Discover untold secrets with this extraordinary memoir of drama and tragedy by Anne Glenconner—a close member of the royal circle and lady-in-waiting to Princess Margaret. Anne Glenconner has been at the center of the royal circle from childhood, when she met and befriended the future Queen Elizabeth II and her sister, the Princess Margaret. Though the firstborn child of the 5th Earl of Leicester, who controlled one of the largest estates in England, as a daughter she was deemed "the greatest disappointment" and unable to inherit. Since then she has needed all her resilience to survive court life with her sense of humor intact. A unique witness to landmark moments in royal history, Maid of Honor at Queen Elizabeth's coronation, and a lady in waiting to Princess Margaret until her death in 2002, Anne's life has encompassed extraordinary drama and tragedy. In Lady in Waiting, she will share many intimate royal stories from her time as Princess Margaret's closest confidante as well as her own battle for survival: her broken-off first engagement on the basis of her "mad blood"; her 54-year marriage to the volatile, unfaithful Colin Tennant, Lord Glenconner, who left his fortune to a former servant; the death in adulthood of two of her sons; a third son she nursed back from a six-month coma following a horrific motorcycle accident. Through it all, Anne has carried on, traveling the world with the royal family, including visiting the White House, and developing the Caribbean island of Mustique as a safe harbor for the rich and famous-hosting Mick Jagger, David Bowie, Raquel Welch, and many other politicians, aristocrats, and celebrities. With unprecedented insight into the royal family, Lady in Waiting is a witty, candid, dramatic, at times heart-breaking personal story capturing life in a golden cage for a woman with no inheritance. New York Times Bestseller USA Today Bestseller The Sunday Times Bestseller The Globe and Mail Bestseller ABA Indie Bestseller The Times (UK) Memoir of the Year One of Newsweek's Most Anticipated Books of 2020

Love is a choice you make every day. Content in her comfortable marriage of twenty-two years, Jane Lindsay never expected to watch her husband, Brad, pack his belongings and walk out the door of their Manhattan home. But when it happens, she feels powerless to stop him, or the course of events that follow Brad’s departure. Jane finds an old ring in a box of relics from a British jumble sale and discovers a Latin inscription in the band along with just one recognizable word: Jane. Feeling an instant connection to the mysterious ring bearing her namesake, Jane begins a journey to learn more about the ring—and perhaps about herself. ~ In the sixteenth-century, Lucy Day becomes the dressmaker to Lady Jane Grey, an innocent young woman whose fate seems to be controlled by a dangerous political and religious climate, one threatening to deny her true love and pursuit of her own interests. As the stories of both Janes dovetail through the journey of one ring, it becomes clear that each woman has far more influence over her life than she once imagined. It all comes down to the choices each makes despite the realities they face.

Christian principles and guidelines for women who are waiting for the right man and for married women who have the right man.

The Politics of Female Households is the first collection that seeks to integrate ladies-in-waiting into the master narrative of early modern court studies. Presenting evidence and analysis of the multifarious ways in which ‘women above stairs’ shaped the European courts of the sixteenth and seventeenth centuries, it argues for a re-assessment of their political influence. The cultural agency of ladies-in-waiting is viewed in the reflection of portraiture, pamphlets and masques: their political dealings and patronage are revealed through analysis of letters, family networks, career patterns, gift exchange and household structures, as well as their activities in the fields of intelligence-gathering and espionage. By concentrating on a previously neglected area of female agency, this collection demonstrates clearly that the political climate of Europe was often shaped outside the male-dominated institutions of government and administration. Contributors include: Helen Graham-Matheson, Hannah Leah Crummé, Katrin Keller, Vanessa de Cruz, Birgit Houben, Dries Raeymaekers, Janet Ravenscroft, Una McIlvenna, Rosalind K. Marshall, Oliver Mallick, Cynthia Fry, Nadine Akkerman, Sara J. Wolfson, Fabian Persson, and Jeroen Duindam.

In 1656, Diego Velázquez, leading figure in the Spanish Golden Age of painting, created one of the most enigmatic works in the history of art: Las Meninas (The Ladies-in-Waiting). This graphic novel, written and drawn by two of Spain’s most sophisticated comics creators, examines its legacy as one of the first paintings to explore the relationship among the viewer, reality, and unreality. (It guest stars Cano, Salvador Dalí, Zurbarán, and many others.) Olivares’s art moves from clear line to expressionistic; from pen nib to brush stokes; from one color palette to another, as The Ladies-in-Waiting uses fiction to explore the ties among artists and patrons, the past and the present, institutions and audiences, creators and creativity. Their combined efforts have garnered not only international comics prizes, but the equivalent of the National Book Award in Spain, where the book has been a commercial and critical sensation.

Good heavens-I've gotten myself into a scrape! Mere weeks ago, I was simply Jenny Penny, a lady's maid, a lord's illegitimate daughter, and a lover of fine frocks. But my credit at the shops of Bath has been cut off, and I am forced to sell my homemade facial cream at night, without my employers' knowledge. Who knew it would become the sensation of the ton? That society ladies would apply it to a most intimate part of their body? Or that rumor would spread that "tingle cream" was created by a highborn woman named Lady Eros? If that were not enough, my mistresses-the matchmaking Featherton sisters-have made me their new project. By passing me off as Lady Genevieve, they mean to see me wed to Callum Campbell, Lord Argyll. I cannot fault their taste. His sable-dark eyes and his devastatingly wicked smile thrill me. Now I am Lady Genevieve by day and Lady Eros by night. And I blush to think of what will happen when Callum and society discover that, in truth, I am neither. (92,000 words)