Laci Rocha Peterson, 8 months pregnant, was last seen by her sister, Amy, in the late afternoon of December 23, 2002. She spoke to her mother, Sharon Rocha, at 8:30 p.m. that night. This would be the last time anyone from her immediate family ever spoke to her. A search began which lasted an agonizing four months. Sadly, Laci Peterson and her son Conner were found dead on the shores of San Francisco Bay on April 18, 2003. Her husband, Scott, was eventually arrested and charged with the murder of Laci and Connor. After a sensational, media-saturated trial, Peterson was found guilty of capital murder and was sentenced to death on March 16, 2005. This book deals with the story in three separate sections: first, Sharon describes the ordinary, loving life her daughter led, including fond memories of her childhood and adolescence. Second, it covers her marriage, disappearance, the community's moving search for her, and her and Connor's eventual recovery from San Francisco Bay. Third, it tells the story of the trial in detail not before revealed. Sharon will also talk about victim's rights, a subject on which she now campaigns regularly.

A woman who was given up for adoption at birth, meets her biological family, only to discover her newfound brother, Scott Peterson, is a killer. Soon after her birth in 1965, Anne was given up for adoption by her mother, Jackie Latham. Welcomed into the well-adjusted Grady family, she lived a happy life. Then, in the late 1990s, she came back into contact with her mother, now Jackie Peterson, and her family—including Jackie's son Scott Peterson and his wife, Laci. Anne was welcomed into the family, and over the next several years she grew close to Scott and especially Laci. Together they shared holidays, family reunions, and even a trip to Disneyland. Anne and Laci became pregnant at roughly the same time, and the two became confidantes. Then, on Christmas Eve 2002, Laci Peterson went missing—and the happy façade of the Peterson family slowly began to crumble. Anne rushed to the family's aid, helping in the search for Laci, even allowing Scott to stay in her home while police tried to find his wife. Yet Scott's behavior grew increasingly bizarre during the search, and Anne grew suspicious that her brother knew more than he was telling. Finally she began keeping a list of his disturbing behavior. And by the time Laci's body—and that of her unborn son, Conner—were found, Anne was becoming convinced: Her brother Scott Peterson had murdered his wife and unborn child in cold blood. Filled with news-making revelations and intimate glimpses of Scott and Laci, the Peterson family, and the investigation that followed the murder, Blood Brother is a provocative account of how long-dormant family ties dragged one woman into one of the most notorious crimes of our time.

This is a comprehensive reference book on all aspects of crochet. This book provides a reference for all methods, including Tunisian, filet, intermeshing, broomstick lace, bruges lace, and freeform crochet. Includes step-by-step instructions for all the basic stitches and swatches of 100s of stitch patterns with complete instructions. Also provides instructions and patterns for 50 projects for garments, accessories, and décor items.

These six women all wrote the stories of their own lives, creating powerful narratives that channelled cultural forces at the same time as parrying them.

Passionate Amateurs tells a new story about modern theater: the story of a romantic attachment to theater’s potential to produce surprising experiences of human community. It begins with one of the first great plays of modern European theater—Chekhov’s Uncle Vanya in Moscow—and then crosses the 20th and 21st centuries to look at how its story plays out in Weimar Republic Berlin, in the Paris of the 1960s, and in a spectrum of contemporary performance in Europe and the United States. This is a work of historical materialist theater scholarship, which combines a materialism grounded in a socialist tradition of cultural studies with some of the insights developed in recent years by theorists of affect, and addresses some fundamental questions about the social function and political potential of theater within modern capitalism. Passionate Amateurs argues that theater in modern capitalism can help us think afresh about notions of work, time, and freedom. Its title concept is a theoretical and historical figure, someone whose work in theater is undertaken within capitalism, but motivated by a love that desires something different. In addition to its theoretical originality, it offers a significant new reading of a major Chekhov play, the most sustained scholarly engagement to date with Benjamin’s “Program for a Proletarian Children’s Theatre,” the first major consideration of Godard’s La chinoise as a “theatrical” work, and the first chapter-length discussion of the work of The Nature Theatre of Oklahoma, an American company rapidly gaining a profile in the European theater scene. Passionate Amateurs contributes to the development of theater and performance studies in a way that moves beyond debates over the differences between theater and performance in order to tell a powerful, historically grounded story about what theater and performance are for in the modern world.

Preface to second edition -- Réamhrá - foreword --The story of clones lace -- How to make clones lace -- Twenty-one motifs -- Some edgings -- Working with linen -- Irish crochet -- Twelve projects -- Footnotes.