A tightly constructed and passionate study of enforced marriage in the world of Radical politics and social inequality. The novel records the lifelong attempt of Countess Lovel to justify her claim to her title, and her daughter Ann's legitimacy, after her husband announces that he already has a wife. Anna falles in love with the journeyman tailor and young Radical, Daniel Thwaite, but her mother wishes her to marry her cousin, heir to her father's title. Can Anna be allowed -- can she allow herself -- to change her mind? ...Trollope's ambivalence on the question is profound.

First published in 1874, ‘Lady Anna’ was written in its entirety by Anthony Trollope during a lengthy voyage to Australia to visit his son Frederic, who had emigrated there. Our heroine Lady Anna is the daughter of the old Earl Lovel and her incredibly ambitious mother, Josephine Murray. A union without love, shortly after the wedding the Earl revealed that he already had a wife, making the marriage invalid and casting doubt over Anna’s inheritance and future. When the Earl dies, the legitimacy of his claims are investigated and what follows is a tale of broken engagements, insatiable ambition and true love. Anthony Trollope (1815 – 1882) was a Victorian writer and author of 47 novels. He also wrote an autobiography, short stories and plays, travel articles, reviews and lectures. A prolific writer, he made no secret of the fact that money was his motivation for writing – an admission which raised eyebrows among his literary contemporaries at the time. The amount of works Trollope authored are testament to his belief in hard work. His first successful novel was The Warden followed by its sequel, Barchester Towers. The Chronicles of Barsetshire are perhaps his most well-known series of novels, though many of his works have been adapted for TV and radio, starring many familiar faces such as Alan Rickman, David Tennant, Bill Nighy and Tom Hollander. Alongside his literary career, Trollope also worked for some time for the Post Office and is credited with the introduction of the iconic post box to Britain. A memorial to Anthony Trollope was unveiled in Poets’ Corner in Westminster Abbey in 1993.

THE FIRST LADY DARBY MYSTERY “A riveting debut…an original premise, an enigmatic heroine, and a compelling Highland setting…a book you won’t want to put down.”—New York Times bestselling author Deanna Raybourn Scotland, 1830. Following the death of her husband, Lady Darby has taken refuge at her sister’s estate, finding solace in her passion for painting. But when her hosts throw a house party for the cream of London society, Kiera is unable to hide from the ire of those who believe her to be as unnatural as her husband, an anatomist who used her artistic talents to suit his own macabre purposes. Kiera wants to put her past aside, but when one of the house guests is murdered, her brother-in-law asks her to utilize her knowledge of human anatomy to aid the insufferable Sebastian Gage—a fellow guest with some experience as an inquiry agent. While Gage is clearly more competent than she first assumed, Kiera isn’t about to let her guard down as accusations and rumors swirl. When Kiera and Gage’s search leads them to even more gruesome discoveries, a series of disturbing notes urges Lady Darby to give up the inquiry. But Kiera is determined to both protect her family and prove her innocence, even as she risks becoming the next victim…

Anna Morandi Manzolini (1714-74), a woman artist and scientist, surmounted meager origins and limited formal education to become one of the most acclaimed anatomical sculptors of the Enlightenment. The Lady Anatomist tells the story of her arresting life and times, in light of the intertwined histories of science, gender, and art that complicated her rise to fame in the eighteenth century. Examining the details of Morandi’s remarkable life, Rebecca Messbarger traces her intellectual trajectory from provincial artist to internationally renowned anatomical wax modeler for the University of Bologna’s famous medical school. Placing Morandi’s work within its cultural and historical context, as well as in line with the Italian tradition of anatomical studies and design, Messbarger uncovers the messages contained within Morandi’s wax inscriptions, part complex theories of the body and part poetry. Widely appealing to those with an interest in the tangled histories of art and the body, and including lavish, full-color reproductions of Morandi’s work, The Lady Anatomist is a sophisticated biography of a true visionary.

WHERE THE HEART IS... Daisy Daring dreams of what she cannot have—a career as an architect like her famous father, yet society will never tolerate a woman architect. When her father falls ill, Daisy takes up his work herself in order to provide for her family. Soon, she isn’t just finishing his old floor plans and designs but creating brand new ones herself—all done secretly under her father’s name. The ruse works well. No one suspects…until Hugh Whitby walks into her life. Hugh Whitby isn’t taken seriously by society, his family…well, by anyone. He’s too loud and boisterous, too colorful, too impetuous, too…Whitby. So when he decides to build a new home for orphans, he seizes on this chance to prove himself by hiring the best architect he can. However, it’s not Elias Daring who greets him but his lovely daughter Daisy. For Whitby, it’s love at first sight, but for Daisy, the attention that Whitby draws is dangerous. If anyone discovers her secret, it would end her father’s career and her dream right along with it. No, best to stay away from him—in public, because she can’t help falling for his charms when they’re alone. When an unintended act of betrayal threatens all she holds dear, can they overcome the obstacles between them and learn that home really is where the heart is?

This book takes up two topics. The first is the British novelist Anthony Trollope (1815-1882), author of 47 novels and five volumes of short stories. The second is the Internet, specifically the creation of virtual communities through email and discussion lists, focusing, naturally enough, on discussion of the works of Trollope. The first chapter tells how the group began and focuses on the conversation that ensued on Trollopes first novel: The Macdermots of Ballycloran. The second chapter widens the discussion to take in all of Trollope's Irish novels. The third records the conversation of the group on Trollope's novel of jealousy: He Knew He Was Right. The fourth chapter discusses Trollope's shorter novels. The fifth returns to the group conversations; this time the discussion of The Claverings. The sixth chapter discusses the illustrations of Trollope's novels. The seventh chapter records the group conversation on Trollope's most class-ridden novel, Lady Anna. The eighth chapter discusses trollope's life, through his An Autobiography. The last chapter sets the group conversation on Can You Forgive Her? into the context of the Palliser (or Parliamentary) novel sequence. The Preface is by John Letts, Chairman of the (British) Trollope Society. The book contains twenty-four illustrations from the original editions of Trollope's novels.