From the first Gilded Age to the second, a “charming, zippy history . . . a rollicking, informative lesson in real estate, American history, and current events.” —Town & Country Looking at the island of Palm Beach today, with its unmatched mansions, tony shops, and pristine beaches, one is hard pressed to visualize the dense tangle of Palmetto brush and mangroves that it was when visionary entrepreneur and railroad tycoon Henry Flagler first arrived there in April 1893. Trusting his remarkable instincts, he built the Royal Poinciana Hotel within a year, and two years later, what was to become the legendary Breakers—instantly establishing the island as the preferred destination for those who could afford it. Over the next 125 years, Palm Beach has become synonymous with exclusivity—especially its most famous residence, Mar-a-Lago. As Les Standiford relates, the high walls of Mar-a-Lago and other manses like it were seemingly designed to contain scandal within as much as keep intruders out. This book tells the history of this fabled landscape intertwined with the colorful lives of its famous and infamous protagonists, from Flagler’s two wives to architect Addison Mizner, who created Palm Beach’s “Mediterranean look” to heiress Marjorie Merriweather Post and her husband E. F. Hutton, the original residents of Mar-a-Lago. With authoritative detail, Standiford recounts how Marjorie ruled Palm Beach society until her death in 1973, and how the fate of her mansion threatened to tear apart the very fabric of the town until Donald Trump acquired it in 1985. “Edifying, energetic, and captivating.” —Florida Weekly

Kristie Barnett reveals the secrets of her proven method of Psychological Staging to quickly sell residential real estate for top dollar. This method has earned her both local and national awards for home staging, and has made The Decorologist the go-to authority in the field of real estate staging.

Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.