Mary Augusta Ward CBE was a British novelist who wrote under her married name as Mrs. Humphry Ward. She worked to improve education for the poor and she became the founding President of the Women's National Anti-Suffrage League. Ward began her career writing articles for Macmillan's Magazine while working on a book for children that was published in 1881 under the title Milly and Olly. This was followed in 1884 by a more ambitious, though slight, study of modern life, Miss Bretherton, the story of an actress. Ward's novels contained strong religious subject matter relevant to Victorian values she herself practiced. Her popularity spread beyond Great Britain to the United States.

From Margaret Mead and Zora Neale Hurston to Lionel Trilling and Lou Gehrig, Columbia University has been home to some of the most important historians, scientists, critics, artists, physicians, and social scientists of the twentieth century. (It can also boast a hall-of-fame athlete.) In Living Legacies at Columbia, contributors with close personal ties to their subjects capture Columbia's rich intellectual history. Essays span the birth of genetics and modern anthropology, constitutionalism from John Jay to Ruth Bader Ginsberg, Virginia Apgar's test, Lou Gehrig's swing, journalism education, black power, public health, the development of Asian studies, the Great Books Movement, gender studies, human rights, and numerous other realms of teaching and discovery. They include Eric Foner on historian Richard Hoftstader, Isaac Levi and Sidney Hook on John Dewey, David Rosand on art historian Meyer Schapiro, John Hollander on critic Mark Van Doren, Donald Keene on Asian studies, Jacques Barzun on history, Eric Kandel on geneticist Thomas Hunt Morgan, and Rosalind Rosenberg on Franz Boas and his three most famous pupils: Ruth Benedict, Margaret Mead, and Zora Neale Hurston. Much more than an institutional history, Living Legacies captures the spirit of a great university through the stories of gifted men and women who have worked, taught, and studied at Columbia. It includes stories of struggle and breakthrough, searching and discovery, tradition and transformation.

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In this international bestseller, originally published in 1959, Jacques Barzun, acclaimed author of From Dawn to Decadence, takes on the whole intellectual -- or pseudo-intellectual -- world, attacking it for its betrayal of Intellect. "Intellect is despised and neglected," Barzun says, "yet intellectuals are well paid and riding high." He details this great betrayal in such areas as public administrations, communications, conversation and home life, education, business, and scholarship. In this edition's new Preface, Jacques Barzun discussess the intense -- and controversial -- reaction the world had to The House of Intellect.

Songwriter, band leader, Vietnam vet, sparring partner of the great Ken Norton—Haid Shelton’s coming of age story immerses the reader in the volatile last half of the twentieth century as only Jan Reid could do. The Song Leader follows Haid from his teenage years in a small Texas pipe town, where he is the song leader of his church. His enduring gifts are his tenor voice and success as a Golden Gloves boxer. Dreaming of becoming a rock star and hoping to evade Vietnam, Haid joins the Marine reserves, gets into serious trouble, and is sentenced to four years in the brig. There he’s recruited as the sparring partner of future heavyweight champion Ken Norton. Haid’s knockout by his new friend Kenny gets him shunted to the war as an infantry grunt in 1968. Back home, bitter, with a disabled hand and a Purple Heart, he’s surprised and signed to a recording contract by the rock star Leon Russell. He rejoins his friendship with Norton on the eve of Kenny’s famous upset of Muhammad Ali, who’s an important character along with George Foreman, Joe Frazier, and Mike Weaver. Later their lives are brought together by a horrendous accident and by Kenny’s guardian angel Virginie Nalula, a child refugee from eastern Congo. Enduring friendship, race relations, professional boxing, and the American culture of violence are brilliantly explored in this last novel by the late, great Jan Reid.