What makes it so difficult for Lacanian and American psychoanalysts to understand each other? This question runs through Lacan and the New Wave in American Psychoanalysis, a book that explores the divergent dialogues with Freudian theory that are taking place on both sides of the Atlantic. In a lively exchange, some of the most prominent psychoanalysts in France and America today come together to offer contrasting views on borderline conditions, gender difference, and the role of sexuality and aggression in the development of psychopathology. Comparing Lacan’s theory of the Subject with recent American views on the psychoanalytic concept of the Self, this book makes Lacan’s work accessible and clinically relevant to American audiences.

The cultural liberalization of communist Czechoslovakia in the 1960s produced many artistic accomplishments, not least the celebrated films of the Czech New Wave. This movement saw filmmakers use their new freedom to engage with traditions of the avant-garde, especially Surrealism. This book explores the avant-garde's influence over the New Wave and considers the political implications of that influence. The close analysis of selected films, ranging from the Oscar-winning Closely Observed Trains to the aesthetically challenging Daisies, is contextualized by an account of the Czech avant-garde and a discussion of the films' immediate cultural and political background.

Using Lacanian psychoanalysis as a starting point, Campbell examines contemporary feminism's turn to accounts of feminist 'knowing' to create new conceptions of the political.

On the one hand, Creation and Discovery, Lacan and Klein: An Essay of Reintroduction seeks to disclose the often suppressed or unacknowledged proximity, even intimacy, between Lacan and Klein, and thereby to facilitate a re-introduction between Lacan and Klein such that their works can read anew, both independently and together. On the other hand, by reconstructing the highly divergent metapsychological theories and clinical orientations of Jacques Lacan and Melanie Klein from their discussions of the same case material, the text seeks to demonstrate the irreducible plurality of psychoanalysis and the ethico-political significance of this plurality. Siding with neither Lacan nor Klein's perspective, Adam Rosen-Carole argues that within and between these exaggerated positions, a dialectic of creation and discovery emerges that affords the reader unique insights into the nature and status of psychoanalytic knowing and its particular objects. Special attention is paid to the indelible exaggerations and distortions, the guiding sensitivities and urgencies, and the concomitant structures of blindness and insight organizing various psychoanalytic perspectives. Written for clinicians as well as for students and scholars interested in psychoanalysis and philosophy, this book serves not only as a comprehensive introduction to Lacan, but also a reassessment of psychoanalytic method.

The giant of Ljubljana marshals some of the greatest thinkers of our age in support of a dazzling re-evaluation of Jacques Lacan.

D.W. Winnicott and Jacques Lacan are arguably two of the most important psychoanalytic theoreticians since Freud, and, somewhat ironically, seemingly two of the most incompatible. Lewis Kirshner and his colleagues attempt to demonstrate how the intellectual contributions of these two figures - such as Winnicott's self and Lacan's subject - complement productively despite their apparent contrast. Throughout the book, their major concepts are clarified and differentiated, but always with an eye toward points of intersection and a more effective psychoanalytic practice. Furthermore, these contri.