"A sequence of short, startling poems of imagined translations"--

**NOW INCLUDING THE FIRST CHAPTER OF DEMON COPPERHEAD** TWICE WINNER OF THE WOMEN'S PRIZE FOR FICTION FROM THE WINNER OF THE PULITZER PRIZE FOR FICTION THE MULTI-MILLION COPY BESTSELLING AUTHOR 'Lush.' Sunday Times 'Superb.' Daily Mail 'Elegantly written.' Sunday Telegraph From award-winning and internationally bestselling author of Demon Copperhead and Flight Behaviour, The Lacuna is the heartbreaking story of a man torn between the warm heart of Mexico and the cold embrace of 1950s America in the shadow of Senator McCarthy. Born in America and raised in Mexico, Harrison Shepherd is a liability to his social-climbing flapper mother, Salome. When he starts work in the household of Mexican artists Diego Rivera and Frida Kahlo - where the Bolshevik leader, Lev Trotsky, is also being harboured as a political exile - he inadvertently casts his lot with art, communism and revolution. A compulsive diarist, he records and relates his colourful experiences of life with Diego Rivera, Frida Kahlo and Trotsky in the midst of the Mexican revolution. A violent upheaval sends him back to America; but political winds continue to throw him between north and south, in a plot that turns many times on the unspeakable breach - the lacuna - between truth and public presumption.

Winner of the 2022 Charles Rufus Morey Award from the College Art Association Guided by Aristotelian theories, medieval philosophers believed that nature abhors a vacuum. Medieval art, according to modern scholars, abhors the same. The notion of horror vacui—the fear of empty space—is thus often construed as a definitive feature of Gothic material culture. In The Absent Image, Elina Gertsman argues that Gothic art, in its attempts to grapple with the unrepresentability of the invisible, actively engages emptiness, voids, gaps, holes, and erasures. Exploring complex conversations among medieval philosophy, physics, mathematics, piety, and image-making, Gertsman considers the concept of nothingness in concert with the imaginary, revealing profoundly inventive approaches to emptiness in late medieval visual culture, from ingenious images of the world’s creation ex nihilo to figurations of absence as a replacement for the invisible forces of conception and death. Innovative and challenging, this book will find its primary audience with students and scholars of art, religion, physics, philosophy, and mathematics. It will be particularly welcomed by those interested in phenomenological and cross-disciplinary approaches to the visual culture of the later Middle Ages.

The traumatized central character of J.M. Coetzee’s Disgrace is provocatively reimagined in this “surprising, subtle, and deeply challenging” novel (Kirkus Reviews, starred review). Two years ago, Lucy Lurie was the victim of an act of sexual violence that devastated her life. Afterwards, she becomes obsessed with the author John Coetzee, whose acclaimed novel turned her brutal assault into a literary metaphor. Withdrawn and fearful of crowds, Lucy nonetheless makes occasional forays into the world of men in her search for Coetzee himself. She means to confront him. The Lucy in his novel, Disgrace, is passive and almost entirely lacking agency. Lucy means to right the record, for she is the lacuna that Coetzee left in his novel—the missing piece of the puzzle. Lucy plans to put herself back in the story, to assert her agency and identity. For Lucy Lurie will be no man’s lacuna. Lacuna is both a powerful feminist reply to the book considered to be Coetzee’s masterwork, and the moving story of one woman’s attempt to reclaim her identity after trauma. Winner of the Sala Novel Award Winner of the Humanities and Social Sciences Award for the Novel

This book discusses the work of The Poema de mio Cid a major text of early Spanish literature.

An Introduction to Plant Structure and Development incorporates basic knowledge of plant anatomy with contemporary information and ideas about the development of structure and form.