In addition to "The Shroud of Turin," which could not have come at a better time (the next public exposition will be held in Turin between April 10th and May 23rd, 2010), this book contains other topical essays, such as the ecumenical dialogue with the reborn Russian Church, the historical crimes of the Catholic Church, life after Death, Sex and Islam. Oltre a "La Sacra Sindone," che non poteva arrivare con maggior tempestività (la prossima ostensione avrà luogo a Torino tra il 10 Aprile ed il 23 Maggio del 2010), questo libro contiene altri saggi di estremo interesse od attualità, come il dialogo ecumenico con la rinata Chiesa russa, i crimini storici della Chiesa Cattolica, la vita dopo la Morte, il Sesso e l'Islam.

This book scientifically challenges earlier radiocarbon testing and presents new evidence in determining the Shroud of Turin's true age.

Two decades after radiocarbon dating declared the Turin Shroud a mediaeval fake, brand-new historical discoveries strongly suggest that this famous cloth, with its extraordinary photographic imprint, is genuinely Christ's shroud after all. In 1978 in his international bestseller The Turin Shroud Ian Wilson ignited worldwide public debate with his compelling case endorsing the shroud's authenticity. Now, 30 years later, he has completely rewritten and updated his earlier book to provide fresh evidence to support his original argument. Shroud boldly challenges the current post-radiocarbon dating view - that it is a fake. By arguing his case brilliantly and provocatively, Ian Wilson once more throws the matter into the public arena for further debate and controversy.

Winner of the 2022 Roland H. Bainton Book Prize from the Sixteenth Century Society & Conference In 1578, a fourteen-foot linen sheet bearing the faint bloodstained imprint of a human corpse was presented to tens of thousands of worshippers in Turin, Italy, as one of the original shrouds used to prepare Jesus Christ’s body for entombment. From that year into the next century, the Shroud of Turin emerged as Christianity’s preeminent religious artifact. In an unprecedented new look, Andrew R. Casper sheds new light on one of the world’s most famous and controversial religious objects. Since the early twentieth century, scores of scientists and forensic investigators have attributed the Shroud’s mysterious images to painterly, natural, or even supernatural forces. Casper, however, shows that this modern opposition of artifice and authenticity does not align with the cloth’s historical conception as an object of religious devotion. Examining the period of the Shroud’s most enthusiastic following, from the late 1500s through the 1600s, he reveals how it came to be considered an artful relic—a divine painting attributed to God’s artistry that contains traces of Christ’s body. Through probing analyses of materials created to perpetuate the Shroud’s cult following—including devotional, historical, and theological treatises as well as printed and painted reproductions—Casper uncovers historicized connections to late Renaissance and Baroque artistic cultures that frame an understanding of the Shroud’s bloodied corporeal impressions as an alloy of material authenticity and divine artifice. This groundbreaking book introduces rich, new material about the Shroud’s emergence as a sacred artifact. It will appeal to art historians specializing in religious and material studies, historians of religion, and to general readers interested in the Shroud of Turin.

The Shroud at the Court analyses the ties between the Shroud and the Savoy court from the fifteenth to twentieth centuries, when rituals, ceremonies, and images made the relic an essential source of legitimacy and propaganda for the Savoy dynasty.

A detailed analysis on Christ's death by a forensic pathologist and medical examiner, from the crown of thorns to the burial tomb, incorporates the latest scientific discoveries regarding the Shroud of Turin and its authenticity.

The Turin Shroud is the most important and studied relic in the world. Many papers on it have recently appeared in important scientific journals. Scientific studies on the relic until today fail to provide conclusive answers about the identity of the enveloped man and the dynamics regarding the image formation impressed therein. This book not only