Lady with a Mead Cup is a broad-ranging, innovative and strikingly original study of the early medieval barbarian cup-offering ritual and its social, institutional and religious significance. Medievalists are familiar with the image of a queen offering a drink to a king or chieftain and to his retainers, the Wealhtheow scene in Beowulf being perhaps the most famous instance. Drawing on archaeology, anthropology and philology, as well as medieval history, Professor Enright has produced the first work in English on the warband and on the significance of barbarian drinking rituals. Lady with a Mead Cup will be of interest to students of Germanic or Celtic culture and kingship, anthropology and Dark Age religion.

Students of the Poetic Edda have long ignored a seemingly unassuming, yet most important mythical character: Namely the mead-offering Maiden that appears at the heart of many a myth and heroic legend. This study shows how the Maiden with the Mead appears at the climax of a ritual structure within the myths - a structure that clearly is based on Pagan initiation rituals.

From the #1 New York Times bestselling author of These Violent Delights and Our Violent Ends comes the “equal parts intoxicating and dazzling” (Roshani Chokshi, New York Times bestselling author of The Gilded Wolves) first book in a captivating new duology following an ill-matched pair of spies posing as a married couple to investigate a series of brutal murders in 1930s Shanghai. It’s 1931 in Shanghai, and the stage is set for a new decade of intrigue. Four years ago, Rosalind Lang was brought back from the brink of death, but the strange experiment that saved her also stopped her from sleeping and aging—and allows her to heal from any wound. In short, Rosalind cannot die. Now, desperate for redemption for her traitorous past, she uses her abilities as an assassin for her country. Code name: Fortune. But when the Japanese Imperial Army begins its invasion march, Rosalind’s mission pivots. A series of murders is causing unrest in Shanghai, and the Japanese are under suspicion. Rosalind’s new orders are to infiltrate foreign society and identify the culprits behind the terror plot before more of her people are killed. To reduce suspicion, however, she must pose as the wife of another Nationalist spy, Orion Hong, and though Rosalind finds Orion’s cavalier attitude and playboy demeanor infuriating, she is willing to work with him for the greater good. But Orion has an agenda of his own, and Rosalind has secrets that she wants to keep buried. As they both attempt to unravel the conspiracy, the two spies soon find that there are deeper and more horrifying layers to this mystery than they ever imagined.

Anglo-Saxon Community in J.R.R. Tolkien's The Lord of the Rings by Dr. Deborah A. Higgens, PhD will add to the field of Tolkien scholarship a detailed study of how Tolkien entered into the community of Anglo-Saxon storytellers as a scholar and critic, but also as an insider. Embracing elements of a lifestyle he valued, yet which he viewed as diminishing in modern-day England and in the rest of the world, J.R.R. Tolkien hearkens back to a literary community shrouded in mystery and Faerie, from Beowulf and other Anglo-Saxon poetry to medieval legend. Tolkien enters that community both as a critic, examining lost elements of a heroic society, and as an insider, recasting, as did ancient authors, the elements of Story, to create his own great fairy-story. While much has been written on medievalism in Tolkien's works, this research adds to the field a detailed explanation of the Anglo-Saxon mindset in Tolkien's The Lord of the Rings (LOTR). In his sub-creation, Tolkien draws from the same Cauldron of Story from which the Anglo-Saxon poets drew, as illustrated by an examination of Tolkien's two critical essays: "On Fairy-Stories" and "Beowulf: The Monsters and the Critics." Tolkien discusses the manner in which the Beowulf poet created his poem, and it is evident that the same principles can be applied to demonstrate how Tolkien created his own great fairy-story as he integrates the ancient themes of the Anglo-Saxon mead hall, the lord as gift-giver, and the comitatus bond in his creation of the Rohirrim. In the role of the cup-bearer, Old English poetry predominately reflects aristocratic women, and Tolkien illustrates this aspect in LOTR through the characters of Galadriel and Eowyn. Tolkien's work is as original as that of medieval authors because he built on ancient themes and structure, used their modes and genres, and chose similar mythic elements to weave his own tale. The decline of mead-hall society is reflected in Old English poetry, and Tolkien's fiction embodies a sense of that loss, preserving for his audience, as did the Beowulf poet, this ancient society and its heroic values.

A complete, practical, and entertaining guide to using the best ingredients and minimal equipment to create flavorful brews—including wildcrafted meads, bragots, t’ej, grog, honey beers, and more! "A great guide . . . full of practical information and fascinating lore."—Sandor Ellix Katz, author of The Art of Fermentation Ancient societies brewed flavorful and healing meads, ales, and wines for millennia using only intuition, storytelling, and knowledge passed down through generations―no fancy, expensive equipment or degrees in chemistry needed. In Make Mead Like a Viking, homesteader, fermentation enthusiast, and self-described “Appalachian Yeti Viking” Jereme Zimmerman summons the bryggjemann of the ancient Norse to demonstrate how homebrewing mead―arguably the world’s oldest fermented alcoholic beverage―can be not only uncomplicated but fun. Inside, readers will learn techniques for brewing: Sweet, semi-sweet, and dry meads Melomels (fruit meads) Metheglins (spiced meads) Ethiopian t’ej (honey wine) Flower and herbal meads Bragots Honey beers Country wines Viking grog And there's more for aspiring Vikings to explore, including: The importance of local and unpasteurized honey for both flavor and health benefits What modern homebrewing practices, materials, and chemicals work—but aren’t necessary How to grow and harvest herbs and collect wild botanicals for use in healing, nutritious, and magical meads, beers, and wines How to use botanicals other than hops for flavoring and preserving mead, ancient ales, and gruits The rituals, mysticism, and communion with nature that were integral components of ancient brewing Whether you’ve been intimidated by modern homebrewing’s cost or seeming complexity in the past or are boldly looking to expand your current brewing and fermentation practices, Zimmerman’s welcoming style and spirit will usher you into exciting new territory. Grounded in history and mythology, but―like Odin’s ever-seeking eye―focusing continually on the future of self-sufficient food culture, Make Mead Like a Viking is a practical and entertaining guide for the ages. "Adventurous mead makers or brewers who want to move beyond the basics will find plenty to savor here."—Library Journal

This book is a major reevaluation of the traditional view of early Germanic kinship structure and the large body of evidence from Antiquity and the early Middle Ages which has long been thought to support its major assumptions. The book is about kinship, but also, directly and indirectly, about other aspects of the period: law, association and social organization, family institutions and the barbarian and Roman heritage of the early Middle Ages. It is its principal aim that from a re-examination of kinship will come a greater understanding of some of the central documents of barbarian social and legal history.