The issue of a woman's place--and the possibility that she might stray from it--was one of early modern Italy's most persistent social concerns. Deanna Shemek presents the problem of wayward feminine behavior as it was perceived to threaten male identity and social order in the artistic and intellectual climate of the Italian Renaissance. LADIES ERRANT will interest scholars in Italian studies, women's studies, and European culture. 8 photos.

16-year-old Digger thrives as a spy and sneak-thief among the feuding religious factions of Gerse. But when a routine job goes horribly wrong and her partner and lover Tegen is killed, she disguises herself in a group of young nobles and sneaks out of the city. Accepted as a lady-in-waiting at the stronghold of the powerful Nemair, she finds new peace and friendship (and some new targets). But when an old client from the city comes to the castle, she realizes her hosts may be planning the ultimate uprising against the king - and rather than true peace, she may be at the heart of the rebellion.Now with an extensive excerpt of the daring sequel, LIAR'S MOON!

Situating itself in a long tradition of studies of Anglo-Italian literary relations in the Renaissance, this book consists of an analysis of the representation of women in the extant Elizabethan translations of the three major Italian Renaissance epic poems (Matteo Maria Boiardo's Orlando Innamorato, Ludovico Ariosto's Orlando Furioso and Torquato Tasso's Gerusalemme Liberata), as well as of the influence of these works on Elizabethan Literature in general, in the form of creative imitation on the part of poets such as Edmund Spenser, Peter Beverley, William Shakespeare and Samuel Daniel, and of prose writers such as George Whetstone and George Gascoigne. The study emphasises the importance of European writers' influence on English Renaissance Literature and raises questions pertaining to the true essence of translation, adaptation and creative imitation, with a specific emphasis on gender issues. Its originality lies in its exhaustiveness, as well as in its focus on the epics' female figures, both as a source of major modifications and as an evident point of interest for the Italian works' 'translatorship'.

This collection of essays explores the intersections between theater as text, theater as performance, and theater as pedagogy. The theory of performance and the practice of theater as it can be done, taught, and conceptualized in academia bring together these three different paths, in a volume that can be equally useful to theater practitioners, to teachers of dramatic texts, and to students, scholars, and teachers of theater seen both as literature and as practice.

Moral Combat explores dozens of primary texts to ask why women's militarism became one of the central discourses of sixteenth-century Italy.

An anthology of 10 classic epics with an active table of contents to make it easy to quickly find the book you are looking for. Ben-Hur: A Tale of the Christ by Lew Wallace Crime and Punishment by Fyodor Dostoevsky David Copperfield by Charles Dickens Don Quixote by Miquel de Cervantes Hung Lou Meng - Book 1 by Cao Xueqin Hung Lou Meng - Book 2 by Cao Xueqin Les Miserables by Victor Hugo Moby Dick; or The Whale by Herman Melville The Iliad by Homer (Translated by Samuel Butler) Varney the Vampire by Thomas Preskett Prest War and Peace by Leo Tolstoy DISCLAIMER: There has been concern about the table of contents (or lack thereof) in the ""50 Classic Books"" Series. Golgotha Press has addressed this problem and readers who download the books as of November 2011 can access a functional table of contents by going to the front of the book and paging forward two pages. Because of the size of this book, the ""active"" feature in the conversion is removed. We are trying resolve this problem, but until then, please follow the steps above. If you still experience the problem, please contact us so we can investigate exactly what is happening. Please note, however, that the table of contents does not become active until you purchase the book--preview mode does not currently support active TOC's. We apologize for any confusion or frustration this has caused.

Don Quixote is a Spanish novel by Miguel de Cervantes Saavedra. Published in two volumes, in 1605 and 1615, Don Quixote is considered one of the most influential works of literature from the Spanish Golden Age and the entire Spanish literary canon. As a founding work of modern Western literature and one of the earliest canonical novels, it regularly appears high on lists of the greatest works of fiction ever published, such as the Bokklubben World Library collection that cites Don Quixote as authors' choice for the "best literary work ever written". It follows the adventures of a nameless hidalgo who reads so many chivalric romances that he loses his sanity and decides to set out to revive chivalry, undo wrongs, and bring justice to the world, under the name Don Quixote. He recruits a simple farmer, Sancho Panza, as his squire, who often employs a unique, earthy wit in dealing with Don Quixote's rhetorical orations on antiquated knighthood. Don Quixote, in the first part of the book, does not see the world for what it is and prefers to imagine that he is living out a knightly story. Throughout the novel, Cervantes uses such literary techniques as realism, metatheatre, and intertextuality. It had a major influence on the literary community, as evidenced by direct references in Alexandre Dumas' The Three Musketeers (1844), Mark Twain's Adventures of Huckleberry Finn (1884) and Edmond Rostand's Cyrano de Bergerac (1897), as well as the word "quixotic". Arthur Schopenhauer cited Don Quixote as one of the four greatest novels ever written, along with Tristram Shandy, La Nouvelle Héloïse and Wilhelm Meister.