En Bolivia, el 9 de abril de 1952, despus de tres das de combates los trabajadores derrotaron al ejrcito nacional, arrebataron el poder poltico a la oligarqua e impusieron un gobierno al servicio del pueblo. Naci la Revolucin Nacional, una de las tres ms grandes realizadas en Latinoamrica durante el Siglo XX. El ensayo La Novela Revolucionaria. Contribucin a la Crtica demuestra que novellas publicadas durante el perodo pre revolucionario, provocaron cambios ideolgicos en las conciencias de los lectores populares, y de ese modo contribuyeron a la Revolucin Nacional Boliviana. Otras novelas escritas durante los aos del gobierno revolucionario, procuraron crear una conciencia en favor de una revolucin socialista. Al hacerlo instauraron un nuevo subgnero novelstico: La novela revolucionaria boliviana. El ensayo est enfocado en el anlisis dialctico de dos categoras: Historia y novela. Ofrece referencias conceptuales formuladas por tericos (Karl Marx, Georg Lukcs, Gerald Genette y Robert Jauss) que privilegian una crtica literaria basada en las interconexiones entre el desarrollo social y la cosmovisin que se expresa en las novellas que refl ejan, de uno u otro modo, dicha realidad. El ensayo precisa que la novella boliviana posee la capacidad de tomar de la vida de los trabajadores sus experiencias ms esenciales, y las expresa artsticamente. Siendo lo ms relevante el propsito de ayudarles a convertirse de una clase en s a una clase para s. El mrito del ensayo del Dr. Guido J. Arze es haber sabido demostrar que las novellas revolucionarias bolivianas ayudaron a promover la lucha armada liberadora, usndolas como vehculos de concientizacin, y con ello consagraron un nuevo subgnero: La novella revolucionaria boliviana. Novela que difi ere en cuanto a su funcin de sus semejantes las novelas de la Revolucin Mexicana y de la Revolucin Cubana.

In this exhaustive and enlightening biography—nearly two decades in the making—Gerald Martin dexterously traces the life and times of one of the twentieth century’s greatest literary titans, Nobel Prize-winner Gabriel García Márquez. Martin chronicles the particulars of an extraordinary life, from his upbringing in backwater Colombia and early journalism career, to the publication of One Hundred Years of Solitude at age forty, and the wealth and fame that followed. Based on interviews with more than three hundred of Garcia Marquez’s closest friends, family members, fellow authors, and detractors—as well as the many hours Martin spent with ‘Gabo’ himself—the result is a revelation of both the writer and the man. It is as gripping as any of Gabriel García Márquez’s powerful journalism, as enthralling as any of his acclaimed and beloved fiction.

Cuban writer Iván Cárdenas Maturell meets a mysterious foreigner on a Havana Beach who is always in the company of two Russian wolfhounds. Ivan quickly names him 'the man who loves dogs'. The man eventually confesses that he is the man who murdered Leon Trotsky in Mexico.

Karl Marx is a revolutionary. He is not alone. It is November 1849 and London is full of them: a bunch of fanatical dreamers trying to change the world. Persecuted by a tyrannical housekeeper and ignored by his sexually liberated wife, Marx immerses himself in his writing, believing that his book on capital is the surest way of ushering in the workers’ revolution and his family out of poverty. But when a mysterious figure begins to take an obsessive interest in his work Marx’s revolutionary journey takes an unexpected turn... Marx Returns combines historical fiction, psychological mystery, philosophy, differential calculus and extracts from Marx and Engels's collected works to reimagine the life and times of one of history's most exceptional minds, in this next fiction offering from Zero Books.

Meets the needs of today's teachers and students Gathered to meet the upsurge of interest in Latin America, this collection features major critical articles dealing with the authors and texts customarily taught in colleges and universities in the United States. The articles are in English and Spanish, with a predominance of the former. Surveys a dynamic and exciting area of research Four Latin American writers have won the Nobel Prize for Literature: Guatemalan Miquel Angel Asturias, Chilean Gabriela Mistral, Colombian Gabriel Garcia Marquez, and Chilean Pablo Neruda. Also internationally recognized are the Argentine Jorge Luis Borges, the Mexican Carlos Fuentes, and the Chilean Isabel Allende, to name only a few. Moreover, the sociopolitical circumstances of the past four decades of Latin American history, and the growing importance of the region have resulted in the creation of Latin American studies programs in numerous American universities. All of this literary activity hasinspired innumerable dissertations, theses, books, and journal articles. Explores contemporary Latin Americanissues and concerns In the face of such an enormous proliferation of commentary, students of Latin America and its literature need a body of basic texts that will provide them an orientation in the various research areas and new schools of thought that have emerged in the field. Particularly important are the essays and articles that have appeared in periodicals and other sources that Anglo American readers often find difficult to obtain. Individual volumes available: Vol. 1 Theoretical Debates in Spanish American Literature 448 pages, 0-8153-2676-9 Vol. 2 Writers of the Spanish Colonial Period 456 pages, 0-8153-2678-5 Vol. 3 From Romanticism to Modernismo in Latin American Literture 352 pages, 0-8153-2680-7 Vol. 5 Twentieth-Century Spanish American Literature Since 1960 416 pages, 0-8153-2681-5

In 2015, the Mexican state counted how many of its citizens identified as Afro-Mexican for the first time since independence. Finding Afro-Mexico reveals the transnational interdisciplinary histories that led to this celebrated reformulation of Mexican national identity. It traces the Mexican, African American, and Cuban writers, poets, anthropologists, artists, composers, historians, and archaeologists who integrated Mexican history, culture, and society into the African Diaspora after the Revolution of 1910. Theodore W. Cohen persuasively shows how these intellectuals rejected the nineteenth-century racial paradigms that heralded black disappearance when they made blackness visible first in Mexican culture and then in post-revolutionary society. Drawing from more than twenty different archives across the Americas, this cultural and intellectual history of black visibility, invisibility, and community-formation questions the racial, cultural, and political dimensions of Mexican history and Afro-diasporic thought.