La La Rose, a young girl's stuffed rabbit, gets lost in Luxembourg Gardens.

A beautifully designed celebration of the iconic French fashion brand Rouje and its visionary founder Jeanne Damas In this glamorous, inspiring book, Jeanne Damas shares her vision for a timeless, free, sensuous, and proud femininity through the story her designs tell. As the designer of the ready-to-wear brand Rouje, she uses her very distinct visual language to create a book bursting with life. Life in Rouje gathers for the first time the iconic pictures of the Rouje ad campaigns, archival photographs never before published, as well as a backstage glimpse of the photo shoots and of the day-to-day life of Damas. The pages introduce the heroines who personify the designer's universe and lifestyle, including models and actresses of all generations and nationalities (such as Léa Seydoux, Isabelle Adjani, Maya Thurman-Hawke, Emma Corrin and Emmanuelle Béart), and the close circle of women in her life. Featuring scenes from Paris to the south of France, from Tangier to California, this book gathers all of Rouje's most iconic photographs together for the first time. Throughout, Damas's own handwritten notes, quotes, and collages punctuate the pages, like a modern, elegant scrapbook.

Neuf dieux gouvernaient jadis le monde, jusqu'à ce qu'une ultime trahison ne les mène à leur perte. Depuis, le monde se meurt et seul le retour des Dieux disparus pourra le sauver. Le Royaume de Piedre est déchiré par des guerres intestines depuis que le Basilic a été retrouvé mort. La Confrérie de la Rose-Noire cherche le moyen de détruire ce dernier pour de bon, tandis que l'Ordre de la Rose-Blanche désespère de trouver le moyen de lui rendre toute sa puissance. La dernière réincarnation mortelle en date du Dieu disparu de la Mort est le Prince Culebra, autrement appelé le Prince-Basilic. Harcelé par des assassins, l'un de ses amants mort, l'autre disparu, Culebra passe ses journées empli de désespoir, parfaitement conscient que ses prédécesseurs ont tous connu la mort de seulement deux façons : l'assassinat ou le suicide.

Argues that the 13th-century French poem can best be understood not by trying to resolve or choosing among the diverse meanings within it or among the myriad of interpretations by scholars and medieval and modern readers, but to accept those differences and reflect on our own willingness to accept to reject those meanings as a guide for a love or morality. Paper edition (unseen), $17.95. Annotation copyright by Book News, Inc., Portland, OR

Around the year 1400, the poet Christine de Pizan initiated a public debate in France over the literary "truth" and merit of the Roman of the Rose, perhaps the most renowned work of the French Middle Ages. She argued against what she considered to be misrepresentations of female virtue and vice in the Rose. Her bold objections aroused the support and opposition of some of the period’s most famous intellectuals, notable Jean Gerson, whose sermons on the subject are important literary documents. "The Quarrel of the Rose" is the name given by modern scholars to the collection of these and other documents, including both poetry and letters, that offer a vivid account of this important controversy. As the first dual-language version of the "Quarrel" documents, this volume will be of great interest to medievalists and an ideal addition to the Routledge Medieval Texts series. Along with translations of the actual debate epistles, the volume includes several relevant passages from the Romance of the Rose, as well as a chronology of events and ample biography of source materials.

The first truly in-depth, interdisciplinary study of philosophical questions in the seminal medieval literary work, the Roman de la Rose.