"Graceful and impassioned, The Woman in the Red Dress offers important new approaches to narratives about father-daughter incest as well as stories that contaminate the myth of home as a safe space and map a geography of sexual violence, victimization, and survival. Gwin situates her analysis of fiction such as Morrison's The Bluest Eye. Alice Walker's The Color Purple, Dorothy Allison's Bastard out of Carolina, and Jane Smiley's A Thousand Acres within contemporary debates concerning survivor discourse, theories of domestic space, and issues of race and class. She also explores books - such as Hulme's The Bone People - that enter a murky and liminal queer space in which gender itself travels and the most claustrophic physical and social spaces can unexpectedly unhinge and open.".

A darkly comic story about the skeletons in our closets and the consequences of our inactions.

When Lenora Oakley wakes up in a hospital bed, she remembers falling down the stairs. She remembers the fleeting glance of a red dress. But did she trip or was she pushed? Only Lenora knows and she won't tell because she's frightened that no one will believe her. 'The Girl in the Red Dress' is a contemporary ghost story with a chilling twist.

A Gentleman's Guide to Vice and Virtue meets Miss Fisher's Murder Mystery in this rollicking romp of truth, lies, and troubled pasts. New Year's Eve, 1929. Millie is running the show at the Cloak & Dagger, a swinging speakeasy in the French Quarter, while her aunt is out of town. The new year is just around the corner, and all of New Orleans is out to celebrate, but even wealthy partiers' diamond earrings can't outshine the real star of the night: the boy in the red dress. Marion is the club's star performer and his fans are legion--if mostly underground. When a young socialite wielding a photograph of Marion starts asking questions, Millie wonders if she's just another fan. But then her body is found crumpled in the courtyard, dead from an apparent fall off the club's balcony, and all signs point to Marion as the murderer. Millie knows he's innocent, but local detectives aren't so easily convinced. As she chases clues that lead to cemeteries and dead ends, Millie's attention is divided between the wry and beautiful Olive, a waitress at the Cloak & Dagger, and Bennie, the charming bootlegger who's offered to help her solve the case. The clock is ticking for the fugitive Marion, but the truth of who the killer is might be closer than Millie thinks.

Lady Philippa Knolles has loved Captain Thomas "Dash" Dashwell since he first stole a kiss from her on a smuggler's beach near Hastings. Now after what seems like a lifetime of waiting, Pippin is offered a chance to renew her scandalous affair with Dash. But the man from that first heady kiss and the man she rediscovers all these years later are hardly the same. Tucked away in the back of her closet is a red dress, the one she wore long ago to win his heart . . . . Could it have enough memories left inside it to rekindle a passion she's never forgotten?

"Wonderful! A charming, clever, and engaging storyteller not to be missed." -- Sarah MacLean, New York Times bestselling author A lady with secrets, a man with a burning desire, a love that breaks all the rules Lady Charlotte Beaumont has spent her whole life being ignored. By her parents, her brother, even the servants. So she was secretly able to develop her talent for painting well beyond the usual watercolors. Too bad no one will let her actually use it-women are rarely accepted into the Royal Academy. But when a connection at the Haverhall School for Young Ladies gets Charlotte her dream commission, she'll do whatever it takes to make it work. Including disguising herself as "Charlie." Flynn Rutledge has something to prove. His lowly upbringing is not going to stop him from achieving his artistic dreams. This commission is the key to his future, and his partner, an unknown youth in oversized clothes who is barely old enough to shave, doesn't exactly inspire confidence. But Charlie does inspire Flynn's artistic passion-something he worried he might have lost forever. For all his street smarts, nothing can prepare Flynn for the shock of Charlie's true identity. He doesn't care that she's a woman, but a lady of the ton is a different matter altogether . . .

Spine-tingling and funny, Hoosier Folk Legends is a collection of over 300 legends gathered throughout tthe state of Indiana. Ronald L. Baker includes ghost stories, stories of the evil eye, and stories of bloodstopping. He relates legends of Jesse James, Al Capone, and John Dillinger and tells the sad story of the ghost of Diana of the Dunes. Hoosier Folk Legends explains the derivation of the names of Hobart, Jasper, Loogootee, and the Shake Rag School. Also included are a number of legends that did not originate in Indiana but are widely circulated in the Hoosier state, such as "The Baby-Sitter and the Phone Call," "Hook Man," and "The Vanishing Hitchhiker.'' Hoosier Folk Legends demonstrates the persistence and vitality of oral folk traditions. It is a book for students of folklore and anyone interested in old-time yarns