The story of the Bayeux Tapestry, an embroidered strip of linen telling the story of the events starting in 1064 that led up to the Battle of Hastings and the Norman Conquest of England in 1066

Commanding its own museum and over 200 years of examination, observation and scholarship, the monumental embroidery, known popularly as the Bayeux Tapestry and documenting William the Conqueror’s invasion of England in October 1066, is perhaps the most important surviving artifact of the Middle Ages. This magnificent textile, both celebrated and panned, is both enigmatic artwork and confounding historical record. With over 1780 entries, Szabo and Kuefler offer the largest and most heavily annotated bibliography on the Tapestry ever written. Notably, the Bayeux Tapestry has produced some of the most compelling questions of the medieval period: Who commissioned it and for what purpose? What was the intended venue for its display? Who was the designer and who executed the enormous task of its manufacture? How does it inform our understanding of eleventh-century life? And who was the mysterious Aelfgyva, depicted in the Tapestry’s main register? This book is an effort to capture and describe the scholarship that attempts to answer these questions. But the bibliography also reflects the popularity of the Tapestry in literature covering a surprisingly broad array of subjects. The inclusion of this material will assist future scholars who may study references to the work in contemporary non-fiction and popular works as well as use of the Bayeux Tapestry as a primary and secondary source in the classroom. The monographs, articles and other works cited in this bibliography reflect dozens of research areas. Major themes are: the Tapestry as a source of information for eleventh-century material culture, its role in telling the story of the Battle of Hastings and events leading up to the invasion, patronage of the Tapestry, biographical detail on known historical figures in the Tapestry, arms and armor, medieval warfare strategy and techniques, opus anglicanum (the Anglo-Saxon needlework tradition), preservation and display of the artifact, the Tapestry’s place in medieval art, the embroidery’s depiction of medieval and Romanesque architecture, and the life of the Bayeux Tapestry itself.

Odo of Conteville, the younger half-brother of William the Conqueror, was ordained Bishop of Bayeux while still in his teens. A larger than life character, he is best known for commissioning the Bayeaux Tapestry, in which he makes a dashing appearance at the height of the Battle of Hastings. He also played a pivotal role in the planning and implementation of the Conquest of England, after which, as Earl of Kent, he was second only to William in wealth and power. The popular impression of Odo is of a not so loveable rogue, who typified the worst excesses of the Norman conquerors. He was the first Chief Justice of England and on occasion also acted as regent when the king was in Normandy. After allegedly defrauding both Crown and Church, however, Odo was disgraced and his plans to raise an unauthorised army for a campaign in Italy, possibly in order to gain the papacy, saw him imprisoned for five years. He was released by the dying William in 1087, but soon rebelled against the new king, his nephew William Rufus. Yet Odo was far from being a loutish philistine. The bishop recognised the value of education and the arts and amongst his less well-known activities was his generous patronage of both. Trevor Rowley's book is the first full-length biography of Odo, which also seeks to redress this balance and to make Bishop Odo's extraordinary life story known.