A smart, powerful, charismatic preacher brought back to life On October 15, 1974, Johnny Carson welcomed his next guest on The Tonight Show with these words: “I imagine there are very few people who are not aware of Kathryn Kuhlman. She probably, along with Billy Graham, is one of the best-known ministers or preachers in the country.” But while many people today recognize Billy Graham, not many remember Kathryn Kuhlman (1907–1976), who preached faith and miracles to countless people over the fifty-five years of her ministry and became one of the most important figures in the rise of charismatic Christianity. In The Miracle Lady Amy Collier Artman tells the story of Kuhlman’s life and, in the process, relates the larger story of charismatic Christianity, particularly how it moved from the fringes of American society to the mainstream. Tracing her remarkable career as a media-savvy preacher and fleshing out her unconventional character, Artman also shows how Kuhlman skillfully navigated the oppressive structures, rules, and landmines that surrounded female religious leaders in her conservative circles.

On a Scottish battlefield, a dashing man desperately seeks out a healer of the Highlands--a beautiful woman rumored to be capable of miraculously curing with her touch. But in order for him to enlist her aid in rejuvenating his stricken niece, he must reclaim her family's estate in the Isles. It's a trade that will take them on a perilous journey, but one that may end in another miracle--that of magical love.

Barbara Stanwyck (1907–1990) rose from the ranks of chorus girl to become one of Hollywood's most talented leading women—and America's highest-paid woman in the mid-1940s. Shuttled among foster homes as a child, she took a number of low-wage jobs while she determinedly made the connections that landed her in successful Broadway productions. Stanwyck then acted in a stream of high-quality films from the 1930s through the 1950s. Directors such as Cecil B. DeMille, Fritz Lang, and Frank Capra treasured her particular magic. A four-time Academy Award nominee, winner of three Emmys and a Golden Globe, she was honored with a Lifetime Achievement Award by the Academy. Dan Callahan considers both Stanwyck's life and her art, exploring her seminal collaborations with Capra in such great films as Ladies of Leisure, The Miracle Woman, and The Bitter Tea of General Yen; her Pre-Code movies Night Nurse and Baby Face; and her classic roles in Stella Dallas, Remember the Night, The Lady Eve, and Double Indemnity. After making more than eighty films in Hollywood, she revived her career by turning to television, where her role in the 1960s series The Big Valley renewed her immense popularity. Callahan examines Stanwyck's career in relation to the directors she worked with and the genres she worked in, leading up to her late-career triumphs in two films directed by Douglas Sirk, All I Desire and There's Always Tomorrow, and two outrageous westerns, The Furies and Forty Guns. The book positions Stanwyck where she belongs—at the very top of her profession—and offers a close, sympathetic reading of her performances in all their range and complexity.

New York Times bestselling author Lee Strobel trains his investigative sights on the hot-button question: is it really credible to believe God intervenes supernaturally in people's lives today? This provocative book starts with an unlikely interview in which America's foremost skeptic builds a seemingly persuasive case against the miraculous. But then Strobel travels the country to quiz scholars to see whether they can offer solid answers to atheist objections. Along the way, he encounters astounding accounts of healings and other phenomena that simply cannot be explained away by naturalistic causes. The book features the results of exclusive new scientific polling that shows miracle accounts are much more common than people think. What's more, Strobel delves into the most controversial question of all: what about miracles that don't happen? If God can intervene in the world, why doesn't he do it more often to relieve suffering? Many American Christians are embarrassed by the supernatural, not wanting to look odd or extreme to their neighbors. Yet, The Case for Miracles shows not only that the miraculous is possible, but that God still does intervene in our world in awe-inspiring ways. Here’s a unique book that examines all sides of this issue and comes away with a passionate defense for God's divine action in lives today. Also available: The Case for Miracles Spanish edition, kids' edition, and student edition.

A catastrophe outside the Vancouver Public Library has hurled Terri Jane McRae into the pages of a book she just read. To get out, she must decipher Dostoyevsky escapee Father Zossima's "miracle." If you have questions about creation, God, the universe, miracles, or what to wear at an 18th century French military ball, this is a great place to ask them.

Miracle tales, in which people are rewarded for piety or punished for sin through the intervention of the Virgin Mary, were a popular literary form all through the Middle Ages. Milagros de Nuestra Sehora, a collection of such stories by the Spanish secular priest Gonzalo de Berceo, is a premier example of this genre; it is also regarded as one of the four most important texts of medieval Spain. Difficulties in translating this work have made it unavailable in English except in fragments; now Spanish-language scholars Richard Terry Mount and Annette Grant Cash have made the entire work accessible to English readers for the first time. Berceo's miracle tales use the verse form cuaderna via (fourfold way) of fully rhymed quatrains—which Berceo may even have invented—and are told in the language of the common man. They were written to be read aloud, most likely to an audience of pilgrims, and are an outstanding example of oral religious narrative. The total work comprises twenty-five miracles, preceded by a renowned Introduction that celebrates the Virgin in rich symbolic allegory. Mount and Cash's translation is highly readable, yet it retains the original meaning and captures Berceo's colloquial style and medieval nuances. An introduction placing the miracles in their medieval context and a bibliography complement the text.

Medieval miracle stories from a major pilgrim destination in 12c France. In the second half of the twelfth century Rocamadour developed an international reputation as a centre of devotion to the Virgin Mary, drawing pilgrims from Spain, Italy, Germany, England and the Latin East as well as France, as witnessed by the 126 miracle stories written there in 1172-3, here translated for the first time. Reflecting and enhancing Rocamadour's status (aristocratic figures feature prominently), they throw light on many of the dangers faced by medieval men and women: illness and injury; imprisonment; warfare; arbitrary justice; and natural disasters. In his introduction Marcus Bull identifies issues which the collection helps to elucidate, and assesses thevalue of the text as source material, particularly in view of the lack of other chronicles from southern France for the period. He makes comparisons with other texts, such as the miracle collection compiled at the shrine of Thomas Becket at Canterbury, and argues that the monks of Rocamadour asserted their importance through the miracles, in the face of competition from neighbouring monastic communities. MARCUS BULL is Andrew W. Mellon Distinguished Professor of Medieval and Early Modern Studies at the University of North Carolina, Chapel Hill.