated in this volume with the poetry Cavafy was writing contemporaneously - in particular the startling "hidden poems" begun in 1904. What emerges is a striking narrative of artistic and personal becoming. The afterward by Martin McKinsey examines Cavafy's sexuality and accompanying pressures in historical context and suggests the part they may have played in his poetic breakthrough. This is a revelatory work for students and lovers of Cavafy - one of the great outsider poets of the twentieth century.

First Published in 1967. Routledge is an imprint of Taylor & Francis, an informa company.

'a Greek gentleman in a straw hat, standing absolutely motionless at a slight angle to the universe' E. M. Forster E. M. Forster's description of C. P. Cavafy (1863-1933) perfectly encapsulates the unique perspective Cavafy brought to bear on history and geography, sexuality and language in his poems. Cavafy writes about people on the periphery, whose religious, ethnic and cultural identities are blurred, and he was one of the pioneers in expressing a specifically homosexual sensibility. His poems present brief and vivid evocations of historical scenes and sensual moments, often infused with his distinctive sense of irony. They have established him as one of the most important poets of the twentieth century. This volume presents the most authentic Greek text of the 154 authorized poems ever published, together with a new English translation that conveys the accent and rhythm of Cavafy's individual tone of voice. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.